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Nikita Yavein: Today we have to choose customers, but not objects

Nikita Igorevich Yavein is the head of the architectural studio "Studio 44"and one of the most famous and highly awarded architects of St. Petersburg. In the interview to Arhi.ru he speaks how bureau keeps during the economic crisis, successfully designing modern buildings and working on heritage objects restoration.

19 July 2010
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Arhi.ru: Nikita Igorevich, today architectural bureau “Studio 44” is one of the most famous in St. Petersburg, as well as in Russia at large. What are the secrets of such success? N. Yavein: I'm very flattered to hear such words, but frankly I myself think our bureau is more known outside St. Petersburg. Here my name is still far more known for my former administration career, even though I left the position of the head of State Control, Employment and Protection of History and Culture Monuments Committee in 2004. I think the main reason is in too active architectural life of St. Petersburg. In contrast to Moscow, we almost have no professional competitions, displays, festivals, biennales. As for the success, I think, everything is simple – it’s a willingness to work a lot and qualitatively, with full creativity enthusiasm and high responsibility whether it concerns the design process or the final result. "Studio 44" really went through a long way of formation – from a small family bureau to a powerful project company. Our practice we started from projects for the northern regions of the country, after we worked mainly in St. Petersburg, since 2000's we enter Moscow, Russia-wide, and even international market. During the period our bureau completed over 80projects, 26 out of which were successfully implemented. There are public buildings, business centers, trade centers, banks, hotels, apartment buildings among them.
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19 July 2010

Headlines now
The Altai Ornament
The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
The Arch and the Triangle
The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.