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​The Infinity Sign

In this issue, we are giving a more detailed coverage of the project that won in the “Gorizont” (“Horizon”) competition devoted to designing a campus situated on the roof of the most noticeable building of Saint Petersburg’s Sevkabel Factory overlooking the river. The landmark shape with a multitude of versions and interpretations is surrounded by a highly developed public space – what more can a modern man ask for?

01 July 2019
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Founded back in 1879 by Carl Siemens, Russia’s oldest cable factory, renamed after the Great October Socialist Revolution into “Sevkabel” (“North Cable”), is situated in the west part of the Vasilyevsky Island in the Neva estuary, not far away from the brutalist building of the Morvokzal (“Sea Terminal”) designed by Vitaly Sokhin (not to be confused with the Sea Façade of Saint Petersburg). For years, the Sevkabel land has been undergoing postindustrial transformations: the production process was reorganized, it began to consume less space, and the vacated premises hosted creative studios, restaurants, and a farmers’ market; the waterfront was also renovated, and the place became popular. Meanwhile, it is planned that the nonhazardous production will be preserved here but now it will coexist with the city life. The master plan for the territory of the factory was designed by Khvoya Architects, and the same architects are working on renovating Building B, a large concrete building on the bank of Neva. This building must become something like a river façade of the renovated territory because it looks really great from the water, and, at the same time, it commands magnificent river views as well. For this reason, for “making a campus on the roof of Production Building B within the framework of the next stage of redevelopment of the territory”, the managing company Sevkabelport organized an open-door international competition named “Gorizont”. Technically, the operator of the competition was “Project Baltia” magazine. The results were announced at the end of May. The competition was won by the project developed by DNK ag, more of which we are covering below.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. View from the river
Copyright: © DNK ag
Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. The sea facade
Copyright: © DNK ag


Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Location plan
Copyright: © DNK ag


The contestants were to do the following tasks: to place on the roof of the Soviet concrete building an open-air public space overlooking the Neva River, whose estuary here is about a kilometer wide; to create a project that could claim a landmark status – not least because of the fact that this year they launched a regular tourist boat coming into the estuary, making it a part of the city’s representative “river façade”. And, finally, they had to find room for some office premises in the roof. The authors were issued with a scheme of approximate loads that, according to estimates, the framework of the building could bear – according to the provided data, it was clear that chiefly the building could be more loaded on the eastern, right-hand side (if watched from the river), and less loaded on the left-hand side.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”.
Copyright: © DNK ag


Which determined the composition of the buildup proposed by DNK ag. The bulk of the office part was positioned on the right; it got an iconic shape of two cable coils, looking similar to the ones that are exhibited on the territory of the cluster as a reminder of the factory’s profile, but, of course, not literally replicated – the ones that are on the roof are slender and thin, especially from the side. Still another association that this composition brings about – the infinity sign – was announced by the authors themselves, and, as the architects share, the organizers warmed up to the idea.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”.
Copyright: © DNK ag


The disks turned out to be the perfectly ergonomic shape for placing the offices inside of them: two continuous contours of glass, the inner and the outer one, ensure an abundance of ambient light. On the outside, there is a string of breathtaking views of the city and the river, virtually a 360-degree panorama of the city skyline, also an infinity of sorts.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. View from the office
Copyright: © DNK ag


The width of the arc-shaped volumes allows for all kinds of floor plans, both of the “study” and “open space” type – the architects give examples of different options. The useful floor space is occupied by the staircase and elevators as little as possible, two of them being already there in the building (they only need to be extended), and still another one at the intersection of two disks, which ensures equal spacing of the premises, the authors of the project emphasize. On the same central axis, a spiral staircase may appear – if there is one key tenant, this staircase will help to link the two floors with an impressive-looking “swirl”. In the circular yard of the eastern “disc”, there is a yard for the employees’ recreation, invisible to the public eye, yet with an open sky overhead.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. The inner office yard
Copyright: © DNK ag


Underneath the same disk (the one that is situated closer to the side end of the building), the architects found room for ventilation chambers and mechanical rooms that, when arranged in this way, do not spoil the silhouette of the building, being modestly hidden underground.

