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Wave and Vertical

The premium residential complex designed by GAFA for a site in the Khoroshevsky District responds to multiple constraints – the arc of a planned roadway, the water protection zone of the Khodynka River, and insolation requirements – through inventive massing. The composition is built on the interplay of two spatial layers: an elongated perimeter block and three towers concealed behind it generate the silhouette and key viewpoints, while also adding semantic depth reinforced by the façade solutions. Another defining feature is a large private courtyard, complemented by a citywide linear park.

23 March 2026
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The premium residential development MASTERS will be built to the north of the “slice” of Khodynskoye Field, beyond the curve of 2nd and 3rd Peschanaya Streets, opposite the CSKA sports complex. Despite the density of architectural interventions over the past twenty years, this area has surprisingly retained an undeveloped plot. On the one hand, it is a vacant lot with spontaneous vegetation and an open section of the Khodynka River. On the other, it lies at the intersection of two distinct layers of urban fabric. From the west, the site is approached by relatively orderly rows of Stalin-era residential blocks from the 1950s. From the east, following the course of the largely culverted Khodynka River, the street network bends and warps, and within its “folds” appear residential complexes of the early 2000s alongside remnants of industrial facilities.

Thus, the urban planning task was to connect these two differing urban conditions. At the same time, the location calls for a strong visual accent: the buildings on the site will be clearly visible to visitors arriving at Megasport, VEB Arena, the Aviapark shopping center, or, in the future, one of the business centers along the line of the former runway.

The plot is divided into two parts. The section closer to the Khodynka River is still awaiting its own project, while GAFA worked on the northern half, which is bordered by a yet-designed street. The complexity of the site – the water protection zone and the proximity of residential buildings requiring preserved insolation – has significantly influenced the volumetric and planning solutions.

The premium residential complex MASTERS. Location plan
Copyright: © Genproject


These constraints leave an ellipsoidal buildable area defined by the arc of the roadway. The architects place the residential volumes along the perimeter, preserving the center for a large private courtyard, while everything beyond the line of the road is given over to a public park. As a result, the development acquires two spatial and conceptual layers.

The premium residential complex MASTERS
Copyright: © Capital Group


The premium residential complex MASTERS
Copyright: © Capital Group


The first layer is a perimeter block with sections ranging from 8 to 20 stories, following the curve of the roadway and meandering deep into the site to form a loose courtyard-like enclosure. The second layer consists of three towers rising 23-25 stories, visually supported by a taller section of the linear block, as well as by the spire of the nearby Triumph Palace complex. The site plan – with its combination of building types, the “moat” of the roadway, and the green park beyond – evokes a “detinets”, the historic fortified core from which a city would grow. The authors, however, also point to another reading: the building sections resemble raised sails filled with currents of wind.

The premium residential complex MASTERS
Copyright: © GAFA Architects


This massing, reinforced by the plasticity and material articulation of the façades, creates a silhouette that works both at close range and from afar. The varying heights open up views toward the city and surrounding parks, and many residents will even be able to overlook the CSKA training grounds.

The premium residential complex MASTERS. Development drawing from the side of Viktorenko Street
Copyright: © Genproject


The first line of the development consists of eight sections, holding the street frontage for nearly 200 meters. To break down the large volume into more human-scaled components, the architects employ several strategies.

The division into sections is clearly legible thanks to their slight offsets, varying heights, and an irregular façade grid. Its pattern is based on a module of two “folded” bay windows, combined vertically across two or three floors. Along the horizontal axis, these modules are separated by copper cylinders, which guide the movement of the overall pattern. The result is a single underlying motif that nonetheless produces distinct sections: the floors do not merge into a continuous surface but instead form an intricate woven texture. The volumetric depth of the bay windows and copper elements creates a rich play of light and shadow, further emphasized by subtle illumination in the evening.

The premium residential complex MASTERS
Copyright: © GAFA Architects


The premium residential complex MASTERS
Copyright: © Capital Group


The premium residential complex MASTERS
Copyright: © Capital Group


The accent corner section of the linear block (C11) is treated differently: it features a faceted surface composed of full-height loggias, again divided by the same “downpipes”. Here, the folded motif – enhanced by a spiraling motion and the cascading form of the volume – appears deeper and sharper. Unfolding like a scroll, the building seems to open up, yet a sense of oscillation or vibration persists along its entire length.

The premium residential complex MASTERS
Copyright: © GAFA Architects


The premium residential complex MASTERS
Copyright: © Capital Group


From the opposite side of the complex, a different image emerges: where the three towers were previously only hinted at, here they dominate completely. Each tower is individual, yet they share a common “constitution” – a unified palette, materials, and semi-transparent “diadems” – after which their differences become more pronounced.

