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​Cape of Good Hope

In this issue, we are showing all the seven projects that participated in a closed-door competition to create a concept for the headquarters of Gazprom Neft, as well as provide expert opinions on those projects.

13 May 2020
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In March, the results of a competition for the best concept for the development of the Okhta Cape were announced. Previously, Gazprom Neft planned to build the highest tower in Europe here, and now it intends to place its headquarters on the cape. The competition involved seven architectural companies, four foreign ones reaching the final, the Nikken Sekkei project coming out the winner.

Below, we publish all the seven projects that participated in the competition.

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Nikken Sekkei. The winner

The Japanese architects were inspired by the sea glory of St. Petersburg and the segment of history when shipyards were located on the Okhta Cape: in the winners’ version, the headquarters resembles two ships swaying on the waves – mother and child, as they were fondly called by Fadi Jabri, Nikki Sekkei CEO, in excellent Russian during a presentation on RBC.

According to the client, the functions of the buildings are still being discussed; there will probably be no clear separation into “office” and “public” buildings. Inside, they will create a cozy space protected from the weather with hanging gardens, water cascades and an object called the Faberge Egg, which looks like a house in a tree. The smaller building is connected to the larger one with a concave roof bearing a sightseeing platform. The negative space between these two forms a frame, inside of which the Smolny Cathedral is “exposed”.

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    Concept of developing the territory of the Okhta Cape.
    Copyright: The image provided by the Gazprom Neft press service © Nikken Sekkei
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Nikken Sekkei / provided by RBC St. Petersburg
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Nikken Sekkei / provided by RBC St. Petersburg
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    Concept of developing the territory of the Okhta Cape.
    Copyright: The image provided by the Gazprom Neft press service © Nikken Sekkei


Critics of the project note the pragmatism and neutrality of the solution presented by the architects, the lack of intrigue and relative difficulty of implementation. The glass facade is not exactly environmentally friendly, and, in addition, it brings about the phenomenon of pseudo-transparency: despite the “crystal” walls, the building looks monolithic and not really welcoming. Also, there is no clarity about what will be done with the archaeological finds.

More about the project ->



MVRDV. A finalist

Judging by what is written in the information field, this project has been the greatest hit with the public. The sectional volume of the office building, the composition of which resembles the abstractions of Vasily Kandinsky, rests on 119 columns, between which trees grow. According to the project, this “forest”, along with the green roof with its lush vegetation, was to be made fully accessible to the city people.

The goals of the Dutch company are quite ambitious: to build the largest wooden building in the world, revive the ecosystem, create a smart work environment, link many contextual threads, from the marshes and the Nyenschanz Fortress to the baroque and Soviet architectural heritage of this area. The latest green technologies provide a “clean” operation of the building.

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The corner view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The winter view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    View of the roofs. Concept of developing the territory of the Okhta Cape.
    Copyright: © Mir
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    The gallery. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The interior. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The park. Concept of developing the territory of the Okhta cape.
    Copyright: © MVRDV
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    The roof. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV


The project is exciting and intriguing. However, after reading the accompanying “manifesto” note, you can see why it fell short of scoring the first place. “Gazprom – says Winy Maas – is among the world’s top three companies in terms of carbon emissions, and our company is radically committed to sustainable design.” To solve this moral dilemma, the architects came up with a headquarters design that is merged with the landscape, which does not harm the environment and does not use fossil fuel for its support, at the same time doing quite the opposite, i.e. purifying the air of carbon dioxide.

Implementing such a project, which does not make a direct statement about the power of the oil corporation, and is in many ways useful for the city, would really be a favorable compromise. However, there are alternative opinions as well. For example, Yevgeny Gerasimov considers the project to be supercilious and argues: one, the trees on the roofs and under the buildings do not grow in our climate, two, blocking the view of the bridge evidences that the architects fail to grasp the fundamentals of urban planning, and, if you remove the greenery, then there will remain a random pile of cubes – and random shapes is something that is totally incompatible with St. Petersburg. This point of view only confirms the need to discuss the future of the cape openly and with the involvement of professionals and the urban community.

