По-русски

Eco Solution

Designed by "Arkhitecturium" studio headed by Vladimir Bindeman, the family sports and recreation center resembles a scout camp in its structure, while its composition adheres to the ideals of green architecture.

05 February 2016
Object
mainImg

The residential complex "Zolotye Peski" ("Golden Sands") occupies an area of some 24 hectares and is located practically on the shore of the Mozhaisk Sea. It is only separated from the beach by a narrow strip of woodland and by the territory of an incomplete villa community. Actually, it was this project, only a third of which has been presently completed, that became the starting point for the whole affair. As Vladimir Bindeman reminisces, early last year he was approached by a representative of one of Moscow financial companies that bought out an incomplete villa community in Moscow area's Mozhaisk District with an intention of turning it into something more than just a trivial string of standard townhouses. The ambitions of the new investor stretched far beyond the boundaries of the housing project - the territory that one has every reason to call a resort type was going to get a unique sports and recreation center capable of accepting children alone (as in a summer camp) or whole families coming down for a vacation together. In other words, the architects had a task of, first of all, zoning the incomplete settlement, singling out the center territory, and, second of all, actually developing from scratch a recreation complex of a new type. 

One must mention at this point that originally the settlement used to have a terminally rational, not to say trivial, planning grid: it was supposed that two trapezes would stretch from the road to the lake, cut through with the parallels of the inner driveways, on each of which two lines of land plots were to be strung. The townhouses were designed just as unassuming, although even in such form they were not all implemented - because of the economic crisis, most of the land plots were sold without the construction commission because the owner wanted to sell them at any rate. Still, the builders were able to fix the framework of one of the trapezes, flanking it with houses standing along its perimeter, and the architects, of course, could not ignore the already-formed residential nucleus. The obvious solution in this situation would be developing the other half of the land site in a crucially different system of coordinates. At the same time, the authors of the project did not have an opportunity to organize a dedicated driveway to the territory of the future center, and this is why it stretches away from the settlement and along the highway: along its entire length, the architects placed parking lots and maintenance buildings, marking the turn towards the complex itself by an entrance group. Embracing the roundabout in a smooth half-arch, it looks as though it were prompting: from this point on, you will see a territory of a crucially different geometry and architecture.

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea. Location plan © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


From the settlement, as well as from the highway, the complex is separated by two buffer zones: the residential area is overlooked by the stitches of the twin-houses, while the territory stretching along the highway is taken up by soccer fields, an eco-farm, and a mini-zoo. In the structure of both groups of buildings one can still trace linearity, while the plan of the center itself is ostentatiously irregular. The main building where all the public functions are concentrated (from the gyms and the swimming pool to the clubs, the conference hall, and the hotel) on the plan resembles the "G" letter, whose "tail" stroke is the head of the roofed gallery connecting the "headquarters" with the other units. This gallery then stretches, winding, along most of the land site, serving as a thread of sorts upon which the residential units are strung. As for the latter, the architects gave their plans the shape of elongated pointed triangles: some of them are oriented toward the highway, and some, on the other hand, toward the water - which makes the composition all the more dynamic.

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea. Plan © Arkhitecturium


As Vladimir Bindeman shares, he decided from the very start to design the buildings of this center out of wood, and of the untreated kind, too. "The complex is located more than a hundred kilometers away from Moscow, and I thought it made sense that the people coming down here would want to find themselves in an environment drastically different from the "concrete jungle" - the architect explains - The customer agreed with that at once but he put forward the condition that we streamline as much as possible the impeding expenses and that we find the most cost-efficient solution possible". As Vladimir Bindeman explains, it was all about the most rank-and-file timber one could possibly think of: no glued wood, nothing that underwent special machinery treatment - just the uncut timber with its characteristic rough texture and cracks and crevices. "We were not even going to paint them - just cover them with bio-protection solution and leave them to age naturally, so that they would gradually fade and take on that silver gray hue". 

Also important is the fact that the use of the "framework-insulant-sheeting" algorithm provides an opportunity for making the basements lighter and avoid using the lifting cranes altogether - yet another way to save a significant sum of money. Ultimately, the only thing that the architects were not going to cut the costs on was the high-quality stained-glass - the large amount of glazing in combination with the ostentatiously rugged surfaces of the wooden façades and their expressive geometry is something that primarily forms the image of the complex. It is augmented by the green, fully usable, roofs - actually, the roof of each unit is "pulled down to the ground" on one side, which turns the building into a gently sloping hill inviting to walks and outdoor games. 

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea. Bird's eye view © Arkhitecturium


The green roofs also play an important metaphorical part - they serve as that "visible connection to nature" that became the central part of the whole project. Out of these same reasons, by the way, the architects discarded the idea of organizing the territory of the complex in a standard way: instead of paving the trails with paving stones or using asphalt, they came up with a system of planked footbridges, through which grass is shooting up, gravel envelopes, and curbs made of logs. The roof of the administrative building is also green: at the expense of the varying number of floors, the architects were also able to execute it in the shape of a gently sloping hill, some kind of a green ramp that one can ascend directly from the entrance gate and then walk upon, thus crossing the entire complex from end to end. This exciting journey, by the way, is but one of the numerous activities that the architects came up with for the young guests of the sports center. Also, it was planned to create here a children's yacht club, a rope park, a swimming center, the already-mentioned eco-farm and the mini-zoo where children themselves could take care of the animals. And, although this project is still in the concept stage as yet, its "green" part got high critical acclaim from the experts: at last year's Zodchestvo festival, it was awarded the honorary award for its architecture of humane environment in "Sustainable Architecture" nomination.
Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea. Plans and section drawings © Arkhitecturium


05 February 2016

Headlines now
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.