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​Next to Lidval and Nobel

The housing complex designed by Anatoly Stolyarchuk in Neishlotsky Alley: tactful change of scale, tribute to the memory of the place, Finnish additions to the functional typology – specifically, saunas in the apartments – and plans for receiving a BREEAM certificate.

01 December 2021
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The location where the new complex will be built, although not a part of St. Petersburg’s center, is a rather interesting place from the architectural standpoint. The site is situated in between the Finland-bound railroad line and the Lesnoy Avenue, in the former location of the depot of the horse-drawn railway, from which, by the time the construction started only a modest three-story employee building survived. In the dead end of the Neishlotsky Alley, there is a lodging house and a wing of the “model milk complex”, owned back in the day by Julius Benoit – probably, they processed milk from the farm here, which was recently restored. This house is almost completely devoid of any decor – but it stands out with two rows of original-looking mansards. From the other side, the complex borders on the buildings constructed at the commission of Emmanuel Nobel, who was the CEO of the “Russian Diesel” plant, whose buildings are also to be seen nearby, at the other end of the Neishlotsky Alley. This is a mansion, a “people’s house” with a library, and a whole “little town” for the factory workers, designed by Victor Shreter, Roman Meltser, and Fedor Lidval. From yet another side, the site opens to a small park and the Sampsonievsky Garden.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


The main challenge that the architects were faced with was the scale of the new complex: due to the technical and economic performance specifications, it was to be taller than its surroundings. There are already a few in-construction and completed buildings in this area of about the same size – “Neishlotskaya Krepost” housing complex, Nobelius, Dom na Vyborgskoi”, “Lesnoy 19” business center, and their common problem is that they all stand close to two- or three-story houses of the Nobel town.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


The architects managed to come up with a project that retains the construction scale of the Neishlotsky Alley: two five-story buildings flank the “horse-drawn railway” house, while three ten-story buildings are pushed in the depth of the quarter, and, due to the perspective difference, are perceived as being about the same height as the Benoît milk complex. Considering the fact that this part of the compound overlooks the park, and the tall houses are turned with their side ends to the alley, the architects avoid the effect of a massive wall, achieving a smooth and comfortable transition to the bigger scale.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


From the side of the Lesnoy Avenue, we see a different picture: the red line is marked by a building of a slightly smaller height than the other two slabs, its top floor pushed back from the cornice. This place, however, is probably the most controversial one in the project because the Nobel mansion, which stands nearby, gets a little bit lost against the background of the new neighbor, especially in view of the fact that the sidewalls on this side of the complex received a glazing pattern, while a firewall, had it been here instead, would have been better suited for a “background” role. On the other hand, the buildings are not exactly pushed up against each other, the the gap between them is wide enough to soften the contrast.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


Making the complex transparent and coming up with an elegant skyline, the architects also paid attention to the facades, making sure that they look good from different angles. The five-story buildings are deliberately designed in a minimalist manner, in order not to be at odds with the historical context – they are fully clad in Klinker tiles. The large glazing pattern and the black details in the ascetic decor add a “loft” feeling, which correlates with the industrial past of this area and the proximity of the railway.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


In the cladding of the high-rise buildings of the complex white stucco appears, which helps to accentuate the volumetric parts. While on the “outer” side of the whole complex the scale of the two lower floors is supported by Klinker brick cladding, on the “inner” side the white color spills virtually across the entire facade. The grouping of balconies and windows is also meant to mitigate the scale of the slabs, dividing them into a few visual blocks.

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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio


YIT is a Finnish construction company, hence some unusual features of the complex: for example, spacious Finnish balconies, a possibility of installing a sauna in the apartment, and storage rooms in the basement. The complex consists of 400 apartments with a floor space ranging from 23 to 90 square meters; there are from 4 to 7 apartments per floor. During the construction stage the buyer has a few floor plan options to choose from – the Euro format with a kitchen/living room or the traditional format with separate rooms. On the top floors, there are apartments with terraces commanding sweeping views.

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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan of the underground car park
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan at 0,000 elevation
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan of the standard floor
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan at +24,750 elevation. 9th floor
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan at 0,000 elevation
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan of the standard floor
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan at 0,000 elevation
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan of the standard floor
    Copyright: © Anatoly Stolyarchuk Architectural Studio


Yet another peculiar feature of the complex that got a name of iLona is its plans for receiving the BREEAM certificate. In order to make sure that the complex meets its standards, the architects gave the apartments plenty of natural light, a mechanical ventilation system with natural air flow is provided, and the basic elements of a “smart home” are installed: residents will be able to regulate the heating systems, light, temperature and humidity, as well as control leaks, and remotely turn on or off separate power lines.

