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The Silver Skates

The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.

23 October 2025
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We have already written about STONE Kaluzhskaya – the office complex designed by Kleinewelt Architekten for the developer of the same name; before that, the same team designed business centers for the same client in Khodynka and Mnevniki. It seemed a clear specialization was emerging: two or three efficiently planned, mid-rise towers – yet not fully-fledged skyscrapers – with glass façades and clean, metallic, sometimes even concrete surfaces; a kind of businesslike inclusion in the city’s residential fabric.

But things are not so straightforward. At Kaluzhskaya, the three office buildings are joined by two residential towers on the western side.

Stone Grain housing complex
Copyright: © Kleinewelt Architekten / Stone Developer


The towers, rectangular in plan, are oriented along the north-south axis, advantageous for housing. One rises 45 stories, reaching 165 meters – not quite a skyscraper by Moscow standards, but still impressively tall. It has six elevators. The second has 20 stories and four elevators. Both are slender, especially in profile.

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    Stone Grain housing complex
    Copyright: © Kleinewelt Architekten / Stone Developer
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    Stone Grain housing complex, a project
    Copyright: © Kleinewelt Architekten / Stone Developer


Here arises the question of unity and integrity in an ensemble that combines two completely different functions. On the one hand, the proximity of residential and office buildings developed by the same company is a positive: it forms a cohesive, multifaceted complex. As many dream, one could both live and work here, without wasting hours and hours on daily commutes.

On the other hand, this presents an architectural challenge: if you are an ambitious author – and Kleinewelt undoubtedly are – it’s not enough to regard the neighboring volumes as mere context. The connection is deeper: you must reveal both similarities and distinctions – all within a concise, contemporary aesthetic.

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    Stone Grain housing complex, a project
    Copyright: © Kleinewelt Architekten / Stone Developer
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    Stone Grain housing complex
    Copyright: © Kleinewelt Architekten / Stone Developer


The 165-meter residential tower is noticeably taller than the office buildings, and that alone makes the pair – both vertically elongated – appear even more slender and upright.

Replacing the light metal lamellas and U-shaped plan – a distinctive, sharply modernist feature of the business center – the residential towers adopt a checkered grid of clinker brick. Its color is designed as a gradient, shifting from graphite at the lower levels to light gray at the top. The grid unites two floors and four windows per square, making this square the façade module for the residential towers. So, whereas before we might have spoken about “grouping floors vertically by two, three, or five” to visually elongate the volume – now there’s no need for that.

The towers are slender by their very proportions. That, in itself, is pleasing.

Stone Grain housing complex, a project
Copyright: © Kleinewelt Architekten / Stone Developer


Conservative brick and a “calm” square – and suddenly, such striking verticality. Technically, each end façade holds six windows.

Unlike the office buildings, whose tops are sharply cut – almost like the famous Dom Turista (“Tourist House”) – the taller tower avoids diagonals. Instead, it emphasizes its cubic structure, almost in a Minecraft-like way. Along its eastern edge, it steps down toward the office buildings with terraced levels, arranged more than 100 meters above the ground. These will be generous terraces offering sweeping city panoramas in a bluish haze.

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    Stone Grain housing complex
    Copyright: © Kleinewelt Architekten / Stone Developer
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    Stone Grain housing complex, a project
    Copyright: © Kleinewelt Architekten / Stone Developer


Another feature of the tall tower is the presence of “gallery balconies.” They structure the vertical form, visually dividing it into three parts: six squares at the base, four in the middle, and ten above. The term “gallery balconies” was new to me in this project. According to the architects’ notes, the balconies will join two windows where they belong to a single apartment; where two apartments share a balcony, they will be separated by a glass partition. In other words, from a practical standpoint, these balconies are not true galleries – rather, open balconies are grouped on the façades in compositions that play an important volumetric role. Nevertheless, the presence of both terraces and balconies in the main tower adds variety to the apartment layout.

In any case, the balconies form bands of recesses that are crucial for the building’s volumetric composition. It’s also easy to see that the office towers have similar, if subtler, horizontal bands – showing the architects’ unified approach to form-making. And one more nuance worth noting: the building’s vertical division seems tripartite, classical in spirit – yet it has nothing in common with the traditional base/shaft/capital pattern. Quite the opposite: the proportions are non-classical, with the middle smaller than both the top and bottom. This effect is enhanced by the stepped terraces above – as if the building were preparing to “lift off” in cubic modules or displaying its readiness to dock with something above.

In other words, its form is deliberately unfinished – echoing the slanted tops of the office buildings, but in a more explicit, emphatic way.

The second, 20-story building – the “small” one – is a different matter. Being the smaller of the two, it’s placed deeper within the block, in a more sheltered spot. For similar reasons, its roof is given a gabled shape, reminiscent of Dutch motifs and the imagery from our childhood book “Hans Brinker, or The Silver Skates” – especially in combination with the overall silvery tone of the complex.

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    Stone Grain housing complex
    Copyright: © Kleinewelt Architekten / Stone Developer
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    Stone Grain housing complex, a project
    Copyright: © Project Kleinewelt Architekten / visualizations of the interiors by Alextecture / Stone Developer


But wait – what gable are we talking about? It’s not really a gable at all, or at least only at the ends: there we see the pointed, “Northern European” silhouette, but along the longitudinal facades there are large attic-like volumes… No, not attics either – rather, terraces framed by projecting buttress-like elements. All of this replaces the pitched roof, originally devised in our latitudes for easy snow runoff. In any case, there’s no doubt that underfloor heating and snow removal are provided for, or soon will be.

But the apartments themselves – they deserve a special mention! Looking from the inside, we can see that the upper levels allow for fireplaces and two-level units with elegant spiral staircases. And most importantly, the four-window grid we mentioned earlier can remain as four separate windows – or merge into one large living-room window divided into four panes. Oddly enough, the association that comes to mind is not Paris or Florence, where such one-and-a-half- or two-story apartments are common, but rather the Narkomfin Building.

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    Stone Grain housing complex, a project
    Copyright: © Project Kleinewelt Architekten / visualizations of the interiors by Alextecture / Stone Developer
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    Stone Grain housing complex, a project
    Copyright: © Project Kleinewelt Architekten / visualizations of the interiors by Alextecture / Stone Developer


There are also smaller apartments here, and even studios.

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    Stone Grain housing complex, a project
    Copyright: © Project Kleinewelt Architekten / visualizations of the interiors by Alextecture / Stone Developer
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    Stone Grain housing complex
    Copyright: © Kleinewelt Architekten / Stone Developer


As for the brick – it’s of an elongated “plinth” type, quite unlike the typical Moscow brickwork. But that’s no criticism. On the contrary, it’s a fresh perspective. And after all, Peter the Great himself had a fondness for Dutch influences.

23 October 2025

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
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A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
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​A Golden Sunbeam
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Architecton Awards
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Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.