По-русски

Eco Solution

Designed by "Arkhitecturium" studio headed by Vladimir Bindeman, the family sports and recreation center resembles a scout camp in its structure, while its composition adheres to the ideals of green architecture.

05 February 2016
Object
mainImg

The residential complex "Zolotye Peski" ("Golden Sands") occupies an area of some 24 hectares and is located practically on the shore of the Mozhaisk Sea. It is only separated from the beach by a narrow strip of woodland and by the territory of an incomplete villa community. Actually, it was this project, only a third of which has been presently completed, that became the starting point for the whole affair. As Vladimir Bindeman reminisces, early last year he was approached by a representative of one of Moscow financial companies that bought out an incomplete villa community in Moscow area's Mozhaisk District with an intention of turning it into something more than just a trivial string of standard townhouses. The ambitions of the new investor stretched far beyond the boundaries of the housing project - the territory that one has every reason to call a resort type was going to get a unique sports and recreation center capable of accepting children alone (as in a summer camp) or whole families coming down for a vacation together. In other words, the architects had a task of, first of all, zoning the incomplete settlement, singling out the center territory, and, second of all, actually developing from scratch a recreation complex of a new type. 

One must mention at this point that originally the settlement used to have a terminally rational, not to say trivial, planning grid: it was supposed that two trapezes would stretch from the road to the lake, cut through with the parallels of the inner driveways, on each of which two lines of land plots were to be strung. The townhouses were designed just as unassuming, although even in such form they were not all implemented - because of the economic crisis, most of the land plots were sold without the construction commission because the owner wanted to sell them at any rate. Still, the builders were able to fix the framework of one of the trapezes, flanking it with houses standing along its perimeter, and the architects, of course, could not ignore the already-formed residential nucleus. The obvious solution in this situation would be developing the other half of the land site in a crucially different system of coordinates. At the same time, the authors of the project did not have an opportunity to organize a dedicated driveway to the territory of the future center, and this is why it stretches away from the settlement and along the highway: along its entire length, the architects placed parking lots and maintenance buildings, marking the turn towards the complex itself by an entrance group. Embracing the roundabout in a smooth half-arch, it looks as though it were prompting: from this point on, you will see a territory of a crucially different geometry and architecture.

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea. Location plan © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


From the settlement, as well as from the highway, the complex is separated by two buffer zones: the residential area is overlooked by the stitches of the twin-houses, while the territory stretching along the highway is taken up by soccer fields, an eco-farm, and a mini-zoo. In the structure of both groups of buildings one can still trace linearity, while the plan of the center itself is ostentatiously irregular. The main building where all the public functions are concentrated (from the gyms and the swimming pool to the clubs, the conference hall, and the hotel) on the plan resembles the "G" letter, whose "tail" stroke is the head of the roofed gallery connecting the "headquarters" with the other units. This gallery then stretches, winding, along most of the land site, serving as a thread of sorts upon which the residential units are strung. As for the latter, the architects gave their plans the shape of elongated pointed triangles: some of them are oriented toward the highway, and some, on the other hand, toward the water - which makes the composition all the more dynamic.

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea. Plan © Arkhitecturium


As Vladimir Bindeman shares, he decided from the very start to design the buildings of this center out of wood, and of the untreated kind, too. "The complex is located more than a hundred kilometers away from Moscow, and I thought it made sense that the people coming down here would want to find themselves in an environment drastically different from the "concrete jungle" - the architect explains - The customer agreed with that at once but he put forward the condition that we streamline as much as possible the impeding expenses and that we find the most cost-efficient solution possible". As Vladimir Bindeman explains, it was all about the most rank-and-file timber one could possibly think of: no glued wood, nothing that underwent special machinery treatment - just the uncut timber with its characteristic rough texture and cracks and crevices. "We were not even going to paint them - just cover them with bio-protection solution and leave them to age naturally, so that they would gradually fade and take on that silver gray hue". 

