По-русски

​A City by the Water

The concept of a large-scale housing development at the edge of Voronezh, near the city reservoir, or “the sea”, as it is locally called, uses the waterside height difference to create a sophisticated public space, paying a lot of attention to the distribution of masses that determine the look of the future complex if viewed from the opposite bank of the river.

06 April 2020
Object
mainImg
The grand-scale housing complex with a romantic name of Zurbagan will be built at the edge of Voronezh, on the left bank of the namesake river, which floods here into a manmade lake. The historical center of the city is situated on the opposite bank of the river; the left bank is industrial and is dominated by prefabricated houses, but the developed land site is situated to the north of the nucleus consisting of old industrial parks. There is a sand bar stretching to the north of it, where a children’s yacht club will be built; behind the sand bar, again, to the north, over the gulf, the “Lazurny” housing complex is being built, a rather dull prefab affair. The actual territory of Zurbagan occupies around 20 hectares and is arranged along the arc of the gulf about a kilometer long. Along the water age, about 150-200 meters from the bank, runs the Dobrolubova Street, now consisting of small private houses. As for the sand bank, it is rather unkempt, overgrown with trees and overridden with ruts from the anglers’ SUVs. This area has two names, Koldunovka or Otrozhka, after the township that has been known since the XVII century.

The silhouette of the complex, designed by KPLN architects, unlike the “micro-district” that is being built nearby, is anything but “standard”. It puts one in the mind of New York, or Chicago, or, most likely, Dubai, yet not in a straightforward way – rather, it explores the very idea of a textbook example of towers by the water. It barely marks the recognizable archetypes without putting too much focus on them: here is an Art Deco Chicago couple, here is a modernist slab with dark spots that makes one think about Rotterdam; here is a string of sections of different height and colors, treated as towers that got “stuck” together, and here are towers that are sharpened as giant pencils, and here are again three “Wright” parallelepiped skyscrapers, yet black and slender, and here is a “mirror” couple of two triangular “sail” buildings.

“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


Each of the themes brings in its own color, emotion and association-wise, setting the change of impressions and ideas, yet in a very general way, not the way it is done in Las Vegas, but as a set of symbols that make you compare what you see with some high-profile architectural projects – and it yields something like an ABC of town planning images, given to us in sensations.

The “associatively sharpened” towers are placed along the bank; the city blocks are grouped a little bit further away from the water, behind the Dobrolyubova Street, “on the continent” – these are further development plans. “The central blocks of this housing construction, due to the height difference of the territory, are fundamentally divided into two levels: the upper one that faces the embankment and the lower one facing the Dobrolyubova Street” – Sergey Nikeshkin specifies.

The model. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


All the houses rest on podiums, which essentially arrange them into groups. Using the height difference of the river bank – it is about 10 meters here – KPLN architects arrange the podiums along the river bank in such a way that from the outside they are sunk into the hill, which presents the main space for the underground parking garages, while the outside contour, facing the water, is occupied by local businesses – cafes, stores, and other rentable premises, which form a waterfront filled with city functions.

The roofs of the podiums will have private yards on them, and one will be able to enter these yards from the Dobrolyubova Street on the ground level, and, taking a few steps forward, one will find themselves one story higher than the waterfront.

  • zooming
    1 / 3
    Section view 1-1 of buildings 1 and 2. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    2 / 3
    Section view 2-2 of the buildings 1 and 2. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    3 / 3
    Plan of the parking garage at elevation 0.000. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN


Due to the fact that the construction front is not continuous, from the city side it is also accessed by driveways; there is also a street that runs in front of the houses, yet the pedestrian spaces are quite large, and make it possible to place enough tables and cafe umbrellas before the shop windows.

“Zurbagan” housing project. Concept for Voronezh, 2018
Copyright: © Architectural Bureau KPLN


There is also enough room for trees and lawns, while the paving pattern is designed in such a way that it is generally of the “city” type and descends to the water in a stone slice, like Venetian waterfronts do, i.e. on a rather high level – yet at some places it gets broken, encircling the islets of nature: for the sandy beaches – there are a few of them here – and for the existing trees that the architects tried to preserve during construction.

“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


From the waterfront, it’s the same picture as with the silhouette of the houses – typologically, it is a compound structure; it does not feature a single main face, quite the contrary, walking around the complex, you may find yourself sometimes on one level and then on another, sometimes watching the river from a stone elevation, or go down to the green bank under a willow or go barefoot through the sand toward the water’s edge.

“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


The deep bends of the stone part of the paving include the passageways from the “upper” embankment to the “lower” one; sometimes their steps become an amphitheater overlooking the river, gazing west, so people will have an opportunity to admire sunsets here. Oh, and by the way, the river panorama, with its romantic “sunset” factor was by no means neglected by the architects – they designed more windows overlooking the river, and even drew on the 3D simulations, in addition to the inside apartment light, the extra ambient orange light from the sunsets, which provide a very romantic “backlight”.

“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


The other benches on the wavy edge of the waterfront look in the opposite direction, i.e. towards the city promenade before the houses. As a result, a winding (as opposed to straight) line of the stone embankment not just makes it possible to integrate natural elements into it but also helps to ensure a kaleidoscope of impressions.

“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


Thus, the interaction with water here is not only contemplative; one can also come up closer by different routes, not just going to the beach. The central part will feature the main public descent to the water with stairs on both sides, and a couple of piers below protruding into the water. There are also plans for building a quay. In addition, the architects proposed a semicircular boardwalk for taking walks directly above the water.

