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Engineering Oasis

The engineering system of the renovated swimming complex of "Luzhniki" designed by Engex as part of Asadov Consortium: the optimum balance between comfort and cost/energy efficiency.

13 March 2015
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Contest Project
The contest for the best concept of reconstructing the swimming complex of "Luzhniki" was organized in the spring of 2014 at the commission of Codest Company and we gave it a fairly detailed coverage. The architects were to revise the complex that was built in 1956 turning the open-air swimming pool into a covered aqua park, at the same time keeping facades as much intact as possible - they were a fine example of Stalin "empire" style. The contest consisted of two rounds, and the finalists who were fine-tuning their projects in the second round were required to come up with detailed proposals, including the engineering and economic ones: not the way that it is usually required in the case of architectural concepts that are usually more of a general construct nature. 

Thus, the engineering part of the concept of "Lost World" project - proposed by the consortium headed by Asadov Architectural Bureau and developed by the experts of Engex Company - deserves special attention. We will remind you at this point that the project was about turning the "antiquated" Stalin peripteral building into a "romantic ruin" hiding inside of it the luxurious natural world of a cascade oasis. In terms of organizing its space, the climax of this multilevel garden is the block of premises that covers the existing complex, shifted in the direction of the Major Sport Arena and overhanging above the summer terrace. 

Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau
Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Hiding a new volume inside the old walls, whimsically shifting it off at least one axis, is a technique that is not entirely new for the reconstruction projects but still capable of yielding some interesting results. And when the presence of the original building is marked not with walls but with a colonnade, the possibilities for the architects and the engineers are virtually unlimited - which, luckily, was the case here. 

The Comfort Concept
As far as the engineering solution is concerned, it is all about forming an inside environment that must be as comfortable and energy-efficient as possible. In order to achieve that, the Engex experts had to divide the building's engineering systems into three levels based on the differences between the functions of the swimming pools: Water Park on the first floor, the sport pool on the fourth floor, and expo spa zone on the roof. In accordance to its mode of operation and the specifics of the technical requirements, each swimming pool must be served by its own independent system situated on the same level with it. This was the paramount condition.

Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Arrangement of the building's premises in accordance with their functional purpose and the engineering approaches © Engex Engineering Bureau


Arrangement of the building's premises in accordance with their functional purpose and the engineering approaches © Engex Engineering Bureau


Arrangement of the building's premises in accordance with their functional purpose and the engineering approaches © Engex Engineering Bureau


Assessing these environment-forming independent elements and seeing the situation in general was made possible by the building energy modeling - first it was used for finding the heating parameters of the entire volume of the building and then it was used for developing the algorithm of defining the operational parameters of its engineering systems and equipment. 

3D model of the swimming complex and its interaction with Moscow's climatic conditions © Engex Engineering Bureau


3D model of the swimming complex and its interaction with Moscow's climatic conditions © Engex Engineering Bureau


Building energy modeling is not just about analyzing the parameters of independent systems - it also implies accurately defining their operation in various temperature and climatic modes, and under different functional loads. At the stage of developing the architectural concept, this process was, of course, treated in a rather general way: the calculation was only done for the basic extreme months (in Moscow these being February and July), and for the workloads during the opening and closing hours. The experts took into consideration the level of solar radiation during different seasons, as well as the possibility and the necessity of adjusting the temperature inside of the complex during the day. Meanwhile, in spite of a fair share of generalization, the designers' goal was to achieve a high level of accuracy of calculation, for which they used two internationally recognized indexes of evaluation of thermal comfort. The first one, PMV (Predicted Mean Vote), allows for forecasting the average evaluation of the comfort of the environment done by the visitors; the index consists of seven points, from minus three to plus three, and, in this case, according to the calculations, it must oscillate within the limits of one point in the neighborhood of the "perfect" zero, between -0.5 and +0.5. The second index, PPD (Predicted Percentage Dissatisfied), evaluates the percentage of possible dissatisfaction of the guests of the water park and their negative comments; according to the authors, it must not exceed 10%. Thus, the calculations are aimed at creating a predictable and controllable environment whose comfort is not a subjective but objective criterion.

