По-русски

Multicolored Barcode

Late last year, yet another medical institution in the southeast of Moscow got positively-looking multicolored facades that inspire confidence in the art of healing and the triumph of life. The project of reconstruction of Research Center for Obstetrics, Gynecology and Perinatology named after Kulakov, situated on Akademika Oparina Street, was developed by the author team led by Alexander Asadov.

06 February 2013
Object
mainImg

The architects got this order thanks to the successful implementation of their project of Federal Scientific and Research Center of Pediatric Hematology, Oncology and Immunology whose dazzling facades beautified the crossing of Leninsky Avenue and Miklukho-Maklaya Street. The reconstruction and remodeling of its interior premises had been carried out in the center a few years back - now it is not only Moscow's but the whole Russia's most advanced clinic in its class - but from the outside it still looks like a rather ordinary gray volume. Its image is in fact a nutshell of the basic principles of Soviet modernism - simplicity and harshness of composition, laconism of decoration, minimal plastics - and it is probably the length of its main building alone that makes it stand out against its surrounding background. After the Center of Pediatric Hematology, Oncology and Immunology was built nearby, the management of the center got a vivid example of how bright and unconventional the architecture of a medical institution could be. The decision to commission the development of the project of facade reconstruction to the same team of architects made perfect sense, even though the immediate vicinity of the already implemented "prototype" created a few extra challenges.

 

The thing is that Akademika Oparina Street runs parallel to Leninsky Avenue and stops dead crossing that same Miklukho-Maklaya Street. In fact, it is the same block that the Center of Pediatric Hematology, Oncology and Immunology has already been built in. The crucial difference in the location of the two medical centers consists in the fact that the Daedalus Prize winning children clinic building stands with its main facade turned to the multilane carriage way, while the Obstetrics Center is flesh and blood of the tensely populated residential area. It is specifically because of the density of the housing that the two medical buildings do not interact with one another - but once you exit the maternity home and walk just a few meters away, you start seeing time and again, in the clearances between the houses, the bright colors of the pediatric center. This is why the architects got the task of coming up with a fundamentally different "color code" - the renewed facades of the Maternity Center were to be different from those of Pediatric Center but be as optimistic-looking.

 

Working on the new image of the facades, the architects looked not only to refresh them but also to develop the building's intrinsic principles of modernist architecture and highlight the strong points of the latter. This is why as the starting point of the reconstruction project was chosen the layout of the complex built back in 1979. On the plan it looks like a hair comb and consists of the main longitudinal building and five transverse ones, the length of them varying and the height being twice as little (three floors versus six in the main building. The longest "tooth" that is turned to the crossing of Akademika Oparina and Ostrovityanova Streets, plays the part of the main facade of the entire complex - it is here that the main entrance is situated, manifested by brutal triangular pillars and rectangular bay windows. So it was this fracturing into separate bulky segments that became the main theme of the new "color code".

 

Totally, there are five bay windows, each of which the architect painted into a distinct color of its own - red, yellow, blue, dark green, and bright green. The latter becomes the leitmotif of the decoration of the entrance group - it bleeds onto the long horizontal beam above the main entrance porch and the pillars flanking it from the opposite side. The niche itself, in turn, is painted yellow. Highlighting the main plastic elements with color and coating them with Kraspan panels fundamentally changes the image of the facade: what used to look like a mono-texture light-gray mass, now has become a canvas with bright strokes that not only make the building look more dramatic but also help the visitors find their bearings a lot easier.

The five basic colors that are brought to the surface of the entrance facade form the color palette off the complex. One could compare them to a set of magic markers or maybe to a barcode that bears the encrypted information about this building, or, rather, about the changes that the obstetrics center underwent in the course of the reconstruction. And while the facades of the pediatrics center are surfaces painted with bright optimistic colors, this building, on the other hand, is dominated by white color - possibly, the most appropriate metaphor for the birth of a new life and the aseptic conditions in which it must take place. Apart from the already-mentioned bay windows, only the side walls of the transverse buildings are executed in full color - all the other facades present snow-white surfaces, over which the colorful strokes (or "splashes", as the architects themselves call them) are thrown. What is interesting is the fact that their length varies from floor to floor which helps avoid the trivial "striped pattern" and make each part of the facade look individual. This technique looks particularly striking on the facades of the longitudinal building - the multicolored barcode visually fractures the elongated volume, at the same time keeping its linear character.

Apart from "sanitation" of the existing facades, the reconstruction project developed by Asadov team and "Transumed" company provides for the construction of a whole new building on the territory of the complex - the contemporary perinatal center. The architects plan to position it in the yard in such a way that three transverse buildings out of five became the overpasses from the old building into the new one - the connecting galleries are going to be built on the roofs of the three-storey volumes. And, since it makes little sense to start a reconstruction just because of but one overpass, the authors propose to use its space for the conservatories, meeting rooms and recreation areas for the patients. On the plan, the new volume has the shape of a tick mark - one wing of the building is located parallel to the main building of the center, and the other one is turned at a 45-degree angle to it. "Such positioning lends us the opportunity to make the most of the land site allotted to us and maximally expand the area before the main entrance to the future perinatal center", - the designers explain. The architectural solution of the new building develops the theme given by the following volume: the terminal laconism of the parallelepipeds is softened by the multi-corner side walls, and the color barcode is added by a frieze with stained-glass pieces with colorful inserts between them.

And, while the the construction project of the perinatal center has entered the concluding stage of obtaining the final permissions, the reconstruction of the facades of the center is already complete - the snow-white 290 meter long building, dissected with multicolored vertical stripes, has really made a difference in the outlook of Akademika Oparina Street, bringing into the rather faceless and aggressive visual environment a bright and dramatic centerpiece that symbolizes the purity and joy of a new life being born.




06 February 2013

Headlines now
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.