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A Younger Forest Brother

A guest house designed by Roman Leonidov bureau echoes its prototype - the main house - but it also creatively revises a few interesting and recognizable techniques.

07 April 2016
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A few years ago, in the near-Moscow area, at a picturesque land site surrounded by a thick pine forest, upon the project of Roman Leonidov, a house was built of natural stone and dark wood. A little later on, its owners - people used to an socially active lifestyle - decided to build for their numerous guests yet another independent house of a smaller size. Being satisfied with the original result, they again turned to the same architects - Roman Leonidov and Anastasia Leonidova. 

The project of "Forester Shack" guest house. View from the barbecue veranda side © Roman Leonidov architectural bureau
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The manor house with a semicircular terrace © Roman Leonidov architectural bureau


The guest house was named "forester shack", even though its total area is far from being a "shack" kind - 265 square meters - which, on the other hand, is about a seventh of the total square footage of the master's villa (1892 square meters). The "shack" is situated a little stretch away from the main house, on a well-lit clearing in the thicket of the pine forest, and, thus, it is all but invisible behind the tree trunks if viewed from the main house. Nevertheless, its architecture is resonant with its prototype, inheriting the themes that were set earlier on: just like its "elder brother", it us built upon the contrast between stone framework, dark wood and glass. However, the guest house looks more pristine. In any case, more pristine if compared to the main house that embraces its yard with a semicircle of terraces looking like porticos with their arrays of slender pillars; in the case of the guest house, however, all the lines are straight, and all the sections are right-angle ones.

The bulk of the first floor is made of concrete, and, just as the basement floor, is coated with thin stripes of rugged dark-gray stone with pipes shooting up asymmetrically on the sides. The top floor is wooden, and both floors are pierced through by lots of stained glass inserts and wide floor-to-ceiling windows that make the volumes look permeable and transparent, lighted up on the outside and opened to the beauty of the forest scenery from the inside. 

The project of "Forester Shack" guest house © Roman Leonidov architectural bureau


The project of "Forester Shack" guest house © Roman Leonidov architectural bureau


"In this project, we implemented the technology that in the recent years we have been actively developing together with Newood Company: it is about taking the half-timber structure and adding to it virtually any other material you can possibly think of - Roman Leonidov shares - In our specific case, it is timber and stained glass. In addition, I am a big believer in the potential of large-span structures that the glued wood technology provides".

The house does actively interact with its environment by surrounding itself with a broad and differently-styled framework of terraces, stanzas, and balconies. The largest of them is the barbecue place situated parallel to the rectangle of the house and connected to it with a short bridge made of wooden floor-boards. Its upper border is formed not only by the sloping rain awning but also partially by the permeable grille of beams, run in between the volumes of the "stone" and "wooden" stories and creating an effect of "air layer" or maybe even of the levitation of the second floor that looks not so much as it is resting on the stone base but rather like it is ready to slide down the guides. In addition, one of the side surfaces of the second floor stands out in a deep cantilever above the base, so one might think that the second floor is actually already in motion. Yet another terrace - rather more like a stanza balcony - rests on the roof of the bottom tier on the other side of the house, opposite to the "barbecue" side. It must be said that the balconies, the long overhangs of the sloping roofs, and the stone basement of the bottom tier - all these are quite recognizable elements of an Alpine chalet; on the whole, however, the house looks very little like a chalet, it's just that some of it fragments can evoke the tell-tale associations, especially if one is a passionate skier. 

The project of "Forester Shack" guest house © Roman Leonidov architectural bureau


The balconies and the terraces, along with the unshielded beams and window frames resembling the portals of a stage box, surround the house with a curious kind of transparent semi-openwork construction. The resulting effect could be best described as "architectural deconstruction" - from the "spectacular" viewpoint, the house reveals to the observer almost the very core of its structure. An important part is also played by the theme of a garden gazebo, and the hot-lately theme of a ruin, also either of a "park" or "antique" kind: the white frames bear a resemblance, however distant, with the marble frames of the entrance sashes that are a rare sight but still to be seen sometimes at some late-Roman ruins. Letting your fantasy wander, one could imagine that he or she is standing in front of the remnant of some stone building that was later on overbuilt with wooden volumes but not completely - this way of thinking based on a fiction but still unobtrusive story is also rather topical nowadays. Besides, the house, opened up to the forest in a graceful and picturesque way, is quite appropriate for the tasks it is meant to perform: pastime in the forest, barbecue, tea parties on the terraces, and contemplating the pine trees from behind the awnings. 

Widely opened into the space, the house is as light on the inside as it is on the outside. The first floor is almost completely occupied by a large living room - which is also the room with a fireplace, a kitchen, and a dining room. This is the main and the most eventful place in the house - with a recreation zone by the fireplace, a bar counter, and a large dinner table. The wall that faces the barbecue terrace is almost completely occupied by a pull-out glass partition - in the summertime, it will be possible to open it up completely. As the author of the interior design Anastasia Leonidova shares, apart from the visual rhymes with the main house, the customer asked to add "more color, more light, and more life". Hence - the contrasts of textures and colors, for example, the light travertine and the dark oak or the dark-gray concrete and the white surfaced of the kitchen furniture. In order to enrich the palette of emotions, the authors also indulged in using various textiles - carpets on the floor and light boxes on the ceiling, and even some eclectic notes: pieces of wooden Malaysian furniture go together with more democratic modern ones.

From the living room, a futuristic stairway leads up to the second floor: the concrete steps, growing "spontaneously" travertine wall, hang in midair, perfectly viewable through the transparent railing. The bedrooms on the second floor change the tense contrast for a cosy harmony of the light-colored walnut with an odd fraction of stone and opaque glass of the doors. 

The project of "Forester Shack" guest house. Interior © Roman Leonidov architectural bureau


The project of "Forester Shack" guest house. Interior © Roman Leonidov architectural bureau


The project of "Forester Shack" guest house. Interior © Roman Leonidov architectural bureau


The project of "Forester Shack" guest house. Interior © Roman Leonidov architectural bureau


The project of "Forester Shack" guest house. Interior © Roman Leonidov architectural bureau


The authors are convinced that that the house develops the tradition of organic architecture because it adapts to its natural environment and used natural materials. Which, obviously, is the case. From the plasticity standpoint, this project is reigned by the principle of a balanced contrast poising on the verge of tradition, deconstruction, and eco-minimalism. It not only provides the interflow of spaces and impressions but also ensures the cohesiveness of the architectural ensemble, the resonance between the major house and the minor one. And it also allows the observer to recognize the signature style of Roman Leonidov. 
The project of "Forester Shack" guest house. Plan of the 1st floor © Roman Leonidov architectural bureau
The project of "Forester Shack" guest house. Plan of the 2nd floor © Roman Leonidov architectural bureau


07 April 2016

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.