More about the project ->

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    Master plan of the 1st floor. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    Master plan of the roof. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The steps for developing the park and the building. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The original vision. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The office level
    Copyright: © MVRDV
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    The wooden structure. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The section view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV



Valode&Pistre. A finalist

At a glance, the project proposed by the French architectural company surprises with the deliberate design that arises from the contrast between the acute angle and the wavy façade – when viewed from above, the building resembles a segment carved from a giant rectangular block. The contrast, as follows from the explanatory note, reflects the different nature of the Neva and Okhta rivers, the merger of which is another semantic load of the site. From the side of Okhta, the facade is more or less monotonous and calm, like the water of a small river. From the Neva side, there are expressive waves, the bends of which frame the areas with the archaeological finds.

Extensive horizontal facades are a tribute to the continuous development of St. Petersburg embankments. And on the “wave” that goes to the Neva, thanks to the glass curves and the play of reflexes, a vertical rhythm is created that echoes the regular rhythm of the colonnades of the historical buildings. According to the authors, the light and color effects are reminiscent of the colors of Russian Baroque architecture, characteristic of St. Petersburg.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre



UNStudio. A finalist

In this concept, just like in the winner’s, the building consists of two units. These two units are linked by a large “corridor” atrium, which serves as the main entrance and the main public space. The atrium commands a view of the Smolny Cathedral and connects the city with the embankment, at the same time offering venues for exhibitions, events and recreation not only for the city people, but also for company employees. For the latter, comfortable working conditions are created: state-of-the-art climate systems, natural light, co-working and recreational areas, as well as an abundance of vegetation in the interior and in the surrounding areas.

The composition is inspired by a pointed plan of the Nienschanz Fortress, the complex glass facades being meant to resemble the edges of a gem enclosed in a pristine frame. The inclined volumes not only create an expressive sculptural surface, but also protect the premises from direct sunlight and overheating. Reflections allow the facade to change depending on the weather and time of day, just like the Neva does.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre


Next, we show the projects that participated in the competition, but did not reach the final.

Sergey Skuratov architects

The concept proposed by Sergei Skuratov looks to be the most thought-out one. The company’s website has a lot of pictures and explanations, according to which the symbolic building resembles a neuron with axon and dendrite rays, “a star, a message, and a signal, a radiance, a flash of energy”. The concave facades pick up the St. Petersburg theme of the semicircle, “modifying the initial plan of Voronikhin with two colonnades for the Kazan Cathedral, which was never to be implemented.” Five skylights of various shapes, like bursts on the surface of water, are placed on a flat greened operated roof.

The internal spaces should create an illusion that the city is really far away – for this, the authors of the project suggest using decorative plants and crops, which they plan to water with rainwater. The active dynamic facade is able to regulate heat transfer with the external environment.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    View from the Okhta embankment of the Smolny Cathedral. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The main entrance to the complex from the side of the Kranogvardeiskaya Square. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The roof. View of the Smolny Cathedral. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The main atrium. View of the amphitheater from the bar. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The mater plan. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS


KOSMOS

The project presented by Kosmos bureau is similar to the MVRDV project in terms of creating a fractional and welcoming building. The Moscow architects, just like the Dutch ones, were inspired, among other things, by the courtyards and roofs of St. Petersburg.

The dense volume of the office building is cut through by courtyards integrated into one system, each with its own atmosphere and landscape. The central courtyard can be closed with sliding doors and turned into a concert hall or an exhibition area. The main public space is located on the roof and is comparable in scale to the Palace Square or the Champ de Mars. In this project, the park, which the authors proposed to make available to city people around the clock, commands views of the Smolny Cathedral and the Neva. In it, the architects placed an amphitheater, a jogging trail, a cafe, co-working spaces, and a mini-football field with spectator seats.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects
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    The main courtyard. Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects



ABD Architects in consortium with Ingenhoven Architects

Again, a “mono-building”. It is turned to the embankment with four terraced units, between which three areas are formed, and towards the city with a continuous semicircle of the facade. The multi-level “well” atriums host pine trees and other large trees. The building is covered by a transparent roof that lets in plenty of natural light. “The image of the building is an innovative interpretation of the Neva embankments,” the ABD website says.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects


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The Okhta Cape is a territory as important for St. Petersburg as the Tuchkov Buyan, which has been talked about for the whole past year. Archaeologists have found here the remains of the Swedish fortress Nyenschanz, the Smolny Cathedral is situated nearby, the Neva, the Bolsheokhtinsky bridge are also factors to consider, and all around there is a slurred urban situation: the place is loaded with vehicles and has not been connected with the city for many years.

