По-русски

​The Amplitude of a Silhouette

Saint Petersburg’s A.Len has designed for Ekaterinburg a new housing complex inspired by the Ural rocks and megaliths. Still another peculiar feature of this complex is the fact that its territory is constrained by the complex’s podium.

08 July 2019
Object
mainImg

The freshly-built “Universitetsky” micro-district, to which this multifunctional complex belongs, is situated on the outside belt of “Vtuzgorodok” residential area lying between the historical part of Ekaterinburg and its suburbs. It contains the campus of the Ural Federal University, institutes of the Ural division of the Academy of Sciences, and other educational and research institutions. Not far away from this micro-district, there is the “Shartash” railway station and a road junction with an exit to the relief road of the Siberian Highway, residential buildings of different height and year of construction, and a number of industrial parks.

The company “Pervostroitel” began to develop this large city block, constrained by the Komsomolskaya, Pedagogicheskaya, Bibliotechnaya, and Mira streets, in 2005 – since then, this place got a few multistory housing projects of a more or less typical appearance, as well as the accompanying infrastructure. A.Len got to work with the last undeveloped land site shaped like a triangle with a cutaway. With a share of healthy snobbery, one can assume that when the complex is finished, the contrast “provincial vs metropolitan” will be quite prominent. Still, though, it would be more appropriate to speak about the contrast between the typical and the designer architecture, because the suburbs of Saint Petersburg are just as full of faceless construction deaf to the context.

The “Universitetsky” multifunctional complex looks slightly different than its neighbors, which shows through in one of the early versions of its name: while the already-built housing complexes are named “Copernicus”, “Mendeleev” and “Lomonosov”, our hero was originally named “Prospect Mira Compound”. The very “compound” term is rarely used in Russia because it reflects a rather large chunk of reality. Anyway, according to Cambridge Dictionary, a compound is a substance that is a combination of two or more elements, or an area of land with a group of buildings surrounded by a fence or wall.


The composition of the complex is also arranged in accordance with its original name: a few buildings ranging from 5 to 23 stories high are placed on the perimeter of the land site, while on the central podium, a residents-only space is formed. Considering the fact that “Universitetsky” will also include a shopping mall and a fitness center, sports fields, and playgrounds, one can safely call it a city within a city.

A.Len is one of the few Russian architectural companies that is not alien to the ideas of bionic architecture. In this project, the architects were inspired by the Ural megaliths, and using their image helped the architects to achieve a dramatic silhouette and visually “relieve” rather large planes of the façades.

“Universitetsky” multifunctional compound. Birds-eye view
Copyright: © A.Len
  • zooming
    1 / 3
    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len
  • zooming
    2 / 3
    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len
  • zooming
    3 / 3
    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len


Along the Mira and the Bibliotechnaya streets – where the complex faces the railway station – stand the tallest buildings with “spikes” of 25 stories and “valleys” of only five. These spikes and valleys create extra “air”, letting one’s gaze wander around and explore the “negative space”. Two towers at the crossroads, almost menhirs, are turned 45 degrees, which yields a more rounded, and, consequently, a more organic-looking outline, as well as forms two small triangular plazas, one of which, because of the height drop, got an amphitheater staircase accentuating the entrance to the shopping mall.

“Universitetsky” multifunctional complex. Birds-eye view
Copyright: © A.Len


“Universitetsky” multifunctional complex. Perspective image
Copyright: © A.Len


“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


The buildings of a smaller height are placed closer to the high-rise cluster, and this is also the place where the entrance to the fitness center is situated, which is continued on the territory of the residents-only yard with a two-story building that has a tennis court on its roof.

Yet another high-rise slab enters the yard space, twisting it like a spiral and dividing it in two: the smaller and the larger one. If we are to continue the parallel with the megalithic structures, there is a structure that looks a little bit like cromlech that missed a few rocks on its inner circle. In such interpretation, the yard gets a special role – namely, that of a sacred open-air space, where different streams of people come together. The architects make the yard vehicle-free, making various spots for people: playgrounds and sports fields, quiet and “active”, connecting them all with a network of pedestrian streams.

There are four main entrances to the podium – one for each street. The entrance groups are mostly situated in the yard of the complex; on the outside perimeter, the first floor is occupied by retail. There are two entrances to the double-level underground parking garage: one next to the fitness center and one in the north part of the complex; from here, should such need arise, emergency vehicles can drive up on the podium.

“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


Playing with heights and masses creates a basis for turning the economic performance figures into architecture, and the project is crowned with the plastique of the façades. In “Universitetsky”, A.Len uses two modular grids of windows, breaking up the façades into large blocks. A denser grid with a 1650 mm step creates an impression of a sturdy base, while the sparser one – 3300 mm – makes the complex look slenderer, setting the upward motion, the same purpose served by the decorative parapets on the roof.

“Universitetsky” multifunctional complex. Birds-eye view
Copyright: © A.Len


“Universitetsky” multifunctional complex. Perspective image
Copyright: © A.Len


The “land marking” becomes still more prominent at the expense of a contrastive golden color. It must be said, by the way, that color is an important part of the company’s creative approach. Inclusions of bright red add extra beauty to the rhythmic pattern. In a few places, the façades are “slit” by glass bands that look like parts of the rocks honed by the wind or water.

“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


The end result is quite impressive: a large-scale complex with more than a hundred thousand square meters of useful floor space is organized in such a way that it is a really interesting thing to look at. In 2018, the project got a golden diploma of “ARKHITEKTON” festival.
“Universitetsky” multifunctional complex. Development drawings
Copyright: © A.Len


08 July 2019

Headlines now
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.