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​The Amplitude of a Silhouette

Saint Petersburg’s A.Len has designed for Ekaterinburg a new housing complex inspired by the Ural rocks and megaliths. Still another peculiar feature of this complex is the fact that its territory is constrained by the complex’s podium.

08 July 2019
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The freshly-built “Universitetsky” micro-district, to which this multifunctional complex belongs, is situated on the outside belt of “Vtuzgorodok” residential area lying between the historical part of Ekaterinburg and its suburbs. It contains the campus of the Ural Federal University, institutes of the Ural division of the Academy of Sciences, and other educational and research institutions. Not far away from this micro-district, there is the “Shartash” railway station and a road junction with an exit to the relief road of the Siberian Highway, residential buildings of different height and year of construction, and a number of industrial parks.

The company “Pervostroitel” began to develop this large city block, constrained by the Komsomolskaya, Pedagogicheskaya, Bibliotechnaya, and Mira streets, in 2005 – since then, this place got a few multistory housing projects of a more or less typical appearance, as well as the accompanying infrastructure. A.Len got to work with the last undeveloped land site shaped like a triangle with a cutaway. With a share of healthy snobbery, one can assume that when the complex is finished, the contrast “provincial vs metropolitan” will be quite prominent. Still, though, it would be more appropriate to speak about the contrast between the typical and the designer architecture, because the suburbs of Saint Petersburg are just as full of faceless construction deaf to the context.

The “Universitetsky” multifunctional complex looks slightly different than its neighbors, which shows through in one of the early versions of its name: while the already-built housing complexes are named “Copernicus”, “Mendeleev” and “Lomonosov”, our hero was originally named “Prospect Mira Compound”. The very “compound” term is rarely used in Russia because it reflects a rather large chunk of reality. Anyway, according to Cambridge Dictionary, a compound is a substance that is a combination of two or more elements, or an area of land with a group of buildings surrounded by a fence or wall.


The composition of the complex is also arranged in accordance with its original name: a few buildings ranging from 5 to 23 stories high are placed on the perimeter of the land site, while on the central podium, a residents-only space is formed. Considering the fact that “Universitetsky” will also include a shopping mall and a fitness center, sports fields, and playgrounds, one can safely call it a city within a city.

A.Len is one of the few Russian architectural companies that is not alien to the ideas of bionic architecture. In this project, the architects were inspired by the Ural megaliths, and using their image helped the architects to achieve a dramatic silhouette and visually “relieve” rather large planes of the façades.

“Universitetsky” multifunctional compound. Birds-eye view
Copyright: © A.Len
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    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len
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    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len
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    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len


Along the Mira and the Bibliotechnaya streets – where the complex faces the railway station – stand the tallest buildings with “spikes” of 25 stories and “valleys” of only five. These spikes and valleys create extra “air”, letting one’s gaze wander around and explore the “negative space”. Two towers at the crossroads, almost menhirs, are turned 45 degrees, which yields a more rounded, and, consequently, a more organic-looking outline, as well as forms two small triangular plazas, one of which, because of the height drop, got an amphitheater staircase accentuating the entrance to the shopping mall.

“Universitetsky” multifunctional complex. Birds-eye view
Copyright: © A.Len


“Universitetsky” multifunctional complex. Perspective image
Copyright: © A.Len


“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


The buildings of a smaller height are placed closer to the high-rise cluster, and this is also the place where the entrance to the fitness center is situated, which is continued on the territory of the residents-only yard with a two-story building that has a tennis court on its roof.

Yet another high-rise slab enters the yard space, twisting it like a spiral and dividing it in two: the smaller and the larger one. If we are to continue the parallel with the megalithic structures, there is a structure that looks a little bit like cromlech that missed a few rocks on its inner circle. In such interpretation, the yard gets a special role – namely, that of a sacred open-air space, where different streams of people come together. The architects make the yard vehicle-free, making various spots for people: playgrounds and sports fields, quiet and “active”, connecting them all with a network of pedestrian streams.

There are four main entrances to the podium – one for each street. The entrance groups are mostly situated in the yard of the complex; on the outside perimeter, the first floor is occupied by retail. There are two entrances to the double-level underground parking garage: one next to the fitness center and one in the north part of the complex; from here, should such need arise, emergency vehicles can drive up on the podium.

“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


Playing with heights and masses creates a basis for turning the economic performance figures into architecture, and the project is crowned with the plastique of the façades. In “Universitetsky”, A.Len uses two modular grids of windows, breaking up the façades into large blocks. A denser grid with a 1650 mm step creates an impression of a sturdy base, while the sparser one – 3300 mm – makes the complex look slenderer, setting the upward motion, the same purpose served by the decorative parapets on the roof.

“Universitetsky” multifunctional complex. Birds-eye view
Copyright: © A.Len


“Universitetsky” multifunctional complex. Perspective image
Copyright: © A.Len


The “land marking” becomes still more prominent at the expense of a contrastive golden color. It must be said, by the way, that color is an important part of the company’s creative approach. Inclusions of bright red add extra beauty to the rhythmic pattern. In a few places, the façades are “slit” by glass bands that look like parts of the rocks honed by the wind or water.

“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


The end result is quite impressive: a large-scale complex with more than a hundred thousand square meters of useful floor space is organized in such a way that it is a really interesting thing to look at. In 2018, the project got a golden diploma of “ARKHITEKTON” festival.
“Universitetsky” multifunctional complex. Development drawings
Copyright: © A.Len


08 July 2019

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
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A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
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Aleksei Ilyin: “I approach every task with genuine interest”
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​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
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On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
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St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
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Valery Kanyashin: “We Were Given a Free Hand”
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​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.