"Lenigradka" Embankment

In this issue, we are covering the projects prepared by the winners and the finalists of the contest for the best concept of "Dimamo" Boulevard in Moscow.

Written by:
Polina Sadova
Translated by:
Anton Mizonov

03 March 2015

Contest Results

The contest lasted from October 2014 to January 2015 as part of the educational program "Leningradka Embankment" launched by MARCH Architectural School. Under the guidance of the contest curator, architect Ilia Mukosey, the students did a research of the Dinamo Boulevard and determined its problem spots. The boulevard was considered in conjunction with its adjacent square, the Dinamo Stadium, and the Petrovsky Park. Then the contestants were to come up with specific solutions for the problems that they discovered. In late January, there took place the defense of the students' projects, seven of which were forwarded on to the consideration of the judging panel. The organizers also conducted an online popular vote.

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Contest winners

The First Place + People's Choice Award
Ksenia Zvereva

zooming — Visualization of a fragment of the boulevard. Concept of "Dinamo" Boulevard. Author: Ksenia Zvereva

The concept is all about the sonic diversity of the territory. Using the mobile application for measuring the noise level, Ksenia determined the places that are most susceptible to the noise pollution. For example, a large level of noise was discovered opposite the "slab" of a large residential building whose facade reflects the sound. According to the conclusions made by the authors of the project, the reason for the noise pollution of the boulevard is "the absence of the medium green belt". The bushes and the small trees might absorb the noise close to the ground. Strengthening this medium green belt became the key idea of the project. However, according to the architect, there is no necessity to get rid of the noise altogether - because it forms the unique "sonic portrait" of this particular territory. Because of that, it is proposed that at some places the city noise should be kept as it is, and sometimes even augmented with extra sources of sound, fountains for example. Thus, the boulevard gets a peculiar "sonic tour route". Developing her idea of sonic variety, Ksenia proposed to organize, under the junction flyover, a yoga center that will be opposed to the noisy and crowded stadium and at the same time will support the sport theme intrinsic to this place.

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The Second Place
Anastasia Rozhkova

The project is aimed at organizing and comfortably using the boulevard in spite of the proximity of a construction site and a noisy highway. Anastasia proposes to create a covered boulevard whose vertical green belt will protect it from the world outside. There is a bar counter that runs directly along the pedestrian path. Across from it, the authors place a blackboard where anybody can leave a note. Here one can organize weekend bazaars and flea markets, the kind that you can see on the boulevards of European cities.

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The Third Place
Daria Gerasimova

Daria Gerasimova's project is based on the idea of accessibility of the boulevard and the square for the handicapped people. In order to make the territory accessible, the authors propose to replace some of the stairways with zigzag ramps. Besides, according to the author, "Dinamo" Stadium lacks the necessary bicycle infrastructure. In its contest project, for Park of Physical Culture and Sport, "Praktika" proposes to create a bicycle ring that would belt both the park and the stadium. Daria thinks that it is necessary to expand the ring as far as the Petrovsky Park, and, when it runs through the square, elevate the bicycle track over the ground level so as to avoid interfering with the flows of pedestrians and the support crowds during the games. In the center of the square, there is a bicycle renting point and a small cafe. The circular ramp will allow for the cyclists to get up the the level of the bicycle track.

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Contest Finalists

Anton Timofeev

The author dedicated his research to the automotive situation on the highways adjacent to the boulevard. His conclusion runs as follows: in the nearest future, a large part of the local population will be forced to opt out of using their cars in favor of public transportation, and the necessity of multi-level road junctions will be no longer there. The flyovers are turned into linear parks, similar to New-York's High Line. Anton suggests to start preparing people for these changes today. The three-phase scenario that the author has come up with is called "Crutch - Trail - Seizure". The idea is about adding a pedestrian and bicycle trail "crutch" to the flyover. With time, they will also be able to "seize" the carriage way. The space under the flyover may be used as expo space for organizing fairs and exhibitions.

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Andrew Fomichev

According to the research done by Andrew Fomichev, the place that suffers the most from the adverse effects of the highway is the square between the pavilions of the "Dinamo" metro station as well as the part of the boulevard not covered by the flyover. The author also paid attention to the bus stops and retail kiosks scattered chaotically along the Leningrad Avenue. As the key idea, Andrew proposed to implement, on the sidewalk running along the Leningrad Avenue, a modular "transformer" structure. This structure consists, among other things, of "green modules" (bushes in tubs), bus stop modules, cafe modules, and others. The structure can be adjusted and fine-tuned to fit the current specific tasks. By relocating the mobile benches and tubs, for example, one could use the territory as a festival venue, a promenade, or even a skating rink in the wintertime.

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Oleg Sazonov

The author of the project notes the important role of this territory as a link between two parks (Petrovsky and Dinamo). However, the square is not properly organized, and, according to the recent opinion poll, is not really popular with the local people. Oleg proposed to raise the popularity of this place by attracting to it the lovers of extreme sports. The composition is built around a half-pipe that performs, aside from its immediate sport function, a number of other ones (it houses the stadium's booking office, a stage for open-air festivals, a cafe, and a retail store). Ultimately, we see a picturesque enfilade of spaces with diverse functions, securely protected from the noise of the highway. Using this "structure", one can easily get from one park to the other. Yet another solution proposed by the author is creating a terminal for the above-ground transportation that will include the stops of all kinds of transport that runs through this area.

