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Like a volcano

This year, in autumn there was held an international architectural contest on the best project of Taipei Pop Music Center. The finalists (Studio Gang Architects was one of them) were announced in November, but their projects haven’t been published yet. Archi.ru presents the “Dragon Nest” of Asadov’s srudio – one of the Russian projects, participated in the contest.

26 December 2009
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This year Taipei Pop Music Center project contest is the second for Taipei architectural worldwide contest. A. Asadov’s studio submitted for the contest the project named "Dragon Nest", in the basis of which is one of the ancient cultural symbols of Taiwan. Pop music centre is supposed to be built in one of Taipei industrial zones to be revitalized in the nearest future. The building land is a small trapezoidal area located closely adjoining the railway. The architects of studio A. Asadov’s studio had analyzed the features of the territory and surrounding landscape and came to an important conclusion basic for the project concept – the place doesn’t need architecture, but a park, an oasis of the nature in the middle of the gray urban desert. The centre was compared to a hill harmoniously fit in the landscape of Taipei. The architects construct a landscaped platform over the railway. The main concert hall volume (for 4,5 - 5 thousand seats according to the requirements) resembles a small volcano with planted sides, in the crater of which there is a small open-air stage. The image of a volcano did not appear in the project by chance: in the northern part of Taiwan, and where Taipei is located there is a group of extinct volcanoes. However, A. Asadov’s studio created a quite active artificial volcano – it spouts music sounds and fireworks, in the evening floor of the concert hall turns into a stream of boiling lava high over which there are special bridges for the audience.


26 December 2009

Headlines now
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.