По-русски

Underground road

In Moscow, a couple of years ago, the reconstruction project of New Arbat was extensively discussed - the city authorities planned to hide a part of the street under the ground, and the rest ground part turn it into a walking boulevard with numerous recreation and shopping areas. The project still remains doubtful, the highway street is central and essential, but the Moscow architects liked the idea to hide roads under the ground and leave the town clear for foot-passenger. For example, the architectural concept of development of the Minskaya street has such town-planning concept, it is designed by the ABD architects and last year it won the open contest.

28 October 2009
Object
mainImg
Object:
Contest project of architectural concept on development of Minskaya street, Moscow
Russia, Moscow, Minskaya street

Project Team:
B.Levyant, B.Stuchebrukov, S. Dzhabrailov, L.Mikishev, Y.Golubeva, M.Stepura, D.Homyakova, A.Volyncev

2007

Client - "Moskomarchitektura"
The object of the project contest is a piece of Minskaya street from Kutuzovsky highway to Bolshaya Filevaskaya and the nearby city-blocks. This is the Fili-Davydkovo district, one of the best in terms of infrastructure and ecology. And at the same time it is one of the most heavily populated in the west part of the capital. There are no industrial facilities, but a lot of small lanes, cozy small yards surrounded by five-storey apartment buildings. For a few years now building of Hruschev period are being demolished and on their places there appear high-rise apartment buildings. The most active the process is, the more authorities are getting concerned about the problem that the district is lacking a general concept of developing which would regulate different of the development and set the centre of Fili-Davydkobo.
Another ambitious town-planning goal is about development of Minskaya street which soon will be a part of the Fourth Circle. To avoid serious conflicts between the interests of the city and its citizens, a new architectural concept to implement some points of municipal transport infrastructure development program and reduce a negative influence of municipal road onto the surrounding housing is required. Unfortunately, there are a lot of examples when large transport communications simply tear up the texture of an urban area. Such is Leningradka in Moscow, Kifisia in Athens. Last year Moscomarchitecture announced the closed contest on an architectural development concept of the area of Minskaya street from Smolensky rail road direction to Bolshaya FIlevskaya street. The project designed by ABD architects was considered one of the best.
The idea of the project is to replace Minskaya street under the ground and develop the territory of the former drive way. Minskaya street is not the widest one in Moscow, but there are about 3 or 4 lines in each direction and when they will be released from the traffic, the district will gain really a huge territory.
The existing transport planning of the district is very traditional. Along Minskaya street you can drive through the district, on the rotary intersection, located somewhere in the centre of the reconstructed area, you can drive to the right or to the left, and along any of the streets on the perimeter you can come round the district and back to the main base line. The advantages of the planning are obvious, traffic jams is a rare thing in Filevo-Davydkovo (except for the streets nearby Gorbushka) and any part of the district can be reached by a few ways. The ABD architects take the main part of the road under the ground but they save the organization principle of the traffic within the district. The project of ABD architects provides four additional roads. They form a transport circle with one-way traffic which takes most of the projecting territory and replaces all the traffic out of the central section of the development area. The two streets perpendicular to Minskay street – Malaya Filevskaya and Oleko Dundicha – will also be taken underground, and Kastanevskaya, where they cross there is a heavy traffic, will break into two isolated parts.
Near the underground station “Filevsky park” on Minskaya street the architects offer a multi-level intercepting parkings. Any large foot-walkers area is specified by a large number of shopping, residential and office complexes, and many people drive to such places. The idea is simple, it is faster and easier to slip from the tunnel into a “bag” of the parking, than to search for a place along the nearby streets, and they will get rid of cars.
Empted spaces the architects call a multifunctional public zone which soon will become a local city centre. The part which used to be a road becomes a green boulevard cut by paths. ABD architects are true to their beloved principle of visually comfortable area and there are no straight paths. Zigzag boulevard will open foot-walker interesting views, and numerous resting areas and playgrounds, zones for social events, will “fill” the walks.
Along the boulevard there will be shops and services – in the project there is chain of such 2 or 3-storey volumes. They join 30storey apartment towers with the main retail and office centre located nearby the underground station. Except for the residential skyscrapers, there are 8 of them, there are 11 residential city-blocks with group housing of 8-12 storeys. While the residential skyscrapers create a system of visual accents the closed blocks provide strict division into public and private spaces, but finely continue the town-planning tradition of Fili-Davydenko district.
We can’t imaging the New Arbat without traffic, but transformation Minskaya street into a pedestrian boulevard seems obvious. The authors of the concept felt the character of the area and managed to bring back the charm of old filevsky streets by modern means.
zooming