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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. The buildup concept
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Plan of the 2nd floor
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Plan of the 1st floor
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Section view
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Section view
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Schematic section view
    Copyright: © DNK ag


This solution is not just optimum buy it also looks like a peculiar study of the perfect office space: the quintessence raised to the level of landmark laconism. Because, what is an office, basically speaking? It is a box with glass walls and an atrium in the middle for extra light. And what we are seeing here is the composition of two slices of this typology, brought to the efficient circular shape, without the atrium glazing, and even without corners. It was still Konstantin Melnikov who back in the day was wont to say that the corners are always in the way – let’s remember his house now, shall we? Here is yet another association, this time from the classic avant-garde tradition.

The discs are placed with a shift one above the other, in a staircase fashion, as if flying saucers were landing on the roof one by one, on a tight cosmic port schedule. The building material that the authors are recommending – Corten, oxidized iron – makes the discs look even more like the gears of some gigantic mechanism arrested in mid-motion, which further enhances the industrial architecture theme and is read particularly clearly in the model, in which the architects did use Corten plates. The relief of the stripes on the edges of the discs strengthens their likeness with gears and coils – and generally enhances the industrial image.

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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Model
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Model
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Model
    Copyright: © DNK ag


This retro technological image of “rusty” coils from the side of the Kozhevennaya Line also echoes the Corten “pylon” slabs, designed and made by Khvoya as the decoration of the main entrance to Building B.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. View from the Kozhevennaya Line
Copyright: © DNK ag


Back to the discs of the offices and the roof, though! More than a half of the open space is public. Two thirds of the upper disc, the bundles of whose pillars come together at the yard contour underneath the “skylight”, serve as the awning above the open yard. This is a transition zone that includes the entrance to the offices from the roof; its steps, replicating the arc of the other disc, are juxtaposed with the amphitheater. This cantilevered structure is very large; rather, it is not even a cantilever but a whole house on legs – it not only overhangs beautifully, but it is also large enough to give protection from the inevitable rain or rare sunshine of Saint Petersburg. The part covered by the awning is also interpreted by the architects as expo space that is protected from the rain.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. The yard, entrance
Copyright: © DNK ag


In the middle of the open part of the roof, there is a glass casing of the central stairway – part of the reconstruction of the building by the Khvoya project. Behind it, there is an open square for concerts and other public events; its main peculiarity consists in the fact that it is transformable: you can create here different compositions and partitions by means of moving the mobile benches and tubs with decorative trees. Further on, next to the open western edge, there is a cafe pavilion, whose two sides are turned into the stairs of the amphitheater. From here, just like from the roof of the café, one will be able to watch the shows.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Schemes
Copyright: © DNK ag


Generally speaking, the architects had their fill of playing with elevations and depressions: according to the project, the entire floor of the roof will be elevated in order to make sure that the existing concrete fence does not stop people from admiring the panorama. However, the pavement has in it dents for hammocks for meditative rest. Alongside the panorama, stretches a string of “bumps” of benches that sometimes spring up with two or three steps of a mini-amphitheater for contemplating the water and the city. In the north part of the open roof, DNK ag placed a small weather station for the Arctic Museum, which, according to the project, will be placed, among other things, in the main part of Building B.

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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Night life
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. The roof with a bar
    Copyright: © DNK ag
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    Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Axonometry
    Copyright: © DNK ag


In a word, the functions of the open space are flexible here and can support a whole number of various scenarios. And, to cap it all, one will also be able to take a walk on the roof – there will a looped route about 400 meters long. The details are to come up in the process of realization but so far there is an idea of making a loop of the second disc on the level of the roof, and a looped sightseeing platform on the roof of the first cantilevered disc.

What they ultimately got here was a curious type of office – not exactly groundbreaking but still rare in these parts: on the one side, there is this part of the cluster of the former factory, and, on the other side, a completely new building in a very advantageous location, high up, and with great panoramas – the perfect place for some kind of headquarters, surrounded by a large number of public places, arranged in a sophisticated way in terms of their importance and accessibility, yet still flexible. This project is very postindustrial and at the same time this is a landmark building, a “sign on the wall”, essentially illustrating the peculiarities of Saint Petersburg: this city is horizontal, yet it likes an architectural highlight; in its best parts, your gaze wanders from one landmark to another. And – behold – you’ve got a horizontal here, and a telltale highlight, whose industrial imagery makes a perfect match for the “constructivist” lintel to the transport terminal that is placed closer to the river and at a distance from Building B: from here, the cables used to be loaded directly on ships. Which can be noticed from the river, but especially – from the waterfront.

Concept of the public and office campus on the roof of Production Facility B on the territory of “Sevkabel Port”. Waterfront
Copyright: © DNK ag


01 July 2019

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.