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"Sportmaster" and "O’stin: Second Round

Returning to the projects submitted for the contest of the HQ's of "Sportmaster" and "O'stin" companies, we are publishing in this issue the revised drafts by all the three finalists.

12 February 2015
Contest Results
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The contest was launched in September of 2014; in December, the judging panel announced its intermediate results and sent all the finalists' drafts to revision and improvement. Early in February, the organizers announced the contest winner and the three top projects. Below is the final rating of the finalists. 

The construction site (18, 3rd Magistralnaya Street) is located about a mile away from the Moscow City complex, next to the Zvenigorodskoe Highway, and is surrounded by an industrial park. Nearby, there is the railroad station "Presnya-Tovarnaya". 

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First place 
"Reserve" (Russia)
Author team:
Vladimir Plotkin, Elena Kuznetsova, Yuri Fadeev, Alexandra Dogadkina, Dmitry Masakov
Project manager: Vadim Semenov. Modeling: Eugenia Mikhailova 

Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


The idea to use the logos of "Sportmaster" and "O'stin" as the prototypes of both the volume/space solution of their offices and their facade patterns is simple, laconic, and graceful. It only takes one look at the sketches of searching for the "shape and image" to understand it all: the dynamics of the volumes, the repetition of the elements, and the subtly thought-out rhythmic accents. The icon of the man on the run set the frame of reference for the "soaring" volumes of "Sportmaster", and, as for the trademark letters of "O'stin" logo, they formed the austere rectangular volume of the second block that looks like it stops in midair the dash of its vis-à-vis. It is easy to notice that in comparison to the draft submitted for the first round the volume of the "Sportmaster" office changed a little: while formerly in its lower part one could see a figure that looked almost exactly like the company's logo, now the image of a running man affects the entire building: it looks as though the framed top is sliding down the ramp of the glass bottom. 

The same basic shapes borrowed from the logos - the conditional legs of the "Sportmaster" running man and the "O'stin" red dot - became the basis for the facade ornament. The patterns interact with each other and reflect each other turning the walls into a shifting decoration that changes as people move part it. The brand book style, as is usually the case with such projects, is also extensively used in designing the interiors of the offices. 

The two buildings are separated by a driveway, the main entrances situated opposite to each other some sixty meters apart. The heavy truck transport drop-offs, on the other hand, are hidden away and do not spoil the impression from the facades. 

Definition of the brand's associative array. Concept of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


zooming
The opening sketch clearly demonstrates the interconnection of the two volumes. Concept of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Plans of the typical office floors (Floor 7). Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


The judging panel was particularly impressed by the model of the complex. Concepts of the HQ's of "Sportmaster" and "O'Stin". © "Reserve", Yuri Fadeev


Model. Concepts of the HQ's of "Sportmaster" and "O'Stin". © "Reserve", Yuri Fadeev


Model. Concepts of the HQ's of "Sportmaster" and "O'Stin". © "Reserve", Yuri Fadeev


Model. Concepts of the HQ's of "Sportmaster" and "O'Stin". © "Reserve", Yuri Fadeev


Model. Concepts of the HQ's of "Sportmaster" and "O'Stin". © "Reserve", Yuri Fadeev


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: "Reserve"
***

Second place
UNK project (Russia)
Leader of the author team: Julius Borisov, Chief Architect of the Project: A.Shmelev, project manager: K.Akatov; architects: T.Shmeleva, G.Khamzina, N.Saks, O.Poletkina, L.Mattana, A.Lukonskaya; 3D visualizations: S.Dyukarev, A.Yuresko

Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: UNK Project


The two tilted and slightly faceted parallelepipeds became, according to the architects' idea, the figurative embodiment of the successful development of the two companies and their synergetic progress. 

The expressiveness of the composition is enhanced by the fact that the office blocks, with their clear-cut internal and external structure, are elevated on the V-shaped supports not to the stylobate part but still higher - which forms extra panoramic views that help to intensively integrate the new complex in the city environment. This same idea is also boosted by the panoramic windows that, on the one hand, dissolve the newly-built volumes in the habitual cityscape and, on the other hand, pulls this cityscape into the office interiors - according to the authors' idea, the ensemble must set the vector for the further development of this area. 

Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: UNK Project


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: UNK Project


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: UNK Project


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: UNK Project


Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: UNK Project
***

Third place 
Aukett Swanke (Great Britain, Moscow Branch)
Author team: George Tyugaev, Alexander Nikulshin

Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: Aukett Swanke


Two thin slabs flank the panorama of Moscow City. When the evening light come on, the impression is enhanced: the face surfaces of the slabs remain cold-gray while the side walls start shining a warm pink-yellow glow. 

As one approaches the complex it becomes clear that the complex consists not of two slabs but of a couple of almost identical trapeze-section volumes designed as two halves of a single whole. This is how the architects express the visual image of the single business divided in two parts for better management. As for the key elements of the concept, they are the narrowed side-walls, the ones that turn into a glowing frame of the dusk and dawn panoramas, and the inside "showcase" facades whose corners are backlit. This allows to avoid the unpleasant effect of the buildings looking like giant "crates" or "boxes" and hide the true volume of the buildings behind the narrow facets. 
***

The judging panel of the contest: 
  • Sergey Kuznetsov, Chief architect of Moscow, deputy chairman of the Moscow Committee for Architecture and Town-planning;
  • Andrew Gnezdilov, chief architect of "General Plan Institute of Moscow";
  • Sergey Tchoban, managing partner of "SPEECH" architectural bureau; 
  • Anton Nadtochy, chief architect of "Atrium" Bureau;
  • Nikolai Lyashenko, C.E.O and co-founder of "Tsimailo, Lyashenko & Partners";
  • Oleg Artemyev, President of "Vysota Engineering"; 
  • Dmitry Deuchen, chairman of the board of directors of "Sportmaster";
  • Nikolai Fartushnyak, president of "Sportmaster"
Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: Aukett Swanke
Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: Aukett Swanke
Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: Aukett Swanke
Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: Aukett Swanke
Concepts of the HQ's of "Sportmaster" and "O'Stin". Authors: Aukett Swanke


12 February 2015

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.