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Red, Green... Striped!

A detailed report of the project by "Reserve" Studio that took the second place at the contest for the concept of a residential complex at the Rublevskoe Highway in Moscow.

24 February 2014
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Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

At this point, we will remind you that the contest for the best project of a residential complex that will be built in Moscow at the crossing of the Rublevskoe Highway and the Yartsevskaya Street, was organized by "PIK" Group and Moskomarkhitektura at the end of last year. Today we are featuring the work by "Reserve" Studio that won silver. 

As Vladimir Plotkin reminisces, he agreed to take part in this contest, first of all because of this particular land site itself. The architect lives nearby himself, and he knows this district very well. The "sag" in the town-planning tissue at the crossing of the Rublevskoe Highway and the Yartsevskaya Street, has for a long time been a "pain in the head" for him, and he readily responded to the opportunity to rethink this situation and propose a solution of his own for the problem that has long since become of interest to him. Furthermore, once the architects had the specifications on their hands, the solution of the future complex suggested itself. The hand that was holding the pencil drew the sketch before the architect was through reading the specs. And - this spontaneous solution turned out so apt and fitting that the composition and planning idea was never once changed ever since - it was only the program and the facades that got additional treatment. 

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

The authors proceeded from the presupposition that the complex should look completely different from the cars moving down the Rublevskoe Highway and the Yartsevskaya Street. Both housing fronts of the Rublevskoe Highway are rather dense and at the same time rather chaotically arranged - so what the architects wanted to do was offset these continuous chains of houses with an imposing volume that would be visibly present in the panorama of the highway and would intrigue those driving by. The Yartsevskaya Street is quite a different story. It runs at a lower height and quickly comes down to the district of Mnevniky whose panorama can boast a lot of "air". Consequently, what suggested itself to be used there was thin slender verticals that would not introduce any radical changes to the existing picture. And this is how Vladimir Plotkin complex was ultimately formed: it consists of two 40-floor double-section slabs of the residential buildings that are oriented perpendicular to the Rublevskoe Highway. Inside each one of them, the architects make a 19-floor cutout in such a way that the slabs turn into the Cyrillic letters "П" - one of them rests on the stylobate and becomes a portal of sorts, while the other, on the other hand, stands with its strokes turned upwards, providing room for the extra public space below. Such "reverse mirror" solution gives this generally laconic composition dynamics, dramatic silhouette, and the desirable "transparency". 

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

This solution provides a number of other indisputable benefits. First of all, it helped the architects to minimize the number of apartments whose windows overlook the noisy Rublevskoe Highway. It also allowed the architects to get rid of the ineffective corner sections, as well as to minimize the number of staircase/elevator blocks, which, for the economy-class housing (and apartments of this particular class will be built here) is critical. And, finally, it was all about the purely compositional aspect. Across the Yartsevskaya Street, there is a very tall, and, in all senses of the term, a very "big-sized" residential house, the sheer mass of which is hard to ignore: flanking the site with two slender slabs, the architects visually offset this volume, creating a sort of propylaeum of the Yartsevskaya Street, at the same time turning onto the Rublevskoe Highway the "windows" that are hard to overlook.

 
Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

The complex also gets visual lightness at the expense of the elongated two-story volume that is inscribed between the side walls of the buildings on the Rublevskoe Highway side. Having a depth of one section, it is fully glazed, which not only helps to support the street front but also make it more penetrable and friendly-looking. The functions are selected here accordingly: it is planned that here there will be the public and shopping territories that would serve the city outside. And it is this dramatic glass "latch" that closes up the yard territory, separates it from the pedestrian flows of the Rublevskoe Highway and works as the noise screen of sorts. 

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

The rest of the stylobate that in fact occupies the whole site houses the parking garages, while on its roof the architects create a green courtyard meant for the local people. This seemingly standard architectural element gets saturated with as many as possible various functions: there are sports grounds (on the roof of the visitor parking garage, a shady garden (for planting large trees it is planned to set up real soil, sacrificing some of the car stalls), and children's playgrounds. Within the scope of a single landscape system, the architects manage to create a subsystem of diverse public territories that includes even a small but classy creek. And the landscaping of the roof in the eastern part of the complex (the one that is the horizontal stroke of the letter "П" turned upside down) will allow for an extra open-air lounge area at the height of the 21st floor. 

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

The architects also came up with several options of the facade design that are hugely different from one another. One of them is based on the use of large-stroked "graphics" formed by the diagonal that appears at the expense of the juxtaposition of horizontal and vertical partitions; in the second case each of the slabs is conditionally divided into two parts, one of which the architects cover with fractal pattern, and the other - with small "pixels". 

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Yet another two options are based on the active use of color. The more radical solution provides for the use of red hue that the architects paint both the side walls of the buildings, and most of the partitions, while the more reserved solution is based on the alternation of yellow and white surfaces. As Vladimir Plotkin himself confesses, the authors could never make up their minds as to which one of these facades was the best, so they submitted to the judging panel all the four options. And one cannot blame the architects for that, really: the sculptural form that they proposed is so self-sufficient that virtually any coating pattern will enhance its expressiveness.

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio

Contest project of the residential complex at the Rublevskoe Highway © "Reserve" Studio


24 February 2014

Headlines now
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.