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ArchiWOOD-14: Building Bridges

This season, the festival’s jury decided not to award a grand prize: judging by the fact that the shortlist included several projects that had not reached the award in previous years, and the “best house” was pronounced to be an undoubtedly beautiful but mass-produced model, the “harvest” of wooden buildings in 2023 was not too abundant. However, there were many unusual typologies among the finalists, and restoration and revitalization projects received their share of recognition. Let’s take a look at all the finalists.

15 September 2023
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This year, ArchiWOOD awarded the best structures made of wood for the fourteenth time. The competition gathered 203 entries, 65 of them being shortlisted, and the finalists were determined by nine experts – the lineup of the judging panel of the award, as we know, never repeats itself; this year it included Nikita Asadov, Ivan Kozhin, Artem Ukropov, Georgy Snezhkin, Peter Sovetnikov and Vera Stepanskaya, among others. The award ceremony was again held in Moscow’s Peredelkino, but this time in the renovated “House of Creativity”.

The award was curated by the permanent Nikolay Malinin, co-curated by Julia Shishalova, and organized by Rossa Rackenne SPb, which was also the title partner of the event. 

Jury’s Special Prize

Gallery Museum “Zavarka” (“Brew”) (Mashtakov House)
All-Russian Society for the Presentation of Historical and Cultural Monuments, Vega Group Region
Khramov Architectural Studio
Creative space concept: Dmitry Khramov, Armen Arutyunov, Nina Kazachkova, Maria Ionova, Anastasia Knor.
Interior design: Dmitry Khramov, Marina Krichanova, Elena Zagorodneva.
Restoration project: Vega Group Region (Alexander Vyazikov, head of the project).
Scientific advice: Andrei Bode (NIITAG).


There is quite an appalling number of beautiful houses of this kind burning and decaying all over Russia, but only a few of them are properly restored and given a new function. The case of the Mashtakov house in Samara is very beautiful: the restorers managed to preserve about 80% of the original structures, some of them becoming living exhibits in the gallery halls on the second floor. The first floor was adapted for a tea room. The revival took place thanks to the care of All-Russian Society for the Presentation of Historical and Cultural Monuments: in 2021, the local branch of the society won the competition of the Presidential Fund for Cultural Initiatives to create a museum gallery named “Zavarka” (“Brew”) in the house. Before that, the mansion by architect Alexander Scherbachev, who “built the better half of old Samara”, had stood behind a blank fence for almost three decades.

You can learn more about the history of the house in the book by Andrei Bode, the scientific director of the restoration project, available on the gallery’s website.

Zavarka Museum (Mashtakov House)
Copyright: Photograph © Dmitry Nedykhalov, Armen Arutyunov / provided by ArchiWOOD


Zavarka Museum (Mashtakov House)
Copyright: Photograph © Dmitry Nedykhalov, Armen Arutyunov / provided by ArchiWOOD


Zavarka Museum (Mashtakov House)
Copyright: Photograph © Dmitry Nedykhalov, Armen Arutyunov / provided by ArchiWOOD


Country house / jury

Delo House 4
Delo Design

On the one hand, it is surprising to see a serial production house chosen by the jury in one of the main nominations, but on the other hand, the house IS really good. The approach of St. Petersburg’s architectural company Delo Design is distinguished by its complexity and perfectionism: you go to the website, choose a model in the catalog, wait four months, and then what you see is what you get – the interiors and even the appliances have already been planned by the designers, everything is in its best place. And the furniture, textiles and tableware are also designed and made by Delo Design. Such a total look may seem impersonal to some, but to others it is a very convenient “package deal”. It is probably not too easy to scale it consistently: one thing is a micro-house, where everything started, and another is a respectable four-bedroom family nest, which has retained its clean lines and style.

Delo House 4
Copyright: Photograph © Viktor Yuliev / provided by Delo Design


Country House / popular vote

NEBO House
Woodbox 

The popular vote favored the more affordable and romantic option: its area is 100 m2 less, but everything you want to buy for your first house is in place – the space outside the window, the stars above your head, the stove – in short, “that’s happiness”. The small area of the room, which combines bedroom, kitchen and living room, is compensated by a spacious terrace with a pergola: why sit at home when you can have a great time outside? Oh, and by the way, if you do stay inside, it is still as if you stay outside – two panoramic windows dissolve the boundaries, and the ceiling window “works” even at night. The house is assembled according to the frame-modular technology on a pile foundation in just two days, together with finishing. The facades are clad with black pine.

