По-русски

Sunny Palette

Among the suburban high-rises of Saint Petersburg, the Bureau of Victor Vissarionov has designed a spectacular residential complex with a broad pedestrian boulevard and a landscaped public territory.

21 May 2014
Object
mainImg
Architect:
Yuri Vissarionov
Object:
Residential Complex, settlement of Murino
Russia, Municipal formation "Settlement of Murino"

Project Team:
Architectural bureau of Yuri Vissarionov

2013

ZAO "MonArkk-UKS"

Resediential complex, settlement of Murino © Vissarionov Studio

The residential complex will become a part of a large block of high-rises that will be built east of Saint Petersburg's Ring Road, next to the "Devyatkino" metro station, not far away from the settlement with a beautiful name of Murino, and the village of Lavriki, on the strip of formerly arable land. Right now, blocks of residential high-rises are being built here. The Yury Vissarionov project will take up one of the rectangular sites constituting the new block - and the authors of the project made every effort to make their fragment of the future housing look bright and memorable; they endowed it with the "marks of a traditional residential block" and a multitude of elements of the comfortable urban environment. 


Resediential complex, settlement of Murino. Location plan. © Vissarionov Studio

The complex consists of six residential buildings, a kindergarten, a local library and other "service establishments" built into the first floors of the houses. The architects divided the rectangular site into two almost-square parts: the northwest and the northeast, placing, on the conditional border between them, a wing of a dazzling-white building of a symmetric L-shaped layout (the other wing is parallel to the northeast border of the site). The windows are encased into multicolored frames - as if drawn with pencil crayons: en face, the house is almost totally white but, when viewed from the side, the color is enhanced due to the perspective contraction and it explodes in a rainbow. In some places, the windows are gathered into austere vertical rows, in some they tend to father in checkered patterns, and in some places they merge into colorful glass spots - all this helps to liven up the facade wall and make it look more cheerful and diverse. Similar rhythmic techniques the architects use in the other multicolored buildings: set around the site's perimeter, the yellow-orange and reddish houses are reflected in the glass surfaces, and all this looks like the section view of the sun in the school science textbook: the white-hot nucleus and the yellow-warm corona. The antipode of the white "core" is the black tower on the southeast border of the site.


Resediential complex, settlement of Murino © Vissarionov Studio

However, what is also important is the fact that the white slab of the perpendicular building is cut through with a large square portal - which makes the house look like a giant triumphal arch. Through the aperture, runs the pedestrian boulevard - the longitudinal axis upon which the entire complex is strung. The boulevard has in it little parks, playgrounds, and even a volleyball field. And while the slab of the white building splits the territory in two, the boulevard, on the other hand, ties it up with a strong thread, allowing, at the same time, the people to move around freely. The aperture is situated in the very middle of the site: its two jambs are painted green, and the third one, which is glass, reflects them, all the three forming a green frame above the boulevard. Our sun, as it turns out, is green at its innermost heart! This color is picked up by the frames overhanging above the hallway entrances; sometimes you will see an odd yellow one among them, though. 


Resediential complex, settlement of Murino © Vissarionov Studio

In the west part of the site, the residential buildings are virtually built all along its perimeter, tending to be more of a closed character, like the block planning. The entrance to the central boulevard from this side is marked by the 19-floor towers looking like the pillars of the entrance gate, only many times bigger. Their color makes up for the laconism of their form: the orange and red surfaces alternate with white and gray ones, and the white facades are now and then decorated with the sunny and cheerful pixel designs. 

In the eastern "field", the architects are planning to build two more residential "slab" houses, one orange and yellow, and the other of a light red color - we will note at this point that the authors are saving the warmer red color for the formally "cold" northern border of the site: the buildings are growing visually "warmer". In the eastern part, the number of residential houses grows smaller, and the number of the public territories grows larger; a fair amount of space is given to the vegetation, the recreation territories adjoin the landscaped territory of the kindergarten whose building is partially hidden on the green hill, just like the car parks hidden in the northeast corner of the block. 


Resediential complex, settlement of Murino © Vissarionov Studio


Resediential complex, settlement of Murino © Vissarionov Studio

What is also important is the fact that the architects definitely placed their bets on the variety of the living environment inside the residential complex. One will find here a lot of "right" things: grads unhindered by the curbs, miniature gardens amidst the lawns, outdoor furniture, and the bicycle parkings; bright markings on the asphalt, a small amphitheater on the sloping roof of the garage, as well as the triangular windows. Large number figures on the hallways. Besides the free-access and the "traditional" public zones on the ground level and on some of the roofs - in the places where the number of floors falls down to fifteen - there are also open-air terraces with awnings, flower beds, wooden floors, tables, and decorative trees in tubs. As a result, we are getting a great piece of highly saturated urban environment. 


Resediential complex, settlement of Murino © Vissarionov Studio


Resediential complex, settlement of Murino © Vissarionov Studio


Resediential complex, settlement of Murino © Vissarionov Studio
 
The kindergarten adjoins the yellow building on the corner but the cold pixel finish of its facades "gives away" its special function and makes it different from its neighbors. One should say that its name - "Palette" is a great match for the whole complex: one cannot miss out the great color work that the architects did. It looks as if the authors were doing an abstract painting, choosing the cheerful and sunny colors that the rainy Saint Petersburg's climate is in such desperate need of. In the harsh conditions of the "beyond-the-ring-road" construction, among the multitude of faceless high-rises, the architects made their "fragment of pallet" as bright and cheerful as a warm little sun. 
zooming


Architect:
Yuri Vissarionov
Object:
Residential Complex, settlement of Murino
Russia, Municipal formation "Settlement of Murino"

Project Team:
Architectural bureau of Yuri Vissarionov

2013

ZAO "MonArkk-UKS"

21 May 2014

Headlines now
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.