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Noblesse Oblige

For the best proposal contest for Radisson Blue Moscow Riverside Hotel, the team of Alexander and Andrew Asadov and Karen Saprichyan, designed a multivolume complex composition that changes beyond recognition with the shifting of its viewing angle. A cyberspace guided tour will allow for joining the pictures into a single whole.

12 October 2015
Object
mainImg
Architect:
Alexander Asadov
Andrey Asadov
Karen Saprichyan
Firm:
ASADOV architects
GrandProektCity
MAHPI
Object:
Radisson Blu Moscow Riverside Hotel&Spa
Russia, Moscow

2015 — 2015

Continuing the review of the results of the best concept contest for Radisson Blue Moscow Riverside Hotel, we are featuring the joint project of Polyansky Institute of Architecture, GrandProjectCity, and Asadov Architectural Bureau. The judging panel did not include it into the leading three list - but the dramatic architectural image proposed by the consortium could have easily become an impressive centerpiece of this picturesque land, advantageous in all respect, lying in the confluence of the Moskva and Skhodnya rivers.

According to the rules and conditions of the contest, one of the main evaluation criteria was "conformity to the requirements of Radisson Blu chain". And this is by no means a formality: Carlson Rezidor Group that owns the brand traditionally sets forth the most rigorous requirements to the architecture and design of its hotels, be that a reconstruction or building something from scratch. Enumerating all these world-famous hotels of this chain would result in a quite a long list, so here are but a few names that immediately come to mind: Copenhagen's Radisson Blu, for instance, was designed by Arne Jacobsen, in Berlin - by Sergey Tchoban, in Moscow and Chelyabinsk - by Christian Lundwall, in Batumi - by Michele De Lucchi, in Belgrade, "Graft Architects" did a brilliant project of renovating a XIX century factory building, the hotel in Nant was done by Jean-Phillip Nouelle... Nobody is talking about any stylistic unity here - just about the level to which the bar has been raised. Just another reason not to limit oneself in the means of plastic expression in order to create a truly interesting project. 

The hotel - the only tall building for miles around - will be perfectly viewable from lots of different angles - which provides for the architects a rare-for-urban-environment opportunity to play with these angles. The authors of this project used this opportunity to the fullest: depending on the viewing angle, the building looks so different that combining these pictures in one's mind's eye might be quite a stretch. "The basic screen of the main building is oriented to the Moskva River and its farther vantage points" - Karen Saprichyan explains. From the opposite bank, across the river's great wide open, the building resembles a giant megalith that was brought to the nation's capital by winds unknown and then all covered with a mysterious barcode. Then we pass around (or swim around, or, better yet, fly around the cape) - and the complex gradually takes shape, the shadow from the giant cantilever falling down askew on the "supporting" block adding diagonals to the array of elongated window apertures (yet another barcode, only monochrome this time). Continuing this imaginary tour, we find ourselves in front of the eastern facade - only at this point the trees step to the sides allowing us to see the main entrance and the roofed area in front of it, the rounded corners of the side volumes sucking us inside the complex like a giant whirlpool, and then even further through it - where through the square opening one can finally see "a piece of heaven".

RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture
RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


If we are to examine the complex building by building, there are four of them, the main one being a broad rectangular slab that rests in an even somewhat sloppy fashion on two others, these two resting on a broad two-story stylobate. The stylobate is also not quite "solid body", though: from the direction of the main entrance part of the volume is "taken away", which results in a spacious covered square. Practically invisible from any more or less significant distance because of its disadvantageous proportions and the surrounding verdure, the stylobate plays the crucial part of the "invisible hero": it not only serves as the basis for the "pyramid" holding its flashier brothers on its shoulders but also provides a whole lot of other key functions. 

RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


If we are to look at the plans of the first two floors, we will see that, besides a double-height lobby, it also includes a business center, a multifunctional hall, a restaurant (also double-height, commanding a fine view of the Moskva River), a spa center, numerous services, and even some of the hotel rooms. The swimming pool of the spa center is an important composition center: it gets surrounded by the walls of a four-story glazed atrium, along the perimeter of which offices are situated while on its eastern side it opens up to the roof of the stylobate, this roof performing, besides its direct function, a number of other responsible tasks: it carries a rather large public zone, along its ramp located at the back facade, emergency vehicles can ascend it, while on its southeast corner the roof blends into the marquee overhanging above the entrance square.

RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Plan of the first floor © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Plan of the second floor © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


The building that is turned southward, to the Skhodnya River, on the plan looks like an elongated rectangle with one of its corners rounded out. This block contains the short-stay hotel rooms that take up all the six floors (counting from the ground level, from the third to the eighth). The other "support" given to the offices and the spa center is closer to a quadrant on the plan; by elevating the floors, with the same absolute height, the number of floors here is it four, and they all are placed around the already-mentioned atrium. 

The main block - a ten-story slab, also rounded at its southeast corner - contains the apartments. For all its massiveness, it does not look "heavyweight" at all: the arch window between 21x21 meter supports makes the structure look almost ethereal. Besides, the trapeze-shaped windows and the bay windows with colored inserts create quite a convincing optical effect curtailing the number of floors from ten to four (experimenting with color is one of the signature techniques of Asadov Bureau). Such a solution, different from the more reserved lines of the stylobate part, was deliberately chosen: this allowed the architects to play on the contrasts of different architectural techniques.

RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Section view © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


The authors of the project elaborated in great detail (even, according to Karen Saprichyan, in too much detail by contest project standards) the design of the inside premises - both hotel rooms and offices. As for the latter, they are planned at four different levels: the entrance square, some areas on the roof of the stylobate and the hotel block, and the most striking one commanding magnificent views - on the roof of the main building with a swimming pool, a recreation area, and a helicopter landing. Oh, by the way, about the "cyber circular flight" around the complex - if we are to go through with unleashing our fantasy, you cannot think of a better place to end the guided tour.
RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Section view © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture
RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Plan of the 4-6 floors © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture
RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Plan of the 9-18 floors © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


Architect:
Alexander Asadov
Andrey Asadov
Karen Saprichyan
Firm:
ASADOV architects
GrandProektCity
MAHPI
Object:
Radisson Blu Moscow Riverside Hotel&Spa
Russia, Moscow

2015 — 2015

12 October 2015

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.