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The Wrap-Up

The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.

07 May 2024
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Architect:
Olga Treyvas
The project of the Russian pavilion developed by Treivas appears to be the last on the list of competition pavilions from 2021-2022 that we managed to obtain for publication on our website, thus in some way concluding this series. This concept, like Sergey Nebotov’s project, participated in the first competition of 2021, about which it is known that the site was not yet precisely defined, although it was also long, stretched into the depth of the exhibition grounds, and large, and that the competition was conducted very quickly, literally “on the fly”. Meanwhile, the Treivas project is described in detail and even includes the idea of the exhibition inside the pavilion.

The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. The main façade
Copyright: © Treivas


The architects proposed to design the facades of the three-story pavilion in the spirit of the Recycle group, whose works – quite complex sculptures made from recycled materials – adorn the Galitsky Park in Krasnodar; they also participated in Biennale Arte 2024 in Venice . Consequently, the facades were supposed to be textured and made of some recycled material – incidentally this project seems to be the only one of all the competition projects that raised the subject of ecological responsibility. In addition, the facades were conceived as dynamic in two senses: not only the lighting but also the very texture of the facades was supposed to change.

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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives
    Copyright: © Treivas
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. Dynamic media façade, options
    Copyright: © Treivas


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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives
    Copyright: © Treivas
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    Relief façade references made from recycled materials. The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. Examples of facade work
    Copyright: © Treivas


According to the project, the ornament of the Pavloposad shawl is laid out in the square in front of the pavilion with crumb rubber (a secondary raw material), which would be another recycling element. The pattern of the square seamlessly entered the open first floor, where as part of the main exhibition, Treivas proposed to bring real izbas for the exhibition – of course, observing all the precautions. Modern, concise houses of the same scale were planned to be placed right next to them, all of them would host an exposition; in the far end of the pavilion, in the same paradigm of individual volumes, a restaurant would be placed with tables arranged in the space of the first floor like in a covered city square.

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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. THe entrance group, the exposition
    Copyright: © Treivas
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. The restaurant
    Copyright: © Treivas


All the three floors and the roof are connected by the opening of the conference hall, which passes through the volume diagonally, forming a large “tube” amphitheater, which also acts as the main “stiffening rib” in the project.

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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. The longitudinal section view
    Copyright: © Treivas
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives
    Copyright: © Treivas
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. Plan of the 1 floor
    Copyright: © Treivas
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. Plan of the 2 floor
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. Plan of the 3 floor
    Copyright: © Treivas
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. The roof
    Copyright: © Treivas


The majority of the project’s ideas are based on the interplay between Russian and Japanese national patterns. The Pavloposad shawl is responsible for the Russian national color and simultaneously serves as a reminder of the silk scarf, in which, according to Japanese traditions, gifts are wrapped when presented to the hosts of the house. Another idea, the wooden house, is also strong in both Japan and Russia.

On the other hand, the round “atrium” conference hall is designed in the form of a circle, which is something that Sou Fujimoto surrounded the entire EXPO 2025 with. However, somewhere in the background/periphery of consciousness, Krutikov’s flying cities emerge.

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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives
    Copyright: © Treivas
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives
    Copyright: © Treivas


The exhibition concept proposed by Treivas resonates with the architecture of the pavilion, as it is also based on recycling and media. The former – the recycled materials – are the basis for real “sculpture” exhibits created by contemporary artists based on masterpieces of Russian art, while the latter – the media installations – would show the visitors the masterpieces themselves.

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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives
    Copyright: © Treivas
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    The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. Concept of the exposition: new technologies and VR-museum of Russian masterpieces
    Copyright: © Treivas



Architect:
Olga Treyvas

07 May 2024

Headlines now
Wave and Vertical
The premium residential complex designed by GAFA for a site in the Khoroshevsky District responds to multiple constraints – the arc of a planned roadway, the water protection zone of the Khodynka River, and insolation requirements – through inventive massing. The composition is built on the interplay of two spatial layers: an elongated perimeter block and three towers concealed behind it generate the silhouette and key viewpoints, while also adding semantic depth reinforced by the façade solutions. Another defining feature is a large private courtyard, complemented by a citywide linear park.
Office on Trubnaya
We continue publishing projects by Valery Kanyashin. A building once described, a quarter century ago, as an example of “quiet modernism” has remained just that in some people’s memory. According to Anatoly Belov, its main quality is its unobtrusiveness. The architects from Ostozhenka say the leading role here is played by context and landscape – the change in elevation. Yet is it really so inconspicuous?
The First International
With this publication, we begin a series of texts dedicated to works by the late Valery Kanyashin, one of the founders of Ostozhenka Architects. As it happens, the projects he was involved in largely illustrate our understanding of the firm and its history. The first project in this series is the International Moscow Bank on Prechistenskaya Embankment.
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Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
In their competition proposal for the Fili transport hub, the consortium led by Alexey Ilyin proposed an “inhabited arch” – a form that is simple yet complex. The architects emphasize that even at the competition stage, the project’s feasibility was fully calculated, taking into account the minimal nighttime closures of Bagration Avenue. How was this achieved? With what functions? Let us take a closer look. In our view, the building would have suited the heroes of Isaac Asimov’s Foundation novels perfectly.
The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
Woven Into Sokolniki
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The Copper Mirror
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“Strangers” in the City
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A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
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A Theater Triangle
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​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.