Object:
Contest project of architectural concept on development of Minskaya street, Moscow
Russia, Moscow, Minskaya street

Project Team:
B.Levyant, B.Stuchebrukov, S. Dzhabrailov, L.Mikishev, Y.Golubeva, M.Stepura, D.Homyakova, A.Volyncev

2007

Client - "Moskomarchitektura"

28 October 2009

Headlines now
​The Ever-Changing Mist
T+T Architects has developed a concept for a premium business center featuring “living” façades that change their configuration depending on weather conditions, time of day, and the occupants’ needs, transforming the building into an urban-scale installation. The idea of endless variability continues inside, with interiors designed to accommodate different scenarios of use. Some of the engineering solutions proposed for the project are being introduced to the Russian commercial real estate market for the first time.
​A Small Book of Farewell
The book dedicated to Valery Kanyashin, published by his colleagues at Ostozhenka Architects, is remarkably small. It fits comfortably in the palm of your hand, more like sketchbook than an actual architectural monograph. Combined with its tiny print run, the result is an intentionally unglamorous, decidedly non-representational publication – one that is made “for friends”. Yet the way it weaves together projects, texts, photographs, and drawings is remarkably subtle. Perhaps this is precisely how one comes to understand a person, at least a little, by tracing the course of their creative life.
Win-Win
For Perm, the opening of the new home for its Art Gallery – guardian of the famous collection of Perm wooden sculpture – marks the end of a 35-year search for a building worthy of a collection that had long outgrown the city cathedral that had served as its only home. Sergey Tchoban considers the project one of the most important of his career in Russia and emphasizes that it deliberately avoids “iconic” architecture in favor of contextual appropriateness. We traveled to Perm to explore both the building and its extensive new exhibition, and found that, much like Tchoban’s other museum projects, it is conceived in a distinctly contemporary way: the old and the new do not merely coexist but reinforce one another through contrast, sharpening the visitor’s perception of the museum.
A Score for 12th Line
“Amo”, a residential complex designed by Stepan Liphart on Vasilyevsky Island, brings together three architectural ideas: the cour d’honneur, a piazzetta-like courtyard, and imagery borrowed from Renaissance architecture. Together, these elements make a contemporary apartment complex feel more humane, extending the theme of individuality in residential design. The effect is achieved through a carefully calibrated vocabulary of moderately standardized components: recessed façade panels enriched with sgraffito ornament, a disciplined hierarchy of cornices and moldings, and a series of bespoke decorative details. The development combines residential and hotel sections that frame the restored wooden mansion of the Brömme brothers.
Riverfront Façade
The Premium residential complex, designed by KPLN, has been built in the town of Pushkino, just outside Moscow, on the banks of the Serebryanka River. Its two towers reinforce the scale of the high-rise development that emerged here in the 2000s, while introducing a bolder architectural form that reads more effectively from a distance, along with a system of contrasts and design strategies responding to the site’s waterfront setting. One of the project’s distinctive features is a series of metal discs that conceal air-conditioning units while serving as an additional decorative layer.
A Construction Set for Adult Life
In the project by Atrium, the new building for Moscow’s School No. 2107, designed to accommodate 1,100 students, is above all a carefully organized system of learning and recreational spaces. On the one hand, it is complex and highly articulated; on the other, it remains intuitive, safe, and conducive to personal growth. In a sense, it serves as a model of life in the city – a place where one must communicate, make decisions, plan ahead, and find a balance between work and leisure. All of these scenarios are reflected, to varying degrees, in the building’s architecture.
Axis of Rotation
One of the installations in the Masters exhibition at Arch Moscow featured a futuristic yet entirely feasible project by Vladimir Plotkin and TPO Reserve – a tower that could be assembled from prefabricated factory-made modules. The concept even incorporates the possibility of slow rotation (!). Using the same module, one could create a residential block, a giant cantilevered “arrow”, or virtually any other configuration you could possibly think of. Let us take a closer look at the module itself.
A New Magazine and a New Ranking
