25.10.2007

Accord and fight

  • contemporary architecture

Architecture of the largest of Red Roses new buildings is a sculptural etude on interplay of the old and the new. They live in peace, but in some parts the façade turns into a battle scene

Information:

Reconstruction of the Red Rose factorys territory is the newest and most famous project in Moscow of such kind. We might as well say that this project, started in the beginning of 1990s, is one of those that have given a start to the tendency of turning industry zones into modern business (rarely residential) areas. In 2003-2004 Sergey Kiselev and partners company designed the town-planning concept of Red Rose territory reconstruction and then made projects of the two most grand office buildings of A class. About one of them, the shed building 1, we have recently told. The second one, 8, is on the opposite, southeastern part of the territory.

Building 8, started in 2007 (spring), is a huge square with the inner yard. The largest in the block (total area is over 61.000 m2) this building will unite a few facades, restored according to the layouts, an old building and modern glass of the chief volume.

The saved building joins the main one from side and its front views Timur Frunze street. The architects said this was the most expensive one - a small and extravagant diamond surrounded with useful area. Very probably, it will be sold at higher cost to some huge representative office. Only, there will be the three façade walls left, but they wont be concrete, but made of old brick. It cost even more to firm foundation so that walls wouldnt fell down.

Along the opposite, Lva Tolstogo street, there are three facades that are to be dismantled and further reconstructed according to survey (they get into the influence area of the monument museum-cottage of the writer). These are the stretched brick building and the two small houses, faced with yellow stucco. For the reconstruction it is planned to use German hand-formed brick that imitate materials of 19th century. In the lower part of the red façade there will be gallery instead of windows that is widened due to pavement.

By the third façade there will be the narrow street that have never been here before. From the north building façade begins with the saved brick part, on the south it ends with the reconstructed and stucco part. Between them a well-seen implementation of the interpaly of the two origins of modern architecture: manufacturable, structural glass and contextual searches that is alright here and inevitable due to historical frames from the both sides. Architectural forms make a kind of sculpture here its really a battle-scene describing modernism and history fighting with each other. The old buildings, that flank the composition, send their emissaries to the middle part red-brick plates that go fighting with the huge glass volume, which grows higher extending a little from the line of the narrow street. The fighting line breaks up, curves and is covered with wide arch of the passage in the middle, in some parts brick planes are covered with glass oriels opponents agents; but they keep ground and it seems that in answer, there appear asymmetrical impulsions in modern surface deepened loggias. Everythings dynamic, graded and will be made of expensive structural glass that allows creating huge and solid stained-glass panels.

Dynamic potential, perceptible from the narrow street side, effects differently the inner yard. Its square space looks like a leaguer of modernism surrounded with reconstructions and restorations, placed along the perimeter. Here, in the yard, there is much glass in giant concrete frames, interlacing different shapes, asymmetrical insertions. Volumes of staircases, that are closer to the three facades of the yard square, are unfolded in 20 Co toward walls, on the 4th level motion is seized by alike ledge of the large hall, so the space of the yard is not that square but goes spiral. If you look at the building layout you will see that the outline of the inner yard consists of the two squares, turned towards angle-wise and overlapped main volumes and the walls follow into line with the first one, and staircases to the other one.

Text by: Sergey Kisselev, Julia Tarabarina
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Partner Architects of Archi.ru:

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  • Nikita Yavein
  • Mikhail Kanunnikov
  • Alexander Asadov
  • Anton  Bondarenko
  • Ilia Mashkov
  • Natalia Shilova
  • Julia  Tryaskina
  • Andrey Asadov
  • Sergei Tchoban
  • Oleg Karlson
  • Evgeny Gerasimov
  • Sergey Skuratov
  • Alexander Skokan
  • Yury Safronov
  • Karen  Saprichyan
  • Totan Kuzembaev
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  • Konstantin Khodnev
  • Tatiana Zulkharneeva
  • Natalia Zaichenko
  • Alexander Brovkin
  • Stanislav Belykh
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  • Vladimir Plotkin
  • Dmitry Likin
  • Ekaterina Kuznetsova
  • Polina Voevodina
  • Roman Leonidov
  • Nikita Tokarev
  • Igor  Shvartsman
  • Vera Butko
  • Sergey  Senkevich
  • Rustam Kerimov
  • Vladimir Kovalev
  • Nikita Biryukov
  • Anatoly Stolyarchuk
  • Arseny Leonovich
  • Ekaterina Gren
  • Mark Safronov
  • Ilya Utkin
  • Nikolai  Milovidov
  • Valeria Preobrazhenskaya
  • Oleg Shapiro
  • Anton Nadtochiy
  • Andrey Romanov
  • Aleksey Ginzburg
  • Alexandra Kuzmina
  • Levon Ayrapetov
  •  Valery  Lukomsky
  • Oleg Medinsky
  • Andrey Gnezdilov
  • Natalia Sidorova
  • Daniel  Lorenz
  • Zurab Bassaria
  • Sergey Oreshkin
  • Yuliy Borisov
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Buildings and Projects: New Additions

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