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A Rhombus Blitz

The contest project for a residential block situated on the site of Annenhof Grove by “4izmerenie” bureau is an example of combining striking futuristic towers with a humane solution of an urban environment and with evenly distributed functions.

29 April 2015
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The project of "Annenhof Grove" residential complex at the Krasnokazarmennaya Street © 4izmerenie


The project of "Annenhof Grove" residential complex at the Krasnokazarmennaya Street © 4izmerenie


Today, the district of Lefortovo – one of the oldest in Moscow – is being actively transformed. While today its industrial enterprises take up more than half of its territory, in the near future the proportion is to shift to the benefit of the residential, cultural and public spaces. Not so long ago, the angst over the plans to build up the “Hammer and Sickle” plant’s territory has calmed down, and in August 2014 “Morton” group announced a blitz-contest on a development draft for the neighboring lot that refers to “Tenancy 14” on the Krasnokazarmennaya Street. Following the results of the contest, the winners were awarded the first and the second prizes, while another eight works were short-listed (which means, under the terms of the contest, that they “can be invited to further creative competitions and projects of Morton group and OOO “Regional Urban Planning Center”). One of this Eight was the bureau “4izmerenie” with its project “Annenhof Grove”.

Since the existing buildings of this territory – production halls, warehouses and other objects of neither cultural nor architectural value – are not planned to be preserved, the only thing that limited the participants’ imagination was the design assignment itself. But they did have an interesting historical background at hand – the difficult fate of the Annenhof grove that has been here since the 1730’s. It is generally thought that the grove back in the day was planted overnight by a pleasing courtier Biron to delight the eyes of the empress Anna Ioannovna, never to be liked by the city people, and in the beginning of the last century was altogether “shaven” (Gilyarovsky) away by a massive tornado in 1904. The project of “4izmerenie” in a way aims to repair the historical injustice by giving a new life to the grove and a comfortable urban area with an open parking to the Muscovites. The team of “4izmerenie” feels right at home in this challenging and often-disliked mode of a blitz-contest. “It is like building parti diagram at the university – only now we do it for real, like the grownups that we are – says one of the project’s authors, Vsevolod Medvedev. – It is a great test for your speed of creative thinking and ability to make decisions quickly”. In this case it was actually a super-blitz – the task of the competition was completed in only five days, and the authors are happy with their result.

The project by “4izmerenie” fits into the spatial context as naturally as it does into the historical one. The master-plan of the development extends the main axes of the district. Their combination defined the rhomboidal cell structure of the plan divided into five mini-quarters plus the office-center, situated near the southern border. The architectures of “4izmerenie” consider this solution made entirely of advantages: it allowed them to create a fix and laconic composition with the residential, office and public volumes arranged along only three axes. The swiftly interchanging spaces, easy air-circulation, great insolation, the visual impression of constant movement (a definite advantage of this project, compared to some other short-listed participants, who consider building closed volumes with courtyards) – all of them are also functions of the multiply repeated rhombus, that represents a certain compromise between a canonical orthogonality a chaos of broken lines. The global practice actively uses this dynamic geometric figure in the area of façade decoration, however, it rarely puts it in a building plan – but if it does happen, it almost surely makes a powerful architectural expression: take, for instance, the centerpiece of Barcelona – “DiagonalZeroZero” upon the project of “EMBA” bureau, or Dominic Perro’s almost 1000 feet high “Blade” – that is now being built in Seoul.

All the buildings in the project “Annenhof Grove” are rhombuses with rounded corners that are almost identical in plan but have different numbers of floors (from 13 to 22 with the number of floors decreasing towards south) and oriented towards different cardinal directions, which allows avoiding monotony. The dwelling buildings “grow through” the stylobate that in its turn, according to Le Corbusier’s principle, appears to be hung over the ground floor, on the level of the second storey protecting from the rain and uniting the towers with square closed and semi-closed lines surrounding the inner yards. Thus, there forms a hybrid space on the ground floor: basically modernistic but with a hint of the traditional urban structure – more closed up, secluded, subdued to the human scale but not wind-blown like the usual micro-district. And up above – rise the towers. It creates an elegant compromise between the modern Moscow tendency to residential quarters and the insolation requirements. The play of the overhung horizontal connections between the towers is supported by the mounted passages, suggested be the architects of “4izmerenie”. These passages are laid along the lines of the rhombus-like module on the level of the fifth, ninth and twenty-first floors – a method not only striking and changing the whole development into a complex spatial construction, but also bold and pricy. 

The project of "Annenhof Grove" residential complex at the Krasnokazarmennaya Street © 4izmerenie








The architects suggested making the most of the roofs of the stylobates operational: the planned recreational spaces are intended only for the dwellers of the district and local workers, unlike the lower level – available for everyone. The thing is, that unlike most participants of the contest that tended towards strict functional division of the corpuses into dwelling and office buildings, the architects of “4izmerenie” decided rather to approach this issue from two directions simultaneously. They suggested building the main office block on the crossroad of the Entuziastov highway and the future passway – first of all, it will create the architectural centerpiece from the direction of the main transport artery of the district, and secondly, it will provide an autonomous accessibility for the employees. Besides, the entire second level of the stylobate and partly the ground floors of the eastern towers are allocated for the offices (together with the commercial and public rooms).



This project owes its charming futuristic air not least to the facades solution – laconic, even minimalist “splendid snow-white icebergs” (in the metaphoric expression of Vsevolod Medvedev). The authors suggested making them of glass with insertions of metal – just think of the visual characteristics of the apartments! By the way, the apartment layouts promise to be interesting and various: the floor spaces of the apartments vary from 600 to 1600 ft2, plus the two-storey penthouses. 

The project of "Annenhof Grove" residential complex at the Krasnokazarmennaya Street © 4izmerenie


The project of "Annenhof Grove" residential complex at the Krasnokazarmennaya Street © 4izmerenie


The project of "Annenhof Grove" residential complex at the Krasnokazarmennaya Street © 4izmerenie


The “not the most humane” building density, according to the architects, provided by the specifications (30 ha on a territory of 9 ha, aside from the underground space, with the height limitation of 240 ft) made the authors seek solutions of visual and dynamic lightening of the block. Since the ground floor development is not entire, but partial it allows for organizing a number of different well-equipped spaces, starting from little yards to squares that are to be open to all of the citizens according to the plan of the architects. And the central artery, extending the main axis of the neighboring site of the “Hammer and Sickle” (that is planned to be preserved after reconstruction) becomes the main planning accent of the block. This zone – practically a boulevard that organizes all the main fragments of the development – is planned to be completely pedestrian. More than that: the romantically-spirited architects have thought of an artificial little river as homage to Sinichka-river – that once flowed here, but now is only reminded of by several place-names. With a pinch of fantasy one can see the corpuses rising in different directions upon the stylobate not only as blocks of ice, but as some kind of a paraphrase of park trees. There should be plenty of real trees here, however: the architects want to make both the boulevard and the yards as green as possible. This is also a pendant of the “Hammer and Sickle” – its designer, “LPA Design” bureau, intends to make a city-park of it. A comfortable, ecological and simply good-looking recreational zone became one of the main advantages of this fascinating and promising project.


29 April 2015

Headlines now
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
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Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
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Four Different Surveys
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Scheduled Evolution
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The Golden Crown
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Flexibility and Integration
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A Step Forward
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Gold in the Sands
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Layers and Levels of Flight
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Light and Shadow
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Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
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Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
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Yuri Vissarionov: “A modular house does not belong to the land”
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​Moscow’s First
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Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.