The magazine Expert.Urban has only just appeared, apparently timed to coincide with Arch Moscow. It is published with the support of VEB.RF and Strelka KB. We have not yet had time to read it cover to cover, but the impression so far is that it consists of about eighty percent interviews. It also features a distinctly “Strelka-style” initiative: a ranking of the “Best Architect of Moscow in the 21st Century”. So, who came out on top? Sergey Skuratov. Yuri Grigoryan took second place, and Sergei Tchoban came third.
Oleg Shapiro: “We design life as a whole, in all of its diversity”
Wowhaus has long since outgrown its association with “urban improvement” projects alone. One of its newer directions is neo-industrialization. Another is large-scale master planning. Yet work on Gorky Park is once again underway – only now on a more systematic and far-reaching level. In this interview, we simultaneously revisit Rem Koolhaas, Strelka, and the history of attention to the “urban environment”, while also exploring what exactly Wowhaus is working on today and how the company operates – with its nine divisions and approximately 160 employees.
Red Card for Copyright
The development concept for the territory of Shinnik Stadium in Yaroslavl, prepared by PI ARENA, took second place in an open call competition. The architects proposed a unified structure combining a football arena, a hotel, and the headquarters of PSB Bank, with carefully considered usage scenarios. However, the competition was organized in such a way that the team ultimately chose to forgo the prize money in order to retain their copyright.
CinemaHologram
Not long ago, the Moscow authorities approved the project for a new House of Cinema complex by Kleinewelt Architekten. The original 1968 building could not be preserved – yet the architects managed to save its stained-glass panels, metal reliefs, and even the volumetric parameters of the structure, which will continue to house the Union of Cinematographers and cinema halls. The project’s main focal point, however, will be a residential tower. We examine its sculptural qualities and its allusions within the Moscow context.
Form as Method: TPO Reserve
At the core of the concept developed by Vladimir Plotkin and TPO Reserve lies an unconventional morphology that addresses functional challenges beyond purely formal concerns. Above all, however, it serves expressiveness and creates a rare kind of spatial and emotional experience, as becomes evident when examining the project’s key solutions. We studied it in detail, and it was all worth it. Our interpretation is that what drives this project is neither style nor even metaphor, but rather a method.
Mound of Memory
The competition proposal for a memorial complex on the Pulkovo Heights by Studio 44 will not be realized, yet it deserves attention as an intriguing example of how architecture can symbolize traumatic events and thereby contribute to their processing and integration into human experience. The architects also succeed in combining memorial and recreational functions without slipping either into excessive dramatization or oversimplification. The project develops ideas explored in two earlier competition entries that likewise remained unbuilt – the Museum of the Siege of Leningrad and the Tuchkov Buyan park. It also recalls the mound-like hill that Alexander Nikolsky embodied in the form of the now-lost stadium on Krestovsky Island.
Home Base
Working on the new building for Letovo Junior School – opened to students in autumn 2025 in the MSU Valley – the architects of UNK, following the client’s vision, subordinated both façades and interiors to the theme of “home”. Multiple variations of pitched roofs, a city skyline traced across glass balustrades, wooden textures, and a whole series of micro-spaces for retreat within public areas are all at the disposal of primary and middle school students. We take a closer look at the new school building – and at how it interprets current trends in educational environments.
Doubles Match
The architecture of the Tennis Palace built in Luzhniki Olympic Complex, designed by Arena Design Institute, was shaped by three factors: the proximity of the brutalist Druzhba Arena, the closeness of the Moskva River and the metro bridge overpass, as well as the specifics of the function – tennis courts require large spans, abundant light, yet at the same time protection from direct sunlight. The architects divided the building into several blocks, playing on contrast, which is further emphasized by the façades developed in collaboration with TPO Reserve and Vladimir Plotkin.
Microdynamics of Macroprocesses
Given the proximity of the multifunctional complex SOLOS to Sokolniki Park and to a major transport hub, Kleinewelt Architekten embedded in the design of the two high-rise towers a sense of dynamism more characteristic of natural phenomena than of man-made objects. Without the authors’ diagrams, this logic is not easy to decipher, although the eye immediately detects a pattern and tries to grasp it. It seems to us that one tower contains the impulse of a bud about to open, while the other evokes the movement of a lithospheric plate. Let us try to unravel it together.