NEBO House
Copyright: Photo © WOODBOX / provided by ArchiWOOD


NEBO House
Copyright: Photo © WOODBOX / provided by ArchiWOOD


Other shortlisted projects in the Country House category:
 
Matski House, Zrobim Architects
“Sunflower Seeds” Guest Houses, Vladimir Rusanov
Summer Patio, A4
Arkhsarai, Katya Svanidze design atelier
SWIDOM SW5, MAParchitects
DachaHouse, DK Architects
Guest house with a sauna, Elizaveta Portnova
Glued laminated timber house, Elizaveta Portnova
Trinity, ARCHIWOOD community

Public facilities / jury

Hotel “Igora. Vremena Goda” (The Four Seasons”)
Rhizome
Evgeny Reshetov, Tatiana Sinelnikova, Yana Demina, Ilya Belyakov, Karina Zimina, Olga Markina, Anna Chernoyarova

Rhizome’s projects are both stylish and photogenic: last year’s nomination included “Tochka na Karte” (“Point on the Map”) hotel in Lodeynoye Pole, the conceptual solutions of which the Igora project continues and develops. Just like in “Point on the Map”, the architects are assembling the complex from modules with glued wood construction, turning the blocks in such a way that each room commands a beautiful view of the spruce forest. In addition to 100 rooms, the hotel includes a reception block and a lobby bar. Production from scratch and assembly took nine months.

Igora. Vremena Goda (“The Four Seasons”) hotel
Copyright: Photo © Dmitry Chebanenko / provided by ArchiWOOD


Public facilities / popular vote

Forest club “Tern” (“Blackthorn”)
“Tern” Architectural and Production Studio 
Vladimir Lazbinov, Lyudmila Lazbinova

 
“Tern” is a venue for weddings, corporate parties with karaoke and parties with DJs, located on a forest glade. Half-timbered constructions are quite popular in this typology, but the architects managed to achieve a certain degree of elegance, at the same time creating an atmosphere of an open air event under the roof: from the pavilion and gazebo you can perfectly see the surrounding forest, which has become part of the “decor”. In the evenings, the green “wall” is spectacularly illuminated and adds to the festive mood. The bridge and terrace connect the pavilions and the bathrooms into a single “island” complex named “Winterfell” (sic!) for staff and “Portal” for guests.

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TERN forest club
Copyright: Photo © Aleksey Martynyuk / provided by ArchiWOOD


Other shortlisted projects in the Public Facilities category:
 
Skolkovo Fitness Club, A-Structura, Anna Ulyanova
Book Alleys, spirin architects, Evgeny Spirin, Ekaterina Argutina
Nomad Houses, ZROBIM architects
Botanical greenhouses on the territory of the Arkhangelskoye Estate Museum, Wowhaus

Urban Design / Jury

The nomination boasts the most representative shortlist this year. The projects are really spectacular and diverse: from an impressive park in Nizhny Novgorod to “pinpoint interventions” by Basis architectural studio. For some reason, two expo projects were also included.

Improvement of the historical center of Nikolo-Berezovka village
ANO Institute for the Development of Towns and Villages of Bashkortostan,
Novaya Zemlya LLC,
APRELarchitects,
Project Office LLC
Olga Sarapulova, Almaz Fatkullin, Alexandra Katasonova, Daria Efremova, Grigory Solomin, Almira Gaimaletdinova, Andrey Manakin, Alexander Dvuzhilov, Zhanna Sverchkova, Natalia Bavykina, Galina Volzhanskaya, Veronika Babenko, Olga Razumovskaya, Nikita Belyakov


The jury’s selection of the Nikolo-Berezovka improvement is interesting in terms of working with the lost heritage. Using wooden planks and a simple pavilion, the architects of the APRELarchitects and Novaya Zemlya consortium outline the dimensions of the barn, of which only a fragment of the wall remains. The ruin is accentuated in this way, and without violating the authenticity of the matter and the idea, a new functionality appears: the pavilion has a café, a toilet and shopping stalls. The wood of which the garden structures and decks are made has become the main material uniting the historical buildings strung along the Big Merchant Street, the main promenade of the village. The beauty of the pond near St. Nicholas Church was emphasized by a spectacular yet tasteful round bridge.

Improvement of the historical center of Nikolo-Berezovka village
Copyright: Photo © Institute of Urban Development of Bashkortostan / provided by ArchiWOOD


Urban Design / popular vote

Pavilions in Izumrudny Park
MDVAstudio
Dmitry Indyukov, Maxim Maksimenko, Evgeny Makarenko, Olesya Petukhova, Yulia Titova


The people’s choice, probably, reflects people’s fatigue from the mass improvement of recent years, made in the all-too familiar “stylish, fashionable, youthful” spirit. In Barnaul’s Izumrudny Park, however, the approach is almost the opposite: the new objects remind of dance floors, popsicles and schoolgirls in starched aprons, but look surprisingly charming and fresh. Although they noticeably echo, in color and lattice, the objects of the Switzerland Park in Nizhny Novgorod, designed by KOSMOS.

