По-русски

Impromptu Speech on a Given Topic

Rigorous prescriptions of the customer’s corporate style did not stop T+T Architects from coming up with individual solutions for the Moscow office of the French company Orange Business Services.

08 February 2017
Object
mainImg

At a first glance, the task of designing the new Moscow office of the international connection provider promised to be quite standard: two floors of a modern business center, a usual set of functional zones, and a classic open space that includes dedicated areas for communication and secluded work; the habitual European democracy of style, reserved and comfortable for employees of any age and lifestyle. The minutely detailed brand book left very little room for experiment. Nonetheless, the 5300 square meters of office premises turned out to be quite capable of housing a few custom-designed solutions, and the place took on a functional yet highly individual character.

For its new office, the management of Orange Business Services picked the 10th and 11th floors of Mercury City Tower in “Moscow City” business center. On the plan, each of them remotely resembles a sketchy drawing of a rocket. The resulting striking-looking chamfers became one of the most important elements of the entire inside space but achieving the maximum planning efficiency in such conditions was by no means an easy task. The architects chose a habitual and, given the circumstances, the only possible option: a massive nucleus with all expected engineering lines is surrounded by a single-chunk open space stretching along the entire light front. Due to the fact that the customer, while still at the initial specifications stage, had a very clear vision of the way different subdivisions and departments of the company would interact with one another, they all are aligned into a single chain, so that, upon entering the office, any task is promptly routed through the necessary solution stages, smoothly flowing from one department to another. At the same time, each of these departments remains quite a self-sufficient operating unit with its own zones for communication, brainstorming, recreation, and dedicated work.

Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects
Office of Orange Business Services in the Mercury Tower. Functional diagram. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Functional diagram of the open space. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Plan of the 10th floor. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Plan of the 11th floor. Implementation, 2016 © T+T Architects


However, what got in the way of the intended organization of the workflows was the absence of internal connection between the two floors: the public staircase and the overloaded elevators of the high-rise fell short of providing the necessary level of interaction between the divisions. “We at once thought of building an extra private staircase – shares the chief architect of the project Polina Voevodina – Luckily, the two floors had openings in the intermediate floor, and we were able to get the owners’ permission for the construction of a staircase. We considered many options and ultimately settled for a monolith chunk of concrete. From the very start, we planned to leave the material exposed, only covering it with a layer of protective varnish, and thus we paid a lot of attention to the quality of the material and execution. Our contractor stood by his performance, and we got it exactly the way we wanted it”. The architects turned the exposed concrete surfaces into an aesthetic stylistic device, adding a micro cement wall right behind the reception desk.

The metallic grid railings complete the “loft” image of the staircase. This device is also supported in the other areas of the office. As a result, the custom-designed object became the true meaningful center of the entire space – and it is deservedly surrounded by the main communication and recreation zone where all the employees and visitors can get together. The kitchen, the coffee point, and the conference hall are also located nearby.

Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


The extended working areas (there is a total of some 500 employees working in the company’s Moscow office with no VIP area whatsoever for the top management) required special attention to the issues of soundproofing and acoustic comfort. In addition to the floor coverage and furniture screens, the architects actively used cloth-lined partitions, as well as special furniture. Tall “protected” armchairs and sofas are mostly installed along the window line, and, seated in one of them, one can get completely detached from what is going on in the office.

Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Quite expectedly, the decoration of all the zones uses the corporate orange color and the square logo. However, they are used in an unobtrusive way: stripes on the carpeting, the opaque pattern on the partitions, soft furniture panels, the storage locker doors, and, finally, a special construction mounted on the ceiling above the reception area. At the same time, in the recreation areas the architects introduced other colors as well. Combinations of orange not only with gray but also with violet, red, pale blue, and yellow, were also specified in the corporate brand book but for each of the zones the architects came up with a unique limited set of color combinations. And as for the abundance of squares, the architects set it off with circles of every possible kind. Besides the staircase, the soft rounded shapes were given to the colored inserts in the floor coverage, lights, and pieces of furniture. All this helped to liven up the all-too-reserved color range and the stiff orthogonality of the design solutions.

Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Office of Orange Business Services in the Mercury Tower. Implementation, 2016 © T+T Architects


Yet another challenge was a very tight schedule of the project. Making it within the designated half-year term was possible thanks to the design&build plan that required close cooperation between the architects and the general designer and general contractor – the Pridex company. “Deciding to leave all the engineering lines exposed, we took a certain risk in terms of the quality of our performance – says Polina Voevodina – but thanks to our partners’ special attention to the appearance and the routing of the engineering lines, as well as some specific units and junctions, it all worked out really great!”


08 February 2017

Headlines now
The Copper Mirror
The varied-toned sheen of “unsealed” copper, painterly streaks and fingerprints, exposed concrete, and the unusual proportions – when you study the ZILART Museum building by Sergei Tchoban and SPEECH architects, there is plenty to talk about. However, it seems to us that the most interesting thing is how the museum’s composition responds to the realities of the district itself. The residential district has been realized as an open-air exhibition of façade statements by contemporary architects – but without public access to the inner courtyards of the blocks. This building – that is, the museum – is exactly the opposite: on the outside, it is deliberately restrained, while inside it shines spectacularly, creating its own sunbeams in any weather.
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.