The Space of Post-Cubism
Sergei Tchoban and Alexandra Sheiner, of Studio CHART, created for the exhibition of “post-cubist” sculpture by Beatrice Sandomirskaya – a talented and even “mainstream” artist, yet almost unknown even to art historians – a space akin to her sculptural language: solidly built, confidently stereometric, and subtly expressive. It curves, emphasizing the mass of the sculpture, envelops the viewer, and guides them from one perspective to another, from a generic “shrine” to a “Madonna”.
The Value of Open Space
For the site near the Barrikadnaya Metro Station, Sergey Skuratov developed five projects between 2020 and 2025. Two of them were ones that won the client’s invitation-only competitions. The fifth was recently selected by the Mayor of Moscow for implementation. The project is vivid and sculptural, expressive, eye-catching, and engaging – very much in line with the spirit of our time. And yet, this project is mid-rise rather than tall. In its northwestern part, near the metro and Druzhinnikovskaya Street, it shapes a comfortable urban environment. On the opposite side, it opens up, allowing sunlight into the courtyard and creating a spatial pause within the dense city fabric. How it is organized, what geometric principles underlie it, and why it takes this form – all this is explored in our article.
Coming From the Cold
The ArchBukhta Festival remains one of the few events in Russia where participants go through the entire process of creating an architectural object – from concept to construction. And they do so on the shores of Lake Baikal, in dedication to it. This year, GAFA took part and shared its experience: a local legend, a team-specific design code, friendship, as well as ice skating and endurance in freezing temperatures all contributed to gaining something more than just an award.
Symphony of Water and Brick
The Alter residential complex, designed by Stepan Liphart and built on a bend of the Okhta River, is an example of a “drawn house”: the number of original architectural details is virtually immeasurable. As a result, ribs, projections, and recesses create a picturesque silhouette even without a significant variation in height. Both composition and material respond to the proximity of the river and to the red-brick factory building dating back to the early 20th century. The project was also significantly shaped by recommendations from the city’s chief architect. More details in our article.
The Penguin House
The building with a curved façade on Brestskaya Street is one of the manifestos of Russian neomodernism of the early 2000s, a sculpture – this is how Anatoly Belov interprets it, speaking of “breaking from the modernist canon and the contextual approach”. We do not fully agree with the author, but his perspective is an interesting one.
Wave and Vertical
The premium residential complex designed by GAFA for a site in the Khoroshevsky District responds to multiple constraints – the arc of a planned roadway, the water protection zone of the Khodynka River, and insolation requirements – through inventive massing. The composition is built on the interplay of two spatial layers: an elongated perimeter block and three towers concealed behind it generate the silhouette and key viewpoints, while also adding semantic depth reinforced by the façade solutions. Another defining feature is a large private courtyard, complemented by a citywide linear park.
Office on Trubnaya
We continue publishing projects by Valery Kanyashin. A building once described, a quarter century ago, as an example of “quiet modernism” has remained just that in some people’s memory. According to Anatoly Belov, its main quality is its unobtrusiveness. The architects from Ostozhenka say the leading role here is played by context and landscape – the change in elevation. Yet is it really so inconspicuous?
The First International
With this publication, we begin a series of texts dedicated to works by the late Valery Kanyashin, one of the founders of Ostozhenka Architects. As it happens, the projects he was involved in largely illustrate our understanding of the firm and its history. The first project in this series is the International Moscow Bank on Prechistenskaya Embankment.
In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
In their competition proposal for the Fili transport hub, the consortium led by Alexey Ilyin proposed an “inhabited arch” – a form that is simple yet complex. The architects emphasize that even at the competition stage, the project’s feasibility was fully calculated, taking into account the minimal nighttime closures of Bagration Avenue. How was this achieved? With what functions? Let us take a closer look. In our view, the building would have suited the heroes of Isaac Asimov’s Foundation novels perfectly.
The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.