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​Towers in a Forest

The authors of the housing complex “In the Heart of Pushkino” were faced with a difficult task: to preserve the already existing urban forest, at the same time building on it a compound of rather high density. This is how three towers at the edge of the forest appeared with highly developed public spaces in their podiums and graceful “tucks” in the crowning part of the 18-story volumes.

27 November 2020
Object
mainImg
Firm:
KPLN
Object:
“Seventh heaven” residential complex
Russia, Pushkino

2020 — 9.2020 / 2021
KPLN Architectural Bureau is designing a fourth consecutive project in Pushkino, which testifies to both rather high town planning activity of the local authorities, and the positive changes in terms of quality of living environment. One can hardly say that Pushkino has any kind of special town planning image – the town historically formed from factory settlements and country residences, and now it looks pretty loose, although not devoid of some charm thanks to its coziness and abundance of green locations. One of such locations is unofficially called “Baza Spartaka” (“Spartacus Base”), and this is the place that we are talking about. Here, upon the commission of PROFI-INVEST, the residential complex “In the Heart of Pushkino” is being built: 25,000 square meters of useful floor space and 40,000 square meters brutto. According to the KPLN architects, this collaboration is going well, accompanied by the kind of understanding that is so important for integrating the conceptual component into the primarily marketing-based structure of the residential compound.

The site has the shape of a trapezoid and is located within the boundaries of Pisarevskaya, Oranzhereinaya, 50th anniversary of Komsomol streets. Its doubtless strong point is the central location in the city: nearby, there is a railroad station, and the place is surrounded by numerous infrastructure projects.

View from the Oranzhereinaya Street. Version 1 (main). “In the Heart of Pushkino” housing complex
Copyright: © KPLN


Photography. “In the Heart of Pushkino” housing complex
Copyright: © KPLN


Its second advantage is that the territory is almost fully occupied by the urban forest with good grownup trees, even if a bit unkempt. The base itself is not shown on the map, but in the western part there are two barracks, designated for demolition and resettlement. It is in their stead that the first residential tower appears in the project by KPLN, and then another two appear as the second stage on the neighboring forest-free strip of land. These are connected by a narrow strip of the yard, and the whole construction blueprint takes on a “trousers” shape. Size-wise, this is less than a third of the territory that belongs to the developer, most of it remaining the urban forest. It is planned that it will be landscaped and turned into a city park. The only capital structure on its territory will be the building of the kindergarten standing across from the complex.

The form making. “In the Heart of Pushkino” housing complex
Copyright: © KPLN


“In the Heart of Pushkino” housing complex
Copyright: © KPLN


The positioning of the towers, as well as the volumetric composition, was chiefly defined by the given restrictions, including the construction sequence that has to do with resettling the old buildings. First, two towers in the east part are built. Then, after the old houses are torn down, the western tower is completed, with a single-story volume of a supermarket adjoining it. The kindergarten and the park part are planned as the next stages. Since the forest land is immediately adjacent to the construction site, the architects did not have too many options to choose from in terms of placing the towers – the borders of the construction spots of the towers coincide with the borders of the site. From all sides, the towers are symmetrical, their facades being parallel to Pisarevskaya and Oranzhereinaya streets.

View from the Oranzhereinaya Street. Version 3. “In the Heart of Pushkino” housing complex
Copyright: © KPLN


The relief of the land site is even and calm, and the 18-floor towers display a clearly dominant character. Working with form in the segment of commercial housing is hard, if possible at all, yet KPLN still found a way to achieve the accentuated perception of the volumes. The simple rectangular buildings received, in their top parts, unusual geometry of concave facades of all the four facets, as if somebody squeezed the top ends of the prisms, giving them rhombus outlines, like a kite’s. But this, of course, is just a visual illusion: the facets of the towers remain strictly parallel, and the desired effect is achieved because each of the three topmost floors is shifted half a meter deeper than the previous one.

