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Alignment of Planets… and Sport Stars

“Studio 44” Architectural Workshop developed the project for building an 18-thousand-square-meters-strong track-and-field sports center at Yuri Gagarin Avenue in Saint Petersburg. However, as often is the case, the material implementation was vastly different from the original idea.

10 May 2011
Object
mainImg
Architect:
Nikita Yavein
Firm:
Company:
Object:
Athletic complex in Moscow district, St.Petersburg
Russia, St. Petersburg

Project Team:
concept: N.I. Javein, N.N. Arhipova, J.N. Ashmetev, M.S. Vinogradova, V.B. Ponomarev, V.A. Romantsev with participation of: S.I. Aksenov, G.S. Snezhkin; project: N.I. Javein, V.A. Zenkevich, N.A. Smolin, J.V. Smolina, N.I. Poznyanskaya, T. A. Andreeva, M.O. Fedorov, with participation of: M.N. Zamelova; constructors: D.P. Kresov, V.I. Gershtein.

2010 — 2010 / 2011

client: Construction committee of the St.Petersburg government
The Petersburg Sports and Concert Complex on Yuri Gagarin Avenue is one of Saint Petersburg’s most famous and imposing buildings. The majestic building of the SCC that can accommodate 25 000 spectators at a time, was designed by the architects N.Baranov and I.Chaiko for the Olympics held in Soviet Russia back in 1980, and has the shape of a huge cylinder with a diameter of some 160 meters, mounted on a circular stylobate. For decades, the area surrounding the SCC remained one giant wasteland. Later on, in the Post-Soviet era, the city made several attempts at improving the wasteland and building a number of sports infrastructure objects on it but the projects were inevitably ruled out by Saint Petersburg city council. Eventually, “Studio 44” was attached to the project. And, in spite of the fact that the target specification included redesigning only one object – track and field complex to the South-West of SCC – the architects began by exploring the development prospects of the entire district. The concept offered by “Studio 44” provides for building here a whole “sports quarter”, thanks to which the Moskovsky district and the whole city are getting a number of venues for a variety of sports. The proximity of the avenue that bears the name of Russia’s first cosmonaut Yuri Gagarin, as well as the very shape of the SCC building prompted the architects the general image idea of the ensemble they were creating: around the main centerpiece, they designed a whole system of round structures of smaller diameter. On the layout, this looks a lot like the Solar System. Taking this idea even further, the authors even went as far as to inscribe the oval of the stadium into the building that looks a perfect circle on the layout. They gave the same shape to the multi-level parking lots, translucent domes above the atrium spaces and open green courtyards. As for the track and field center itself, it was designed on the site with an area of 6.42 hectares, located in the South-East part of the block, on the corner of Yuri Gagarin Avenue and Basseinaya Street. Basically, this IS the already-mentioned stadium, surrounded by a roofed grand stand and fringed by a colonnade.The latter describes a circle with a diameter of about 200 meters and encompasses also a part of the alley that leads from the Basseinaya Street to SCC. Last year, the concept proposed by “Studio 44” was examined at Town Planning Council of Saint Petersburg and was almost unilaterally approved. Presently, however, the city does not have the budget for the entire project, and so far only the track and field center (that was initially required from the architects) is under construction. However, as often is the case, a lot of changes were made along the way: the initial architectural idea underwent some substantial corrections in accordance with the “real needs”. The most radical of changes was that of the shape of the future construction: the commissioner considered a trapeze shape far more efficient and ergonomic. And, while in the original concept, the “orbit” of the stadium was rhymed with the colonnade, now the stadium itself was turned into a track and field racecourse with jogging tracks and sectors meant for various kinds of exercise, covered with an aluminum dome, lined with square windows. The colonnade, on the other hand, moved over to the facades of the main volume, turning into flat pylons turned in the direction of the center of the hemisphere faced with metal. The grand stands, the spectators’ seats, and the auxiliary premises are all grouped under the slanted roof, while the façade wall behind the pylons is fully glass-covered.


Architect:
Nikita Yavein
Firm:
Company:
Object:
Athletic complex in Moscow district, St.Petersburg
Russia, St. Petersburg

Project Team:
concept: N.I. Javein, N.N. Arhipova, J.N. Ashmetev, M.S. Vinogradova, V.B. Ponomarev, V.A. Romantsev with participation of: S.I. Aksenov, G.S. Snezhkin; project: N.I. Javein, V.A. Zenkevich, N.A. Smolin, J.V. Smolina, N.I. Poznyanskaya, T. A. Andreeva, M.O. Fedorov, with participation of: M.N. Zamelova; constructors: D.P. Kresov, V.I. Gershtein.

2010 — 2010 / 2011

client: Construction committee of the St.Petersburg government

10 May 2011

Headlines now
Elevation 5642
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The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
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Magnetic Forces
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Orion’s Belt
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Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
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Exposed Concrete
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One Step Closer To the Dream
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Chalet on the Rock
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A Unique Representative
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Field of Life
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A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
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A City Block Isoline
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Competition: The Price of Creativity?
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Terraced Design
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A Kremlin’s Core and Meteorite Fragments
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The Volga Regatta
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Life Plans
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A New Track
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Four Different Surveys
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Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
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A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
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Light and Shadow
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Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.