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​Generational Connection

Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.

10 April 2024
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Although Roman Leonidov’s new project is called “Akademicheskaya Dacha”, it has nothing in common with the proverbial Soviet dacha houses with their inevitable glassed-in verandas and time-beaten libraries, except perhaps its location. The location of this private residence is not disclosed, but it is known to be in the Moscow region, surrounded by mature trees, with neighboring “professorial” dachas of the kind that we have just mentioned. The clients, however, are a young ambitious couple.

Two important conditions influenced the concept. Firstly, the house is designed for the permanent residence of three generations of one family: the husband and wife, as well as their children and parents – all of whom should feel both their independence and their sense of unity. The second condition is the long narrow plot, on which the architects had to accommodate a large number of functional areas.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The house was designed neither tall nor compact, but on the contrary, it is widely spread out in a zigzag shape, approximately covering half of the plot. This allowed for achieving a sense of privacy, as the majority of volumes remained hidden behind the trees, and also helped to achieve spatial diversity: thanks to this unusual configuration, two large courtyards were formed – the “front” one and the “family” one, with plenty of nooks and crannies for landscape design ventures. By the way, the landscape design part was also done by Roman Leonidov Studio on this project.

At eye level, there is no point from which one could take in the entire structure at a glance. Therefore, to understand the house, we will mentally circle it around.

  • zooming
    Akademicheskaya Dacha
    Copyright: Photograph © Roman Leonidov
  • zooming
    Akademicheskaya Dacha
    Copyright: Photograph © Roman Leonidov


You can enter the plot through a wicket gate or the driveway gate, which leads to a cold garage connected to utility rooms – a pantry, a cloakroom, and a laundry room. To the left of this block, there is a gallery: it shields the visitors from the weather and leads them to the front porch. Jumping ahead, it’s worth noting that there are a total of 10 entrances and exits in the house. Another function of the gallery is to balance off the mezzanine block, clad in the same larch wood, and moreover, to offer an alternative spatial experience: one can stroll along the paved path, enjoying the space, or gaze at the garden through the “frames” of the openings.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The main residential block adjoins the utility wing – on the plan, it looks like a “bridge” of the zigzag. Standing at the wicket gate, one can see the guest bedroom and the kitchen/living room on the ground floor, as well as the children’s and parents’ bedrooms on the second floor. On the same side, the front courtyard with landscape compositions and a paved area is situated. From here begins a winding asphalt path that loops around the entire plot. The choice of covering is explained by the fact that the homeowner enjoys skateboarding.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The path skirts the house on the left, where it is pushed to the edge of the plot as close as possible. Another technical block is oriented towards this side, inside of which are the boiler room, pantry, gym, and spa area with a sauna and hammam. The architects made this part of the estate attractive as well: a micro-terrace with a glass entrance to the gym opens onto the “backyard”, through which the second private courtyard is visible, and an accent insert made of larch planks with built-in lights is made in the fence opposite it. Instead of the lights, living plants were supposed to be here, but during implementation, it became clear that they would require too much maintenance.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The “sports and health zone” connects the main part of the house with the grandparents’ domain - a spacious wing with its own kitchen, living room, and two bedrooms, from which one can step out onto a quiet veranda facing the forest park. The architects took into account the preferences of the older generation and refrained from designing floor-to-ceiling windows in this part of the house, adding clotheslines with clothespins to the external walls – a seemingly unimportant, yet at the same time very human detail.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The path leads into the depths of the plot, where a gazebo and a separate house for assistants are hidden, and then returns to the two-story part of the complex – the heart of the entire composition and the focal point of family life.

On the first level of the “master’s mansion” is the living room, kitchen with dining area, and a guest bedroom, while on the second level are two symmetrically arranged children’s rooms, separated from the parents’ bedroom by a spacious and bright staircase hall with a library. From the elder son’s room, there is access to a huge terrace that stretches the entire length of the wing, facing towards the forest. It can be accessed from ground level via a spiral staircase located at the grandparents’ house – this graphic detail against the backdrop of white plaster reminds one of the  Gropius House, where the architect provided a similar separate entrance for his daughter’s room.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The reverse-sloped roof above the children’s block allowed for a loft level in the rooms. The decoration of both “mezzanines” – the children’s and the parents’ – consists of paired wooden roof beams. One of the most challenging tasks was to choose paint colors for them so that the coniferous wood did not differ from the larch planks on the facades.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The heart of the entire composition and the place where family members meet most often is the inner courtyard. A wide veranda, protected from the sun and rain by a pergola with a glass roof, shelters a swing, a dining area, a playground, a barbecue area, and landscape compositions. Lace-like lamps specially made for this project echo the round table made of weathered steel.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The house has three main tones – light plaster, gray slate or quartzite, and bronze-toned wood. These materials, traditional for this architectural firm, help understand the structure of the house, as each functional block on the façade manifests itself with its color or texture, and pronounced horizontals emphasize the floors and unite all elements into a single composition. The dynamic lines correspond to the character of the clients – energetic people with business acumen.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Metal sheets were used for the fence, which, with the neighbors’ consent, were “sewn” with the remaining larch planks. These two-layer permeable segments alternate with solid horizontal inserts.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Below, the architect himself provides detailed insights into the house (the video is in Russian).




10 April 2024

Headlines now
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Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
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Life Plans
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A New Track
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Four Different Surveys
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Scheduled Evolution
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A Step Forward
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Gold in the Sands
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Layers and Levels of Flight
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Light and Shadow
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Casus Novae
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Treasure Hunting
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Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
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Flexibility and Acuteness of Modernity
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Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
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Looking at the Water
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The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.