По-русски

New Tectonics

Taking an advantage of the absence of any architectural context, the architects of Arch Group designed the building of Radisson Blu Moscow Riverside Hotel as not just organic but literally "growing" from the natural landscape. Second place in the contest for the best architectural concept.

05 October 2015
Object
mainImg
Firm:
Arch Group
Object:
Radisson Blu Moscow Riverside Hotel&Spa
Russia, Moscow

2015 — 2015

The unique geography of the land site on which Radisson Blu Moscow Riverside Hotel would be built, obviously, left none of the contest participants indifferent to it. But it is specifically the proposal by arch group that developed a whole ideology based upon it. This ideology grew naturally and organically, literally sprouting from the ground beneath the architects feet: Mikhail Krymov and Aleksey Goryainov from the very start decided that they would try to make the most of the advantages that this landscape gave them. First of all, of course, the unparalleled view of the panorama of the Strogino riverbed that is literally has no rivals in Moscow. This is why the architects' first task was searching for such an architectural and engineering solution that would allow for opening up this panorama from as many as possible (and, in the perfect world, from all of the) hotel rooms. Therefore, overlapping or juxtaposed volumes were out of the question, just as any windows facing each other - the only possible solution was the plan that followed exactly the bend of the spit of Moskva and Skhodnya rivers. Considering the fact that almost all the hotel rooms and apartments (for a few small exceptions) are going to be turned, in accordance with the architects plan, to the outer facade, such a solution provides the guests of the hotel with the utmost visual comfort, at the same time cutting of the not-too-pleasant views of the sewage structures lurking behind the construction territory.

Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Birds' height view © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Form-shaping factors © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Location plan © Arch group


So, what can a volume, so naturally "planted" on the cape between the two rivers, look like? "We thought that the most efficient way of form-making would be to have the building literally grow from the ground - Aleksey Goryainov shares - It must be at peace and harmony with the surrounding scenery, like it's the most natural thing that could ever happen here". Solutions like this one are generally a trademark feature of the works by Goryainov and Krymov: their projects usually show a lot of context-based common sense that is easily discernible in the language of their visual imagery. In this specific case, when viewed from the water area, the building of the hotel complex must look like a hill that has grown in the Strogino riverbed as a result of some tectonic process. This effect is also enhanced by the natural elevation of the terrain that the architects continue with a sloping form of the building strengthened by decorative pulls on the level of the first floor - they symbolize the connection between the facade and the ground. The architects also propose to accentuate the sloping bank with concentric arches of green terraces, which makes even more sense thanks to the fact that you cannot make asphalt walks on the waterfront territory - it can only be earth trails, lawns, and marinas. 

Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


The entire facade is occupied by the glass terraces belonging to the hotel rooms and apartments. This breaking away from the vertical gives the architects yet another advantage: the lower the floor, the more spacious the terraces can be which means that the river view, at places limited by the protected trees, will be made up for by the sheer number of extra square meters. And, if we are to integrate solar panels into the sloping glass, this will really go a long way to increase the energy efficiency of the complex. According to Aleksey Goryainov, by the way, the project has a great potential in terms of the so-called "green construction" - from the accumulation of rain and thawed water to complete automation and centralized digital control of all the engineering systems; in the light of nature-oriented ideology of the project, this makes perfect sense. 

Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group


While, from the side of the outer facade, the "hill" image is created, among other things, by the wooden parts of the terraces, from the inner side the building is almost completely covered with glass. Due to the fact that, starting from the sixth floor up, it is only the corridors that overlook the yard, the restrictions for the percentage of glass in the residential premises do not apply here - meaning, there is a great possibility to provide the guests of Radisson Blu, as they walk to and from the elevators, with as much light as possible. The inclined form of the building plays here yet another part - it partially protects the people approaching the hotel from the rain, turning the building into a semblance of a giant awning. And, inside the smooth curve of the main volume, the architects propose to organize yet another "hill", this time a green one (in the literal sense of the word - it is planned that its roof will be planted with bushes and trees). This is the way the business center looks in this project - a multifunctional hall and offices, a restaurant, and a parking lot of its own - connected to the main building by an underpass. Its green roof is meant to protect the guests at 2-5th floor from the industrial waste: in this sector, orienting the residential premises to the outer side alone would have been economically ineffective. As far as the public zones of the hotel itself are concerned - the lobby, the restaurant, and the spa center - they fully occupy the first level of the building. 

Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Birds' height view © Arch group


Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Axonometric perspective © Arch group


The peculiarity of the land site in question lies, among other things, in the fact that before they say "wow", overwhelmed by vistas spreading before their eyes, the guests will have to make a short but impressive journey from the Volokolamsk Highway down here. This area has not yet been landscaped, and no one knows for sure if it ever will be - so, most likely, after the construction is complete, the road to Radisson Blu will be framed with concrete fences with barbed wire, the ruins of a gas station, and some selling exhibition of tombstones. The authors of the project decided that it was necessary to heal this expression with the most active view of the building itself: from this vantage point, the eastern wing of the complex soars into the sky very much like the monument to Space Explorers at VDNKh. Besides the laws of perspective, this effect is enhanced by the increase in the number of floors in the direction of the Volokolamsk Highway: the difference with the opposite end of the curve is three meters thanks to which extra dynamics is given to the views of the building from the Moskva River and the Moscow Ring Road, while the step-like terraces increase the commercial attractiveness of the top-floor apartments. As for the guests driving up to the hotel, they are in for a wow-effect in the shape of an arched opening two stories high commanding a fine river view - through the building. The wooden finish of natural color, the form reminding of geologic cleavages - it seems that the earth itself stood on end here obeying some "Open Sesame" spell, and then froze that way forever, struck by the beauty of the scenery. 
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Master plan © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Layout of the pedestrian and recreational areas © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Transport diagram © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Axonometric perspective © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Section views © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Plan of the basement and the first floors © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Plan of floors 2-4 © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Facade © Arch group
Radisson Blue hotel complex at the place of the confluence of the Moskva and Skhodnya rivers. Facade © Arch group


Firm:
Arch Group
Object:
Radisson Blu Moscow Riverside Hotel&Spa
Russia, Moscow

2015 — 2015

05 October 2015

Headlines now
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.