Parameters of comfort evaluation: PMV (Predicted Mean Vote) and PPD. Optimum conditions: -0,5 < PMV<+0,5 © Engex Engineering Bureau


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Parameters of comfort evaluation: PMV and PPD (Predicted Percentage Dissatisfied). Optimum conditions: PPD < 10% © Engex Engineering Bureau
Individual microclimate parameters © Engex Engineering Bureau
Individual microclimate parameters © Engex Engineering Bureau


Efficient Approach
It is perfectly obvious that the approaches to creating an environment that is comfortable to be in must be totally obvious in the office part of the building and in the swimming pool zone. For the business part of the complex, the main indicator of the inner microclimate is the air temperature, and the designers, accordingly, proceed from the strength of the flow of people whose presence in a room inevitably increases the air temperature inside of it. The critical characteristic for the "wet" premises, as well as for the swimming pools, is the air humidity: this determines the volume of the vapor rising from the water surface. Paradoxical though it may sound, it is the combination of these seemingly irreconcilable functions within one closed energy circuit that allows for using the heat of the hot office air in the swimming pools. At the same time, the architects also had to consider the fact that the building's main heat consumer is the very system of swimming pools and the system that heats the water for them. In the existing since 1956 structure of the building with an open-air water surface one could safely speak about the heat going into the environment - meaning, to waste. The locker rooms were only separated from the air outside by the heat curtains in the aisles, and the relatively comfortable environment in the pool area was created at the expense of the high water temperature: 27-29 degrees Celsius, while the expected water temperature for the new complex is 26 degrees.

Individual microclimate parameters © Engex Engineering Bureau


Temperature field in the swimming pool hall. The perimeter of the pool is heated by the convectors © Engex Engineering Bureau


Humidity © Engex Engineering Bureau


Humidity © Engex Engineering Bureau


In order to save on the power and water consumption, even the purified condensed water that forms with the cooling of the air will be fed back into the pool, while the warmth of the "gray drains" - the disposed water from the swimming pool - will be used for heating the inflow of air and the water inside of it. 
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Because of the high air humidity, the main problem of any swimming pool is the formation of condensate on the cold surfaces of its stained-glass windows and the outside glass surfaces. In order to avoid that, the surface of the glass is blown over by a stream of warm air from the air dispensers installed in the floor - on the same principle of the "air curtain". As for the ventilation airflow, it is controlled by the humidity sensors - this allows for adjusting the expenditure of the air and the operation of the electrical drives in accordance with the main parameter - meaning, the level of humidity because of which people basically come to this blessed oasis. 

Field of the air speed in the pool hall. Feeding of the slow-speed air into the recreation area. Blow-over of the stained-glass window © Engex Engineering Bureau


Field of the air speed in the pool hall. Feeding of the slow-speed air into the recreation area. Blow-over of the stained-glass window © Engex Engineering Bureau


In order to increase the level of comfort and avoid the risk of creating draughts in the main premises of the complex, as well as for organizing the inflow of air in the public swimming area, the architects use the system of displacement ventilation - the vertical air dispensers through which the inflow of air passes at a low speed. All these things are done with but one goal in mind - not to exceed the "predicted percentage dissatisfied" - the "good old" PPD. This is no place for dissatisfaction by any means. 

Estimation of the influence of the solar radiation and the wind on the temperature mode of operation of the building © Engex Engineering Bureau


Estimation of the influence of the solar radiation and the wind on the temperature mode of operation of the building © Engex Engineering Bureau


Architecture of the Light
The architectural proposal by Asadov Studio provided for a lot of ambient light: both at the expense of the light coming from above and from the sides (the stained-glass windows). In order to make the most of it, some groups of spotlights - most of which are installed along the perimeter of the building - are smoothly regulated by the light sensors to only be an addition to the ambient light during the day. At the same time, the lights on top of the existing building are equipped with solar collectors that accumulate extra energy - at the expense of the solar radiation. This is done by using the moisture-resistant and transparent ETFE film with photo galvanic elements upon it that transform the direct light into the ambient kind. At night, however, the building does not need the daytime temperature, and the authors proposed to gradually lower the temperature during the closing hours. In the case of nighttime events, this energy-saving mode can be disabled manually. And in the morning - on a regular day - the temperature in the premises is again raised to the operational value because the heating of the complex starts two hours ahead of the first visitors coming in. 

Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Balance of the Interests
Despite the high-profile status of the project and the doubtless ingenuity of the concept, the architects had to forego a whole number of the engineering solutions they came up with - because some of them turned out to be prohibitively expensive. This category even includes the seemingly indispensable for any swimming pool "gray drain" processing technology for the recycling of the used water. Thus, the whole engineering system became the result of the architects searching for the reasonable balance between the comfort of the environment, energy conservation, and the financial efficiency of the project.
Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau
Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


13 March 2015

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.