Also important is the fact that the use of the "framework-insulant-sheeting" algorithm provides an opportunity for making the basements lighter and avoid using the lifting cranes altogether - yet another way to save a significant sum of money. Ultimately, the only thing that the architects were not going to cut the costs on was the high-quality stained-glass - the large amount of glazing in combination with the ostentatiously rugged surfaces of the wooden façades and their expressive geometry is something that primarily forms the image of the complex. It is augmented by the green, fully usable, roofs - actually, the roof of each unit is "pulled down to the ground" on one side, which turns the building into a gently sloping hill inviting to walks and outdoor games. 

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea. Bird's eye view © Arkhitecturium


The green roofs also play an important metaphorical part - they serve as that "visible connection to nature" that became the central part of the whole project. Out of these same reasons, by the way, the architects discarded the idea of organizing the territory of the complex in a standard way: instead of paving the trails with paving stones or using asphalt, they came up with a system of planked footbridges, through which grass is shooting up, gravel envelopes, and curbs made of logs. The roof of the administrative building is also green: at the expense of the varying number of floors, the architects were also able to execute it in the shape of a gently sloping hill, some kind of a green ramp that one can ascend directly from the entrance gate and then walk upon, thus crossing the entire complex from end to end. This exciting journey, by the way, is but one of the numerous activities that the architects came up with for the young guests of the sports center. Also, it was planned to create here a children's yacht club, a rope park, a swimming center, the already-mentioned eco-farm and the mini-zoo where children themselves could take care of the animals. And, although this project is still in the concept stage as yet, its "green" part got high critical acclaim from the experts: at last year's Zodchestvo festival, it was awarded the honorary award for its architecture of humane environment in "Sustainable Architecture" nomination.
Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea. Plans and section drawings © Arkhitecturium


05 February 2016

Headlines now
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.
​Skylights and Staircase
Photos from March show the nearly completed headquarters of FSK Group on Shenogina Street. The building’s exterior is calm and minimalist; the interior is engaging and multi-layered. The conical skylights of the executive office, cast in raw concrete, and the sweeping spiral staircase leading to it, are particularly striking. In fact, there’s more than one spiral staircase here, and the first two floors effectively form a small shopping center. More below.
The Whale of Future Identity
Or is it a veil? Or a snow-covered plain? Vera Butko, Anton Nadtochy, and the architects of ATRIUM faced a complex and momentous task: to propose a design for the “Russia” National Center. It had to be contemporary, yet firmly rooted in cultural codes. Unique, and yet subtly reminiscent of many things at once. It must be said – the task found the right authors. Let’s explore in detail the image they envisioned.
Greater Altai: A Systemic Development Plan
The master plan for tourism development in Greater Altai encompasses three regions: Kuzbass, the Altai Republic, and Altai Krai. It is one of twelve projects developed as part of the large-scale state program bearing the simple name of “Tourism Development”. The project’s slogan reads: “Greater Altai – a place of strength, health, and spirit in the very heart of Siberia”. What are the proposed growth points, and how will the plan help increase the flow of both domestic and international tourists? Read on to find out.
The Colorful City
While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.
In Orbit of Moscow City
The Orbital business center is both simple and complex. Simple in its minimalist form and optimal office layout solution: a central core, a light-filled façade, plenty of glass; and from the unusual side – a technical floor cleverly placed at the building’s side ends. Complex – well, if only because it resembles a celestial body hovering on metallic legs near Magistralnaya Street. Why this specific shape, what it consists of, and what makes this “boutique” office building (purchased immediately after its completion) so unique – all of this and more is covered in our story.
The Altai Ornament
The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
The Arch and the Triangle
The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
The Blooming Mechanics of a Glass Forest
The Savvinskaya 27 apartment complex built by Level Group, currently nearing completion on an elongated riverfront site next to the Novodevichy Convent, boasts a form that’s daring even by modern Moscow standards. Visually, it resembles the collaborative creation of a glassblower and a sculptor: a kind of glass-and-concrete jungle, rhythmically structured yet growing energetically and vividly. Bringing such an idea to life was by no means an easy task. In this article, we discuss the concept by ODA and the methods used by APEX architects to implement it, along with a look at the building’s main units and detailing.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.