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The Chimney of Nikola-Lenivets

In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.

01 August 2024
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The “Obelisk House”, designed by Petr Sovetnikov and Vera Stepanskaya (KATARSIS) joined the Nikola-Lenivets bunch of “art object” houses last year, having changed its name at least once (we will discretely refrain from telling you the original one). Then it took some time to finish it, and it was only recent that the architects felt up to showing their creation in all living glory, and finally sent us its photographs.

Although its authors call the house “Obelisk” now, the first thing that comes to mind when you look at it is a chimney – the kind that usually survives along with the brick furnace after something happens to a wooden house (burned down or just rotted away and collapsed). Nothing seems to be able to destroy this brick furnace that keeps staying out in the fields forever and ever. And, of course, it immediately evokes associations with the brick stove from the Russian fairy tales that used to force-feed children with her tasty pies – at least because the house, just like the stove from the old Russian cartoon, is kind of hiding behind the trees. It looks like it’s about to say “Come and taste my pies, children”. And I’ve saved the best for last: the only window that the house has is horizontal, and it looks like very much a mouth.

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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects
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    The Obelisk House, a project
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects


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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects
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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects


The Obelisk House
Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects


All these metaphoric similarities make one perceive it not so much as an “Obelisk House” as a “Chimney House”, and, hence, a semantic vis-à-vis to another “Chimney House” across the road: the “Russian Ideal” designed by Sergey Kuznetsov. Both houses feature a chimney, but one of them, horizontal, rounded and metallic, hangs over the slope. The other one, vertical, square, and wooden, stands upright, firmly rooted into the ground. Marriages are made in Heaven – they definitely belong together. 

This is a statement, which is quite appropriate for Nikola-Lenivets: no statement – no art object. And a statement surely looks better when it’s part of a dialogue.

However, the house is involved in a dialogue with yet another house – the PO-2 villa designed by Alexander Brodsky. In my opinion, things they have in common are vertical arrangement, a skylight at the top, wooden interior, and ironic allusions to classic art.

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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects
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    A fragment of the interior of “Villa PO-2”. The skylight. Arkhstoyanie 2018
    Copyright: Photograph: Archi.ru


In addition, both houses are hiding among the trees! However, Obelisk is more austere, more volumetric, and closer to “Russian Ideal” – it also has something “ideal” about it.

And it’s not just the symmetry that’s ideal – it’s also the authors’ perfectionism! Brodsky’s house is intentionally sloppy, just like many other works by this architect, and particularly like its prototype, “the fence”. After all, still before the house was completed, they allowed it to stay there with a bunch of trees inside of it; it looked as though the house grew from the forest and the fence.

In our case, however, not only do the logs fit perfectly together, forming a neat beveled shape, but also the concrete base is designed in the spirit of brutalism with traces of wooden cladding: the wooden pattern is embossed on concrete. On the one hand, it’s brutal, yet, on the other hand, you can’t help but marvel at how neatly it is executed.

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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects
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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects


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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects
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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects


In other words, if “Russian Ideal” and “PO-2” were mostly connected by the contrast between them (look how different they are!), now the three “key” houses of Nikola-Lenivets have formed a mise-en-scene; there is now a dialogue between them, all thanks to the KATARSIS house.

Back to examining the house, though! The architects’ description “The house is a spatial metaphor for our life, which inevitably repeats itself from century to century. Ilya Oblomov and Andrey Bolkonsky could live on different floors in the house” intrigues us even more, making us want to live in this house for a while in order to understand the difference between the floors.

And the difference is like this. The concrete base is buried in the ground, and the entrance, which is located on the road side, leads downward. The bottom part is sunken in the ground half of its height. It contains a kitchen, two beds on the sides, and the aforementioned horizontal window, which faces the side opposite to the entrance. The top floor is placed “on the shoulders” of the bottom one; it tapers upwards, and ends in a skylight. The top floor is 8 meters high.

The Obelisk House
Copyright: © KATARSIS Architects


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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects
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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects


The Obelisk House
Copyright: © KATARSIS Architects


This immediately evokes associations with the heroes of the Russian fairy tales, who do nothing but lie on the stove until they’re 33 years old… You have a kitchen below, aka, stove, and a warm space at the top, aka “on the stove”. Probably, the last character of such type was Ilia Oblomov? And his couch was also a kind of “stove”? Whatever. 

In addition to the neat wooden surfaces and a steep staircase, there is a checkered restroom, the kind that was fashionable back in the 1970s, in the brutalist period, and is becoming fashionable again now. Seriously, folks, it is suddenly checkered and black-and-white, dispelling the “village” associations evoked by the dominance of wood.

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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects
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    The Obelisk House
    Copyright: Photograph © Daniel Annenkov / provided by KATARSIS Architects
 

Here you again pay attention to the precision of the volumetric shape, and the wood – again, it looks very “ideal”. Well, it may go gray when exposed to rain, but then it will rhyme with its neighbors even better.




01 August 2024

Headlines now
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.