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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
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The first building that the developer is planning to launch into operation is the one that is situated closest to the railway line. A children’s rehabilitation center will open on its first floor, the premises for which will be later on handed over to the city. After the complex is completed, the corner of the Neishlotsky Alley and the Lesnoy Avenue will be seen more clearly – because it used to be marked by just the trees and the entire construction front. The retail in the bottom floors will make this part of the city, hitherto lying empty, more active and involved in public life.


01 December 2021

Headlines now
Home Base
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Doubles Match
The architecture of the Tennis Palace built in Luzhniki Olympic Complex, designed by Arena Design Institute, was shaped by three factors: the proximity of the brutalist Druzhba Arena, the closeness of the Moskva River and the metro bridge overpass, as well as the specifics of the function – tennis courts require large spans, abundant light, yet at the same time protection from direct sunlight. The architects divided the building into several blocks, playing on contrast, which is further emphasized by the façades developed in collaboration with TPO Reserve and Vladimir Plotkin.
Microdynamics of Macroprocesses
Given the proximity of the multifunctional complex SOLOS to Sokolniki Park and to a major transport hub, Kleinewelt Architekten embedded in the design of the two high-rise towers a sense of dynamism more characteristic of natural phenomena than of man-made objects. Without the authors’ diagrams, this logic is not easy to decipher, although the eye immediately detects a pattern and tries to grasp it. It seems to us that one tower contains the impulse of a bud about to open, while the other evokes the movement of a lithospheric plate. Let us try to unravel it together.
The Space of Post-Cubism
Sergei Tchoban and Alexandra Sheiner, of Studio CHART, created for the exhibition of “post-cubist” sculpture by Beatrice Sandomirskaya – a talented and even “mainstream” artist, yet almost unknown even to art historians – a space akin to her sculptural language: solidly built, confidently stereometric, and subtly expressive. It curves, emphasizing the mass of the sculpture, envelops the viewer, and guides them from one perspective to another, from a generic “shrine” to a “Madonna”.
The Value of Open Space
For the site near the Barrikadnaya Metro Station, Sergey Skuratov developed five projects between 2020 and 2025. Two of them were ones that won the client’s invitation-only competitions. The fifth was recently selected by the Mayor of Moscow for implementation. The project is vivid and sculptural, expressive, eye-catching, and engaging – very much in line with the spirit of our time. And yet, this project is mid-rise rather than tall. In its northwestern part, near the metro and Druzhinnikovskaya Street, it shapes a comfortable urban environment. On the opposite side, it opens up, allowing sunlight into the courtyard and creating a spatial pause within the dense city fabric. How it is organized, what geometric principles underlie it, and why it takes this form – all this is explored in our article.
Coming From the Cold
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Symphony of Water and Brick
The Alter residential complex, designed by Stepan Liphart and built on a bend of the Okhta River, is an example of a “drawn house”: the number of original architectural details is virtually immeasurable. As a result, ribs, projections, and recesses create a picturesque silhouette even without a significant variation in height. Both composition and material respond to the proximity of the river and to the red-brick factory building dating back to the early 20th century. The project was also significantly shaped by recommendations from the city’s chief architect. More details in our article.
Wave and Vertical
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Office on Trubnaya
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The First International
With this publication, we begin a series of texts dedicated to works by the late Valery Kanyashin, one of the founders of Ostozhenka Architects. As it happens, the projects he was involved in largely illustrate our understanding of the firm and its history. The first project in this series is the International Moscow Bank on Prechistenskaya Embankment.
In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
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The Outline of “Foundation”
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The Flying Horizontal
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Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
From Ski Resorts to Year-Round Recreation Clusters
In mid-December, several architectural firms gathered to discuss a “seasonal” topic: the prospects for the development of domestic ski tourism. Where is modern infrastructure already in place, where do only remnants of the Soviet legacy remain, and where is there still nothing – but projects are underway and soon to be completed? This article explores these questions.
Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
Stepan Liphart and Yuri Gerth: “Our Program Is Aesthetic”
The studio of Stepan Liphart, an architect known for his distinctive signature style and one-off projects, now has a partner. Yuri Khitrov, a specialist with a broad range of competencies, will take on the part of the work that distracts one from creativity but drives the business forward. One of the aims of this partnership is to improve the urban environment through dialogue with clients and officials. We spoke with both sides about their ambitions, the firm’s development strategy, shared values, and the need for pragmatism. And why the studio is called “Liphart & Gerth” only became clear at the very end of the interview.
The Copper Mirror
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“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
Mountains, Groves, and Ancestral Towers
The year-round mountain resort Armkhi situated in Russia’s Republic of Ingushetia is positioned as a destination for calm family recreation and has well-established traditions shaped by its hundred-year history and the culture of the region. The development program prepared by the Genplan Institute of Moscow preserves the resort’s identity while expanding its offerings and introducing new types of tourist leisure. In the near future, the resort will feature a balneological center, a thermal complex, an interactive museum, an extreme park, and, of course, new ski slopes.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.