The Russian Pavilion at EXPO 2025 in Osaka. Creating a future society for our lives. The main façade
Copyright: © Treivas
The architects proposed to design the facades of the three-story pavilion in the spirit of the Recycle group, whose works – quite complex sculptures made from recycled materials – adorn the Galitsky Park in Krasnodar; they also participated in Biennale Arte 2024 in Venice . Consequently, the facades were supposed to be textured and made of some recycled material – incidentally this project seems to be the only one of all the competition projects that raised the subject of ecological responsibility. In addition, the facades were conceived as dynamic in two senses: not only the lighting but also the very texture of the facades was supposed to change.
According to the project, the ornament of the Pavloposad shawl is laid out in the square in front of the pavilion with crumb rubber (a secondary raw material), which would be another recycling element. The pattern of the square seamlessly entered the open first floor, where as part of the main exhibition, Treivas proposed to bring real izbas for the exhibition – of course, observing all the precautions. Modern, concise houses of the same scale were planned to be placed right next to them, all of them would host an exposition; in the far end of the pavilion, in the same paradigm of individual volumes, a restaurant would be placed with tables arranged in the space of the first floor like in a covered city square.
All the three floors and the roof are connected by the opening of the conference hall, which passes through the volume diagonally, forming a large “tube” amphitheater, which also acts as the main “stiffening rib” in the project.
The majority of the project’s ideas are based on the interplay between Russian and Japanese national patterns. The Pavloposad shawl is responsible for the Russian national color and simultaneously serves as a reminder of the silk scarf, in which, according to Japanese traditions, gifts are wrapped when presented to the hosts of the house. Another idea, the wooden house, is also strong in both Japan and Russia.
On the other hand, the round “atrium” conference hall is designed in the form of a circle, which is something that Sou Fujimoto surrounded the entire EXPO 2025 with. However, somewhere in the background/periphery of consciousness, Krutikov’s flying cities emerge.
The exhibition concept proposed by Treivas resonates with the architecture of the pavilion, as it is also based on recycling and media. The former – the recycled materials – are the basis for real “sculpture” exhibits created by contemporary artists based on masterpieces of Russian art, while the latter – the media installations – would show the visitors the masterpieces themselves.