По-русски

Russian architects talk about biennale

Thoughts and recommendations from different architects. The exhibition, it's advantages/disadvantages and of course the best pavilions.

19 June 2018
Interview
mainImg
We asked: What do you think about biennale' theme and it's influence; what are the best biennale's exhibitions; what influenced you personally? 
  
Laguna's view from the terrace on the top of the British pavilion. Photo: J. Tarabarina, archi.ru
zooming

Nikita Yavein
This year biennale’s theme is a very widely formulated, you can connect almost anything to the subject. Hence there is a great deal of stairs and empty pavilions which I think denotes a kind of "flattening" of the world, a result of a universal desire to achieve instant success. And this trend towards simplification appears depressing to me.

I thoroughly enjoyed Biennale of Aravena, there were a lot of moments that I well understand; I believe that only regional schools are worthy of interest now, while the mainstream ones are a bit dull, regional studios were shown then.
Structure of the British pavilion. Photo: J. Tarabarina, archi.ru
Pavilion of Nordic countries. Photo: J. Tarabarina, archi.ru
Swiss pavilion. Photo: J. Tarabarina, archi.ru
Mexico pavilion. Photo: J. Tarabarina, archi.ru
Mexico pavilion. Photo: J. Tarabarina, archi.ru
Mexico pavilion. Photo: J. Tarabarina, archi.ru
"Renzo Piano. Progetti d′aqua". Fondazione Emilio e Annabianca Vedova. Venezia, 2018. Ph Studio Azzurro, 2018
"Renzo Piano. Progetti d′aqua". Fondazione Emilio e Annabianca Vedova. Venezia, 2018. Ph Studio Azzurro, 2018

Perhaps, undeniably the most interesting architectural experience is the Swiss pavilion, and I totally support the jury which has awarded them the first prize. Japanese Pavilion is always cute, with its hand graphics.
 
Renzo Piano exhibition is really interesting. The projects on display are clear and very well known, but the script and the directing behind the show is genial and create new feelings; I recommend visiting it to everybody, it's a fresh new way of demonstrating architecture, although there is so much more scenography there than information.
***
 
zooming

Sergey Kuznetsov
 
From my experience of participation in Biennale, I believe that the theme offered by the curators is very abstract, and to be honest, the vast majority of the participants hardly follow it. Any exhibition can be tied up to a certain subject one way or the other.
 
Of course, curators' manifesto declares the general trends of the architecture today, and shows that the Venice Biennale sets the tone in the world. Nevertheless all national pavilions are made by curators the way they see fit. As a result, we have interesting installations which are more tied to the current events in the countries that take part in biennale, than to the general theme.
Laguna's view from the terrace on the top of the British pavilion. Photo: J. Tarabarina, archi.ru
British pavilion. Photo: J. Tarabarina, archi.ru
Holland pavilion. Photo: J. Tarabarina, archi.ru

I agree with the choice made by international jury and I think that Switzerland and the United Kingdom have presented the best pavilions. The English have presented the theme of this year (freespace) literally, they left empty space inside, but have erected the observational rooftop with magnificent views onto the Giardini gardens and the lagoon.
 
The Swiss had an element of a game, they demonstrated how different can be dimensions of living quarters. I can also name the Dutch, really liked their pavilion.
Chili pavilion. Photo: J. Tarabarina, archi.ru
Chili pavilion. Photo: J. Tarabarina, archi.ru

I think that it is only right to invite bright interesting curators. Architects should see the entire exposition to understand which direction the whole thing is going. And this is the main task of the Biennale. Architects  visit it, take note that things can be done this way, or that way, and then use it in their work.
***
 
zooming

Vladimir Kuzmin 

Do the exhibitions fully reflect the theme of Biennale? Perhaps they do, insofar as it appeals to such a global term like "freedom."

"Free space" is understood as much widely as possible, from a literal emptiness to detailed projects of "liberation" of spaces: of their functions, characteristics, of materials and formation technologies.
Tatiana Chelyapina and Vladimir Kouzmin. Photo: J. Tarabarina, archi.ru
Belgian pavilion
Dorte Mandrup, Arsenal. Photo: J. Tarabarina, archi.ru

My absolute favourite is the Swiss Pavilion! The real game with physical scale of living spaces and their scales impressed me, and forced to literally to feel the effect of "Alice." Dutch Pavilion - Orange cells with "secrets" in them, and behind them. Giant "bubbles" in the Pavilion Scandinavian countries ... Blue podium-amphitheater in the Belgian Pavilion ….. virtual "window in the universe" in the Hall of Venice...
***


zooming

Natalia Sidorova and Daniel Lorentz
 
The Swiss Pavilion concept of playing with scale, is simple. Quality implementation and attention to detail including the size of parquet boards and door handles made the actual experience very convincing.Also the Japanese Pavilion with various formats and techniques of art graphic on urban spaces is something to stare at for a long time.
Japan pavilion. Photo: J. Tarabarina, archi.ru
Vatican pavilion. Carla Juaçaba, A bench and cross. Photo: J. Tarabarina, archi.ru
Peter Zumtor, biennale exhibition, pavilion of the Biennale. Photo: J. Tarabarina, archi.ru