The first tower can probably be described as “the rebel”. Its gothic graphite piers alone are striking: descending toward the ground floor in the form of powerful, gate-like teeth, they thin out as they rise, turning into something akin to the bones of a corset – there is even a hint here of the medieval cult of the beautiful lady. The exaggerated window bevels at the ends emphasize the gradual buildup of volume, while their density recalls the links of chain mail. This logic of rigidity is further developed by the bay windows and the “diadem” crowning the tower – crystalline, icy, yet at the same time sharply defined.

The premium residential complex MASTERS
Copyright: © GAFA Architects


The other two towers are far more conventional, with regular tiers and a rhythmic façade grid. The central tower is distinguished by copper pylons of a complex folded form, while the “younger” one features a scatter of balconies and more finely articulated horizontal divisions.

The premium residential complex MASTERS
Copyright: © GAFA Architects


At street level, all parts of the complex are unified by a gallery that creates a continuous line of public spaces: the ground floors house premium retail, fitness facilities, restaurants, a coworking space, a children’s club, a multifunctional event hall, and a grand entrance lobby with a designated drop-off area for taxis.

The premium residential complex MASTERS
Copyright: © GAFA Architects


At the center of the multi-section block, the architects introduce a striking arch that connects the private inner courtyard with the lively street, which in turn extends into a public linear park designed by the landscape design firm Derevo Park. In addition to sports and playground areas, the park will include spaces for meditation and outdoor work, as well as an illuminated amphitheater. An extensive network of walking paths will respond to the natural topography and the already existing greenery. New plant species are selected with regard to the climate of the Moscow region, resilience to urban conditions, and aesthetic compatibility. Small architectural forms will lend the space a sense of completion.

The premium residential complex MASTERS
Copyright: © GAFA Architects


The premium residential complex MASTERS
Copyright: © GAFA Architects


The premium residential complex MASTERS
Copyright: © GAFA Architects


The premium residential complex MASTERS. The improvement and landscaping plan
Copyright: © Genproject


The complex is designed to accommodate 672 apartments, ranging up to 160 square meters. A two-level underground parking facility, equipped with electric vehicle charging stations, provides 363 spaces. Storage units for seasonal items and equipment will also be available to residents.

A construction permit has already been obtained, and preparatory work is currently underway on site. Completion of the project is scheduled for 2029.

23 March 2026

Headlines now
Wave and Vertical
The premium residential complex designed by GAFA for a site in the Khoroshevsky District responds to multiple constraints – the arc of a planned roadway, the water protection zone of the Khodynka River, and insolation requirements – through inventive massing. The composition is built on the interplay of two spatial layers: an elongated perimeter block and three towers concealed behind it generate the silhouette and key viewpoints, while also adding semantic depth reinforced by the façade solutions. Another defining feature is a large private courtyard, complemented by a citywide linear park.
Office on Trubnaya
We continue publishing projects by Valery Kanyashin. A building once described, a quarter century ago, as an example of “quiet modernism” has remained just that in some people’s memory. According to Anatoly Belov, its main quality is its unobtrusiveness. The architects from Ostozhenka say the leading role here is played by context and landscape – the change in elevation. Yet is it really so inconspicuous?
The First International
With this publication, we begin a series of texts dedicated to works by the late Valery Kanyashin, one of the founders of Ostozhenka Architects. As it happens, the projects he was involved in largely illustrate our understanding of the firm and its history. The first project in this series is the International Moscow Bank on Prechistenskaya Embankment.
In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
In their competition proposal for the Fili transport hub, the consortium led by Alexey Ilyin proposed an “inhabited arch” – a form that is simple yet complex. The architects emphasize that even at the competition stage, the project’s feasibility was fully calculated, taking into account the minimal nighttime closures of Bagration Avenue. How was this achieved? With what functions? Let us take a closer look. In our view, the building would have suited the heroes of Isaac Asimov’s Foundation novels perfectly.
The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
Stepan Liphart and Yuri Gerth: “Our Program Is Aesthetic”
The studio of Stepan Liphart, an architect known for his distinctive signature style and one-off projects, now has a partner. Yuri Khitrov, a specialist with a broad range of competencies, will take on the part of the work that distracts one from creativity but drives the business forward. One of the aims of this partnership is to improve the urban environment through dialogue with clients and officials. We spoke with both sides about their ambitions, the firm’s development strategy, shared values, and the need for pragmatism. And why the studio is called “Liphart & Gerth” only became clear at the very end of the interview.
The Copper Mirror
The varied-toned sheen of “unsealed” copper, painterly streaks and fingerprints, exposed concrete, and the unusual proportions – when you study the ZILART Museum building by Sergei Tchoban and SPEECH architects, there is plenty to talk about. However, it seems to us that the most interesting thing is how the museum’s composition responds to the realities of the district itself. The residential district has been realized as an open-air exhibition of façade statements by contemporary architects – but without public access to the inner courtyards of the blocks. This building – that is, the museum – is exactly the opposite: on the outside, it is deliberately restrained, while inside it shines spectacularly, creating its own sunbeams in any weather.
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.