“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


Getting back to the architecture of the houses proposed by KPLN – it is designed as being modern and diverse, the term “modern” meaning here not just the laconic character of straight lines and the proverbial absence of stylization, but also elements of a more relevant approach that takes into consideration the fact that we as humans strive for recognizable viewing angles, rich textures, and visual comfort. This meaning: light and dark volumes alternate, often in pairs, even though it is not always the case. For decorating the volumes that respond in “conservative” pitched roofs to their central location in the complex, the architects proposed brick of different tones; for the houses on the edges of the territory – fiber cement, which augmented the string of images with yet another narrative: the difference between the center and the periphery.

The facades. View from the embankment. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


As for the facades, they are composed of slender piers with an alternating rhythm, supported by the composition of the grilles of the air conditioning units; the recessed balconies are set deep inside, even though you at times go see an occasional bay window. The height of the windows is visually enlarged by dark fills – what it ends up looking is a regular, even if sometimes “undulating” grid, sometimes sparser, and sometimes denser at the corners; the houses are semitransparent in a modern way, yet without the overused vertical window pairs: the grid correspond to the floor division at all places.

“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


“Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


All this enormous diversity is meant to ultimately create a magnificent silhouette of the complex seen from the water area – from the side of the historical Voronezh it must look dramatic, and by no means monotonous, which is ensured by a varying rhythm of the gaps between the volumes and alternating contour solutions. The panorama unfolds before the eyes of the observer a certain narrative, a string of stories, readable from afar. And there is also a temptation to add: unlike the nearby prefab houses, new and old alike.

Panorama from the opposite shore of the lake. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
Copyright: © Architectural Bureau KPLN


As for the apartment selection of the complex, we can only consider two examples from the central part – the double-section houses, treated from the outside as pairs of towers with a pitched roof.

The first floors include public spaces for the residents of the complex, commercial rentable premises, and apartments too, while the technical floors combine mechanical rooms and variously configured storage rooms for the residents, implementing one of the progressive trends of today. The types of apartments range from studios to three-room ones, most of the plans including a kitchen / living room, yet there are also separate versions for the traditionalists. There are also options with changeable plans. Many of the apartments, starting from the double-room ones, feature two bathrooms.

  • zooming
    1 / 8
    Building 2. Plans of resindetial floors 20 and 22. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    2 / 8
    Building 2. Plans of resindetial floors 2-12 and 18. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    3 / 8
    Building 2. Plan of the maintenance floor and the 1st residential floor. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    4 / 8
    Building 1. Plans of resindetial floors 20 and 21. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    5 / 8
    Building 1. Plans of resindetial floors 16-17 and 18-19. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    6 / 8
    Building 1. Plans of resindetial floors 11-13 and 14-15. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    7 / 8
    Building 1. Plans of resindetial floors 2-7 and 8-10. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN
  • zooming
    8 / 8
    Building 1. The plan of the maintenance floor and the plan of the 1st floor. “Zurbagan” housing complex. Concept of territory development in Voronezh, 2018-2020
    Copyright: © Architectural Bureau KPLN


In a word, this is a grand-scale concept of construction and development of the area at the edge of Voronezh, solved in the vein of modern trends of focusing on landscaping the public territories, and drawn with keen attention to detail, as well as distributing the masses in the far-end perspective. Towering above the water of the Voronezh reservoir, locally called “the sea”, these new houses do indeed take on the romantic features of a city of towers and sails: as if some universal theater of “city by the water” images got arrested in midair just ready to be implemented.

06 April 2020

Headlines now
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.
​Skylights and Staircase
Photos from March show the nearly completed headquarters of FSK Group on Shenogina Street. The building’s exterior is calm and minimalist; the interior is engaging and multi-layered. The conical skylights of the executive office, cast in raw concrete, and the sweeping spiral staircase leading to it, are particularly striking. In fact, there’s more than one spiral staircase here, and the first two floors effectively form a small shopping center. More below.
The Whale of Future Identity
Or is it a veil? Or a snow-covered plain? Vera Butko, Anton Nadtochy, and the architects of ATRIUM faced a complex and momentous task: to propose a design for the “Russia” National Center. It had to be contemporary, yet firmly rooted in cultural codes. Unique, and yet subtly reminiscent of many things at once. It must be said – the task found the right authors. Let’s explore in detail the image they envisioned.
Greater Altai: A Systemic Development Plan
The master plan for tourism development in Greater Altai encompasses three regions: Kuzbass, the Altai Republic, and Altai Krai. It is one of twelve projects developed as part of the large-scale state program bearing the simple name of “Tourism Development”. The project’s slogan reads: “Greater Altai – a place of strength, health, and spirit in the very heart of Siberia”. What are the proposed growth points, and how will the plan help increase the flow of both domestic and international tourists? Read on to find out.
The Colorful City
While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.
In Orbit of Moscow City
The Orbital business center is both simple and complex. Simple in its minimalist form and optimal office layout solution: a central core, a light-filled façade, plenty of glass; and from the unusual side – a technical floor cleverly placed at the building’s side ends. Complex – well, if only because it resembles a celestial body hovering on metallic legs near Magistralnaya Street. Why this specific shape, what it consists of, and what makes this “boutique” office building (purchased immediately after its completion) so unique – all of this and more is covered in our story.
The Altai Ornament
The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
The Arch and the Triangle
The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
The Blooming Mechanics of a Glass Forest
The Savvinskaya 27 apartment complex built by Level Group, currently nearing completion on an elongated riverfront site next to the Novodevichy Convent, boasts a form that’s daring even by modern Moscow standards. Visually, it resembles the collaborative creation of a glassblower and a sculptor: a kind of glass-and-concrete jungle, rhythmically structured yet growing energetically and vividly. Bringing such an idea to life was by no means an easy task. In this article, we discuss the concept by ODA and the methods used by APEX architects to implement it, along with a look at the building’s main units and detailing.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.