Pavilions in the Izumrudny City Park
Copyright: Photo © Dmitry Indyukov / provided by ArchiWOOD


Other shortlisted projects in the Urban Design category:

Exposition “Rays”, Vlad Savinkin
Central Park of Culture and Recreation in Istra, Basis architectural studio
Lipovaya Grove,
Basis architectural bureau
Territory of Arkhangelskoye Estate Museum, Wowhaus
Exhibition “Event Horizons”, Totan Kuzembaev architectural studio
Melnikoff/Melnikoff exhibition, Planet 9
Museum Quarter in Gorodets, Institute of Urban Environment Development of Nizhny Novgorod Region, Kurt studio
Park of the 800th Anniversary of Nizhny Novgorod, Institute of Urban Environment Development of Nizhny Novgorod Region, Arch Group

Small object / jury

Apex
Ad Hoc Architecture
Stanislav Subbotin, Daria Kirillova


The pavilion is installed at the beginning of the trail leading to the summit of the Northern Baseg, the highest point in the western Middle Urals. It provides the traveler with a place to rest and shelter from the rain, but it also sets the mood for the road and promises something special: not every trail gets such an expressive symbol. The outlines are reminiscent of ridges, and the boards have been artificially aged to better match the colors of the surroundings.

Improvement of the eco-path “To the top of the Northern Baseg”
Copyright: Photograph © Ad Hoc Architecture


Small object / popular vote

Pedestrian bridge over the Kazanka River
M2M3 architectural studio
Eduard Gubeev, Marsel Kayumov, Tansylu Khakimova (M2M3 architectural studio). Curator: Institute of Urban Development of the Republic of Tatarstan


The choice of the people is again great and seems more justified than that of the jury. The wooden bridge over the Kazanka River in Arsk restores the 19th century crossing and revitalizes the peripheral district. The structures are fascinating: the supports simultaneously resemble fragments of national ornaments and tree trunks.

Pedestrian bridge over the Kazanka River
Copyright: Photograph © Daniil Shvedov / предоставлена ArchiWOOD


Other shortlisted projects in the Small object category:
 
Tree House, ProstoDom
Besedki-Snopy, TM Design Studio
Radiant pavilion, Architectural studio LATOON
 
***

The Restoration nomination was not originally present  in the ArchiWOOD awards, and it is certainly different from all the others, as it is not dedicated to modern architecture and design, but to working with architectural heritage, which, as you know, is, firstly, poorly financed and therefore goes by the wayside, and if it is well financed, it often bears some poisonous fruit. Secondly, it requires not so much creative impulse and artistic freedom, but rather research, meticulousness, careful attitude to authenticity – completely different qualities.

Since it has been introduced, the nomination adorns the prize, but its life is complicated, just like the life of good restorers: the works are difficult to collect, and they must be judged according to different criteria.
 
In short, this year, based on the specifics of the material, the expert council of the prize decided to rename the nomination, expanding its genre boundaries – both reconstruction and recreation were added here. So they won: one reconstruction with adaptation and one recreation.
 
We cannot entirely rule out the possibility that next year “pure” restoration will be brought back – again based on the specifics of the material.

Restoration, reconstruction and re-creation / jury

Renovation of public buildings in Ferapontovo
APRELarchitects
Mikhail Razumovsky, Alexey Fatkin, Galina Volzhanskaya, Veronika Babenko, Anastasia Markina


Another work by APRELarchitects, made for an incredibly obliging location – the Ferapontov Monastery, which can be safely classified as one of those sights worth seeing at least once in your life. The village near the monastery somewhat smeared the impression of the harmony of the place, but now the environment is more integral: with the help of wooden lattice elements, the architects transform the main square into a unified ensemble. The landscaping is delicate and practical – the services it provides are important for both tourists and locals, who have an additional opportunity to earn a living and enjoy their leisure time here.

Renovation of public buildings in Ferapontovo
Copyright: Photo © APRELarchitects / provided by ArchiWOOD


Restoration, reconstruction and re-creation / popular vote

Saltykova House
VAIMA
Anton Myakishev, Evgeny Rakov (on-site work)


The “People” voted in favor of recreating the late 18th century Saltykova’s house, which burned down by vandals, located on the territory of the Shchelkovsky Khutor Museum of Wooden Architecture. The Vaima specialists used nails, hand-forged fittings, and hand planers for the complex profiles of the elements.