Taking advantage of the quarantine lull, the St. Petersburg public draws attention to the closed-door competition in the hope of revising its results.

Architectural critic Maria Elkina launched a petition requesting a more successful project that could become a “compromise between the interests of the city and Gazprom Neft.” “My petition is ultimately not for a specific project or even for a public discussion for its own sake – it is for revising the agenda around the Okhtinsky Cape and everything that is being built in St. Petersburg,” Maria explained on her Facebook page. Currently, the petition has been signed by more than 2800 people.

Some time ago, RBC organized an online conference: joining it is interesting if only to look at experts in a “home” setting – the chief architect Vladimir Grigoryev, for example, spoke with the support of portraits of Vladimir Putin and Alexander Beglov, while the president of the local Union of Architects, Oleg Romanov – from his hunting lodge. Following the results of the conversation, they formulated advice for the client: to look for an intriguing rather than practical architectural solution, to think over a program of public space and traffic flows, to take into account the complex context of the place – with its archaeological values, Soviet heritage and other “baggage”. Vladimir Grigoryev did not rule out the possibility that the project would be considered by the city council.




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Artem Kitaev, one of the founders and partners of Kosmos bureau, shared with us about the competition procedure and specifications.

13 May 2020

Headlines now
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.
​Skylights and Staircase
Photos from March show the nearly completed headquarters of FSK Group on Shenogina Street. The building’s exterior is calm and minimalist; the interior is engaging and multi-layered. The conical skylights of the executive office, cast in raw concrete, and the sweeping spiral staircase leading to it, are particularly striking. In fact, there’s more than one spiral staircase here, and the first two floors effectively form a small shopping center. More below.
The Whale of Future Identity
Or is it a veil? Or a snow-covered plain? Vera Butko, Anton Nadtochy, and the architects of ATRIUM faced a complex and momentous task: to propose a design for the “Russia” National Center. It had to be contemporary, yet firmly rooted in cultural codes. Unique, and yet subtly reminiscent of many things at once. It must be said – the task found the right authors. Let’s explore in detail the image they envisioned.
Greater Altai: A Systemic Development Plan
The master plan for tourism development in Greater Altai encompasses three regions: Kuzbass, the Altai Republic, and Altai Krai. It is one of twelve projects developed as part of the large-scale state program bearing the simple name of “Tourism Development”. The project’s slogan reads: “Greater Altai – a place of strength, health, and spirit in the very heart of Siberia”. What are the proposed growth points, and how will the plan help increase the flow of both domestic and international tourists? Read on to find out.
The Colorful City
While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.
In Orbit of Moscow City
The Orbital business center is both simple and complex. Simple in its minimalist form and optimal office layout solution: a central core, a light-filled façade, plenty of glass; and from the unusual side – a technical floor cleverly placed at the building’s side ends. Complex – well, if only because it resembles a celestial body hovering on metallic legs near Magistralnaya Street. Why this specific shape, what it consists of, and what makes this “boutique” office building (purchased immediately after its completion) so unique – all of this and more is covered in our story.
The Altai Ornament
The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
The Arch and the Triangle
The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
The Blooming Mechanics of a Glass Forest
The Savvinskaya 27 apartment complex built by Level Group, currently nearing completion on an elongated riverfront site next to the Novodevichy Convent, boasts a form that’s daring even by modern Moscow standards. Visually, it resembles the collaborative creation of a glassblower and a sculptor: a kind of glass-and-concrete jungle, rhythmically structured yet growing energetically and vividly. Bringing such an idea to life was by no means an easy task. In this article, we discuss the concept by ODA and the methods used by APEX architects to implement it, along with a look at the building’s main units and detailing.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.