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Daria Zaitseva

This concept was inspired by the diverse architecture of this area. Here one can encounter all the architectural styles of the XX century as well as the Putevoy Palace built in 1780 upon the project of Mathew Kazakov. Daria proposed to create a collective image of the architecture of this area in the form of a "phantom" tower that might be built at the crossing of the Leningrad Avenue and the Third Transport Ring. According to Daria, if placed at the crossings of the Third Transport Ring with Moscow's thirteen main radial highways, such towers could become the basis for the city's new navigation system. Technically, the tower is a metal spike about four hundred feet tall, issuing steam, upon which images are projected. The judging panel gave a special mention to the model of the tower that Daria prepared. It consists of a steam generator and a pocket projector that projects the image of the tower onto a steam column.

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The judging panel of the contest

S.P. Shamanov, Deputy General Director of UK Dinamo
T.P. Dedinskaya, Deputy Head of Administrative Board of "Airport" District for trading and service issues.
Sergey Tchoban, architect, the managing partner of SPEECH architectural bureau
Oscar Mamleev, professor of Moscow Institute of Architecture, MARCH architectural school, and the International Academy of Architecture, Architectural Association School of Architecture (London, UK)
A.A. Voskresensky, editor-in-chief of "Commersant. Dom" Magazine
Y.G. Saprykin, journalist, former editor-in-chief of "Afisha" Magazine
Julius Borisov, co-founder of the architectural bureau UNK project
S.A. Nikitin, urbanist historian, leader of "Moscultprog" Group and the founder of the international project "Velonoch" ("Night of a Bicycle")
M.L. Zvyagintseva, artist and curator of public art projects, member of the Creative Union of Artists of Russia, and Union of Artists of Moscow

03 March 2015

Headlines now

Overview

A Roadside Picnic of Urban Planning Theorists

Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.

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Perspective View

CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.

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Malevich and Bathhouses, Nature and High-Tech

The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.

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Rather, a Tablecloth and a Glass!

After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.

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Materialization of Airflows

The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.

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The City as a Narrative

Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.

A Garden of Hope for Freedom

In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.

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A Laconic Image of Time

The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.

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The Flower of the Lake

The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.

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Peaceful Integration on Mira Avenue

The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.

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An Interior for a New Format of Education

The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.

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New Aeroflot Office: Lightness, Play, Comfort

Even if you have no plans to fly with Aeroflot anytime soon, their new office at 2A 1st Tverskaya-Yamskaya Street is still worth a visit for its interior design alone.

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Penthouses and Kokoshniks

A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.

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Centipede Town

The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.

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Warm Black and White

The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.

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Skylights and Staircase

Photos from March show the nearly completed headquarters of FSK Group on Shenogina Street. The building’s exterior is calm and minimalist; the interior is engaging and multi-layered. The conical skylights of the executive office, cast in raw concrete, and the sweeping spiral staircase leading to it, are particularly striking. In fact, there’s more than one spiral staircase here, and the first two floors effectively form a small shopping center. More below.

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The Whale of Future Identity

Or is it a veil? Or a snow-covered plain? Vera Butko, Anton Nadtochy, and the architects of ATRIUM faced a complex and momentous task: to propose a design for the “Russia” National Center. It had to be contemporary, yet firmly rooted in cultural codes. Unique, and yet subtly reminiscent of many things at once. It must be said – the task found the right authors. Let’s explore in detail the image they envisioned.

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Greater Altai: A Systemic Development Plan

The master plan for tourism development in Greater Altai encompasses three regions: Kuzbass, the Altai Republic, and Altai Krai. It is one of twelve projects developed as part of the large-scale state program bearing the simple name of “Tourism Development”. The project’s slogan reads: “Greater Altai – a place of strength, health, and spirit in the very heart of Siberia”. What are the proposed growth points, and how will the plan help increase the flow of both domestic and international tourists? Read on to find out.

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The Colorful City

While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.

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In Orbit of Moscow City

The Orbital business center is both simple and complex. Simple in its minimalist form and optimal office layout solution: a central core, a light-filled façade, plenty of glass; and from the unusual side – a technical floor cleverly placed at the building’s side ends. Complex – well, if only because it resembles a celestial body hovering on metallic legs near Magistralnaya Street. Why this specific shape, what it consists of, and what makes this “boutique” office building (purchased immediately after its completion) so unique – all of this and more is covered in our story.

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The Altai Ornament

The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.

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Pro Forma

Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.

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The Arch and the Triangle

The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.

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Health Factory

While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.

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The Blooming Mechanics of a Glass Forest

The Savvinskaya 27 apartment complex built by Level Group, currently nearing completion on an elongated riverfront site next to the Novodevichy Convent, boasts a form that’s daring even by modern Moscow standards. Visually, it resembles the collaborative creation of a glassblower and a sculptor: a kind of glass-and-concrete jungle, rhythmically structured yet growing energetically and vividly. Bringing such an idea to life was by no means an easy task. In this article, we discuss the concept by ODA and the methods used by APEX architects to implement it, along with a look at the building’s main units and detailing.

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Grace and Unity

Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.

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Daring Brilliance

In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.

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A Twist of the Core

A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.

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The Sculpting of Spring Forest Matter

We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.

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Water and Wind Whet the Stone

The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.