Saltykova House
Copyright: Photo © Anton Myakishev / provided by ArchiWOOD


Other shortlisted projects in the Restoration category:

Dome of Levashov bakery, Rus Corporation commissioned by RBI Group
Zavarka Museum and Gallery, All-Russian society for the Preservation of Historical and Cultural Monuments, Vega Group Region, Khramov Architectural Studio
Residential house of the 1880s on Volodarskogo Street, Architectural Restoration Workshop-10
Residential house of the early twentieth century on 64 Sedov Street, Architectural Restoration Workshop-10
Early 20th century manor house on Rabochego Shtaba Street, 4, Architectural Restoration Workshop-10

Wood in decoration / jury

Observation tower in Svyastroy
NTML Architects
Authors: Nikita Timonin, Maria Lyashko


Wood in decoration / popular vote

Administrative building on Novaya Naberezhnaya
Project Proposals Division of the Urban Design Department of the Architecture Committee of the Saratov City Municipal Administration.
Authors: Project Proposals Department of the Urban Design Department of the Committee for Architecture of the Administration of the Municipal Entity “Saratov City” (concept stage). MKU “Capital Construction” (project stage)


Sosnovy Bor Park in the town of Svyastroy
Copyright: Photo © Leningrad Region Competence Center / provided by NTML architects


Other shortlisted projects in the Wood in Decoration category:

Modernist villas near Nizhny Tagil, architectural company Gordeev-Demidov

Interior / jury

School in the Evrobereg district
SVESMI, Brusnika, Novascape

Administrative building on Novaya Naberezhnaya
Copyright: Photo © Dmitry Shvedov / provided by ArchiWOOD


Quite a famous school, designed in the spirit of modern trends, defined by everyone’s fatigue of the recently-popular garish design, as well as by attention to public spaces, where children communicate and socialize in an environment close to the natural one. The various features of the school building, such as the brick facade with stair towers at the corners, exposed concrete, and flowing light spaces, are subtly complemented by wood, one of the natural materials used here in the interior. The wooden beams of the atrium’s glass ceiling are a highlight. 

Interior / popular vote 
 
Wine bar
Daria Volkova Design
Author: Daria Volkova


Other shortlisted projects in the Interior category:

A house for granddaughter, ADK-studio
Capsule sleeping rooms for a children’s camp, Mera Makers
Interior of a children’s room, Alexey Rosenberg’s studio
Be.St.Be Smart House, PROEKTOR
Seven Stars Kindergarten, Unison Design Studio
Ryotei Restaurant in the Japanese Garden, RYMAR.studio

Object Design / Jury and the popular vote

The series “Ostov” (“Island”)
NODE, Alexander Frucht, Nikolay Bugrov

The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


Other shortlisted projects in the Object Design category:

Tatami-Chair-Tatami, Ekaterina Solovieva
REBBIT table lamp, MDM-Light
Closet-bar, architectural studio LATOON
Hangers, Institute of Business and Design, Architectural Environment and Design Profile

Art object / jury

Antifurniture
Treivas
Authors: Olga Treivas, Fedor Pavlov-Andreevich, Elena Kornilova, Maya Rozhnovskaya, Lisa Narutskaya, Elena Kovalenko


Wine bar
Copyright: Photo © Dmitry Tsyrenshchikov / provided by ArchiWOOD


Art object / popular vote

Pasture
std group, Vladimir Grishin, Nikolay Gedevanishvili, Gor Hovsepyan, Ahmed Omarov, Ani Khachaturyan

The “Island” series from NODE
Copyright: Photo © NODE / provided by ArchiWOOD


Other shortlisted projects in the Art Object category:

The Gap – burning the fourth wall, NOYD
Cabin #29: Zavolzhsky Man camp site (homo flumen), TM Design Studio
Near and Far, 0806.studio
New Year’s tree, Institute of Business and Design,Vlad Savinkin.
Arctic Meadow, Chekharda, architects of Artemy Lebedev Studio
Archive, DoBuro
Ray, Inna Vlasova, Natalia Sorokina, Maria Bartel, Victoria Guskova
Fortress, VOSEM (“EIGHT”) Crew
Anti-furniture
Copyright: Photo by Dmitry Markin, Filipe Conde, Elissa Thiele / provided by Treivas
  • zooming
    Pasture
    Copyright: Photo © Nikolai Gedevanishvili / provided by ArchiWOOD
  • zooming
    Pasture
    Copyright: Photo © Nikolai Gedevanishvili / provided by ArchiWOOD


15 September 2023

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.