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Lifestyle - 2006

On October, 10th in The Central Artist’s House the International exhibition of design and a decor of an interior " Lifestyle - 2006 ", arranged by the company of the EXPO-PARK has opened. Leading brands of the interior arts have formed " city of boutiques ", and special projects as it is usual, have added the highlight to the general shine

12 October 2006
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Firm:
Project group Pole-Design

The exhibition of design of an interior is done by the EXPO-PARK since 1997. For this time the concept of an exhibition some times changed: in the beginning there was a Russian variant of world famous exhibition Obenta, or the consumer goods; then - cooperation with the magazine The Attic. Today, organizers of an exhibition consider, « the understanding of the internal filling of buildings, roles of the designer in creation of an inhabitancy and division of a role of the set dresser, the designer and the architect is important ».

This year stands are transformed into mini-boutiques, and should, on a plan of organizers, show fragments of high-grade, staged down to details, interiors of different style directions. There are for about a hundred stands in total, they show almost all components of modern luxury: furniture from vanguard up to elaborate, house textiles, porcelain and other.

Among the special projects the main allocates - "Gallery ADD", created by curators architects Vlad Savinkin and Vladimir Kuzmin at support of French furniture firm Roche Bobois. The gallery is located in front of the entrance in the basic hall and it is the red labyrinth filled by photos of good interiors - country houses, workshops, night clubs and the offices designed by Anton Nadtochiem, Michael Filippovym, by the workshop « Vitruvii and sons », studio «Three A design » and others. As a matter of fact, it is a variant "Аrchcatalogue", arranged at ArchMoscow, but smaller one, and it is better incorporated by a curator plan. As it is known, a labyrinth – is also an interior, one of the trickiest variants of an interior, some kind of no antagonistic contrast to the cozy and smart corners exposed at other stands. The impossibility to live in it is compensated by that it is a convenient variant of exhibition space because it allows to find room for the maximal number of running meters on rather small area, having hanged out along them an exposition. The cramped space answers the chamber of the interior genre, and its complexity comes across with the market variety of a surrounding exhibition. The hint on mythological history which is hardly guessed from a combination a labyrinth - architects - red color, whether wishes to tell instead of a signboard: « … and here - interiors of good architects », whether reminds of a coming nearer distribution of « crystal Dedals » …

Besides all these the group MODUL and the magazine "Headquarters" show the project of the author's lamps « The Light and the Shadow ». Having taken « … beside not laying … » subjects and having connected them with direct instructions on light sources, the Moscow designers have built a conceptual collection of the light equipment. Besides bench projects, within the limits of an exhibition the master-class of the main designer of company Watts and Westminster Fiona Flint is planned, and also « Moscow at your home » where on an example of an under construction multipurpose complex « City of Capitals » it will be told about the features of the interiors including panoramic glassing.

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Firm:
Project group Pole-Design

12 October 2006

Headlines now
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The Colorful City
While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.
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In Orbit of Moscow City
The Orbital business center is both simple and complex. Simple in its minimalist form and optimal office layout solution: a central core, a light-filled façade, plenty of glass; and from the unusual side – a technical floor cleverly placed at the building’s side ends. Complex – well, if only because it resembles a celestial body hovering on metallic legs near Magistralnaya Street. Why this specific shape, what it consists of, and what makes this “boutique” office building (purchased immediately after its completion) so unique – all of this and more is covered in our story.
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The Altai Ornament
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Pro Forma
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The Arch and the Triangle
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Health Factory
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The Blooming Mechanics of a Glass Forest
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Grace and Unity
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Daring Brilliance
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A Twist of the Core
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The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
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Water and Wind Whet the Stone
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Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
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The IT Town
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The Heart Lies Within
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Magnetic Forces
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Orion’s Belt
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Interview
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
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Exposed Concrete
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One Step Closer To the Dream
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Chalet on the Rock
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Interview
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
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A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
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Field of Life
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A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Review
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
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A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Report
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
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Terraced Design
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A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!