View from the Oranzhereinaya Street. Version 4. “In the Heart of Pushkino” housing complex
Copyright: © KPLN


This part of the building includes augmented apartments, designed on an individual basis, and commanding beautiful views. The others are standard one- two- or three-room apartments with an area ranging from 40 to 125 square meters. Each of them features a recessed balcony; the two- and three-room apartments also feature a second bathroom and a walk-in closet.

The facade solutions and materials. Version 1 (main). “In the Heart of Pushkino” housing complex
Copyright: © KPLN


The project provides for several options of the façade design solutions – the one thing that they have in common is reserved colors, use of shades of color for segmenting the buildings’ mass, and the overall trend to imitating natural materials (brick and wood) in metallic cassettes. All of these techniques help to avoid the effect of “crash landing” these volumes into the nice-looking urban forest, providing as much as possible integration with it. If we are to view these buildings from a distance, we will see that the soft concave outlines of the buildings’ tops also work towards this goal. And if we are to come up closer, we will see that the bottom “commercial” floors are maximally open to the street with their stained glass windows. And this, in turn, produces an interesting atectonic effect: visually burdened by the dark brick, the lower part of the towers, which supports the light-colored upper part, at the same time, has a visual undercut of the bottom floors, that look more lightweight because of the glass. The absence of a massive base looks like an attempt to “land” these towers on this site in as tactful manner as possible.

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    Plan of the underground parking garage. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Plan of the 1st floor. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Plans of the standard floors. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Plan of the top standard floor. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Plan of the 16th floor. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Plan of the 17th floor. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Plan of the 18th floor. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Section view 1-1. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Section view 2-2. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Section view 3-3. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Plan of the kindergarten, -1st floor. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Plan of the kindergarten, 2nd floor. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN


In addition, broad glazing always works well with commercial facilities – the perimeter of the towers on the “podium” level, will include, besides the supermarket, small stores, cafes, drugstores, and a beauty salon. The space between the towers will be turned into landscaped yards, gradually flowing into the urban forest. As was already noted, the only capital structure here will be the building of the kindergarten in the east part, with a driving access from the Pisarevskaya Street. The KPLN architects developed the plans of the “pre-school educational facility” as well. As for the rest of the land site, it will be left as a city park with the addition of extra functional content proposed in the architectural concept.

The boundaries of the land site. “In the Heart of Pushkino” housing complex
Copyright: © KPLN


There are main venues lying on the central axis of the land site – in the north part, between the residential houses, there are sports fields and playgrounds, and there is an amphitheater with a stage in the south part. Compositionally, all these elements are united by the theme of circles of various sizes. In addition, the park will get bicycle trails and barbecue spots, connected by a circular route. Thus, the green land site with a beautiful pine grove stops being just a transient area between the Pisarevskaya and Oranzhereinaya streets, and takes on an independent recreational role, turning into a full-fledged city park.

The functional zoning of the grounds. “In the Heart of Pushkino” housing complex
Copyright: © KPLN


In such a solution, the commercial housing, which is oftentimes pretty ruthless on the modern standards of high-quality environment, becomes a harmonious integral part of the new urban layer. In the project, this new layer is neatly superimposed on the already existing one, preserving all of its advantages and making up for the missing functions. Together with housing, this place is getting new infrastructure projects, extra spatial links, and recreation areas, which testify to the integrated design approach. This is essentially the only way to really implement the standards of the modern housing environment, and not just sweet-talk about them for marketing purposes.
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    The master plan. “In the Heart of Pushkino” housing comple
    Copyright: © KPLN
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    Example of playground equipment. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Examples of minor architectural forms. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Examples of yard landscaping. Examples of minor architectural forms. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Examples of park landscaping. Examples of minor architectural forms. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN
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    Examples of minor architectural forms. “In the Heart of Pushkino” housing complex
    Copyright: © KPLN


Firm:
KPLN
Object:
“Seventh heaven” residential complex
Russia, Pushkino

2020 — 9.2020 / 2021

27 November 2020

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.