***
 

zooming

Anton Nadtochiy
 
We were able to visit Arsenale with a guided tour – and maybe this is the reason why we liked Arsenale most of all, particularly the part that demonstrated various artistic and space organization strategies from architectural firms that were invited by the curators – from Benedetta Tagliabue to Olgiati.
Biennale 2018, Corderi. Photo: J. Tarabarina, archi.ru
Biennale 2018, Corderi, SANAA project. Photo: J. Tarabarina, archi.ru
Biennale 2018, Corderi, project by Valerio Olgiati. Photo: J. Tarabarina, archi.ru

In Giardini, as always, the Swiss pavilion looked great – last time this place featured a powerful project by Christian Kerez, and this time around the pavilion was just as interesting and conceptual; it deservedly won the first prize.
Biennale 2016, Swiss pavilion. Photo: J. Tarabarina, archi.ru
Biennale 2016, Swiss pavilion. Photo: J. Tarabarina, archi.ru
Biennale 2018, Swiss pavilion. Photo: J. Tarabarina, archi.ru

But I must say that I was still more impressed by the pavilions located beyond the confines of Giardini: the Catalonia pavilion, which was made by RCR, was a fantastically beautiful installation.
Filippines pavilion. Photo: J. Tarabarina, archi.ru
Filippines pavilion. Photo: J. Tarabarina, archi.ru

The pavilions of the so-called “new countries” deserve more and more attention, being very carefully executed in a high quality manner – the pavilions of Mexico, the Philippines, and Luxembourg. China made an enormous installation that was made with a 3D printer and it veritably worked as a landscape object. It is clear that this is an unmistakable hot trend of today that will develop very quickly.
***
 
zooming

Mikhail Beilin
The first Pavilion that I saw was the Swiss Pavilion. It remained the most striking, interesting and elegant.

Most of the time I spent in the main pavilion of Biennale, which was my major impression. I think is was all about texts, not images. It was incredible pleasure to read all of this. I especially liked the exposition dedicated to Luigi Dominioni of whom I have never heard before.

I very much liked the breadth of the "free space" interpretation. The exhibition is much less gearing towards social aspects as compared to "The reports from the front" of 2016. And, in my opinion, is much more devoted to architectural search, including in the past. To simply put it "free space" - is generally speaking everything that surrounds us. This Biennale is about architecture as a whole which is rather original in my opinion.
Cino Zucchi, pavilion of the Biennale. Photo: J. Tarabarina, archi.ru

Biennale is always interesting. The indescribable pleasure of diving into architecture as a science and pure art which is lacking in everyday life. And special pleasure in Giardini and Arsenal-to read texts -descriptions to the exhibits. In lieu of a quite a bit of professional literature.
***

zooming

Amir Idiatulin
 
In some of the national pavilions, the biennale theme – free space – is interpreted at its face value, literally as an empty void, the way the British did, to name but one example. Meditating on a given theme sometimes brings about a pavilion with a swing set (Pakistan), or sometimes a pavilion with a ping-pong table and merry-go-rounds (Romania). Considering a dwelling unit as a free space, the way it was done by the winning Swiss, is a controversial approach – for a modern human being, the very notion of “home” has drastically changed. A modern housing complex is programmed to perform a lot of functions, and we spend less and less time in our apartments; we need more of a “free space” in the city that’s outside.
Bjarke Ingels, Humanhattan 2050, pavilion of the Biennale. Photo: J. Tarabarina, archi.ru
Bjarke Ingels, Humanhattan 2050, pavilion of the Biennale. Photo: J. Tarabarina, archi.ru
Bjarke Ingels, Humanhattan 2050, pavilion of the Biennale. Photo: J. Tarabarina, archi.ru

It is clear that some of the pavilions were designed not with the architects in mind but to impress the mass audience. In my opinion, at such events one shouldn’t make such populist and specific statements, and should be laying more stress on the concepts and ideas that change the city and the people’s lives.
Singapore pavilion, Arsenale. Photo: J. Tarabarina, archi.ru

The biennale theme gets me thinking about the necessity of creating free spaces in the modern high-density urban construction, about searching for opportunities to use the architectural and town planning tools to form such oases for the city people. The architect’s challenge is to create and program such spaces, making them attractive to people. An instance of this is the statement that BIG made on this subject – the Danish showcased the project named Humanhattan 2050, an innovative system that is being proposed as a way to protect New York and other cities from rising sea levels and future storms.
***
 
zooming

Magda Cichon
 
To me, the best pavilions in terms of getting across the architectural message were the curators’ pavilions – the Irish Grafton Architects, Shelley McNamara and Ivonne Farrell – where they presented their unique vision of the biennale’s main theme of “free space”. Thanks to the thorough preparation, it was great to spend inside all the three days. As an architect, I can only highly appreciate the tremendous preparation work: they were able to fill the spaces with light and air, and make them comfortable for the guests, without overloading them.
Curator's exhibition, Arsenale. Photo: J. Tarabarina, archi.ru

Among the national expositions, I would like to note the Nordic Countries Pavilion: three countries (Finland, Sweden and Norway) joined efforts to present an inspiring minimalist exposition that included moving objects exploring the theme of balance between nature and architecture.

Translated by Irina Vernichenko, Anton Mizonov
 

19 June 2018

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.