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A Planetarium-like Control Room

A gigantic display cupola, mobile glass capsules and the most innovational technologies in the project of the National Crisis Management Center EMERCOM of Russia.

25 December 2015
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The history of planning interior designs for control rooms and management centers began more than ten years ago for the architects of Arch group, when they started modernization of control rooms of the System Operator of the Unified Power System. Some countries of that time already applied various new technologies, for example, display cubes that showed large seamless images with high resolution. Russia of the early 2000 used outdated devices, such as walls with blinking red and green bulbs. The wish to modernize management centers of large companies of our country coincided with automation of the main production processes. At that, the company owners realized that they not only needed a hi-tech space, but also an image-building one. This was how Alexey Goryainov and Mikhail Krymov discovered a completely new scope of activity – which turned out to be quite exciting.         

The first implemented project of this kind was a control room in St. Petersburg – a spacious and light room dazzling with its futuristic style. The architects started experimenting right away proposing the boldest innovational solutions. For example, instead of a display cube, which requires a separate room, they developed a display wall that looked like a giant 9x4 meters TV-screen. They also applied unique sound-absorbing constructions solving in this way the matter of noise insulation and keeping stable temperature. The control room has been effectively in operation for about ten years. After the first successful implementation, the demand for such projects rose rapidly – orders piled up before Arch group. The architects developed a whole series of technologically complex projects. By now, over fifteen of them have been executed.        

Alexey Goryainov tells that having mastered in this new direction and gained enough experience they wanted to create a sort of ideal model of a universal control center that, at the same time, would be most possibly simple, functional and practical. That was when they came up with the idea of taking the existing EMERCOM hall with its giant semi-spherical wall as a basis and inventing something absolutely new for it, something unique that has no analogues in the world, but can be brought to life. The idea was shared with the staff of the ministry and was immediately supported. “They were ready to implement all the newest and most interesting ideas, since their technological base was being modernized at the time” – Goryainov says.

The concept of National Crisis Management Center of EMERCOM of Russia © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group
        

The main space-forming component and simultaneously the main technological know-how of the project is the display cupola covering the whole room. The idea of such a dome arrived from the necessity of showing the map of the world in large scale and undistorted, since significant distortions cannot be avoided on a flat map, and a display wall – even a very large semicircular   one – is not seen equally well by all employees and has distortions. On the contrary, the image on the dome is like the sky of stars over your head – available to all and in full view. It is similar to a planetarium; among themselves, the authors call the room “a planetarium-like control room”. To create a high-quality image, the authors suggest using LED matrixes and similar technologies, as an alternative to the projecting camera, which also remains in operation. The height of the cupola has been selected according to the scale of the most commonly used maps. Certain groups of staff can have additional, smaller images displayed in the selected part of the cupola.       

The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


Another innovation of the project is the concept of a standalone, mobile workplace. Instead of a table and a chair, the authors proposed a semi-spherical glass module on a flat round foundation that contains everything required for the operator’s work. When necessary, the spherical transparent shell isolates the operator from the external noise allowing to concentrate on the task. When the capsule is fully closed special equipment ensures comfortable temperature in it. Inside of the sphere is a transformable armchair reminding a car seat that can change position from upright to fully horizontal. Lying back in the chair one can comfortably observe the map up above. In the sitting position, the user faces a large panoramic screen that partly substitutes the cupola, which allows to operate in standalone mode. When the screen is not required it can be easily hidden behind the back of the seat – the screen can move in all directions along the surface of the module.            
The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group


The small module intended for one person is filled with electronic devises. All the modules are mobile and can rotate around their axis and move around the hall following the given scenario. It solves the problem of most control centers that have to be provided with special meeting rooms and conference-halls. By a signal, the glass capsules can line up along the perimeter of the hall, build up groups, activate mode of meeting, press conference, presentation or round-table discussion. In regular situations, the operators can communicate through video-calls.         

The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace. Section view, plan © Arch group


The project has not been implemented yet: the client admired the proposed idea and currently the project is being analyzed and the next step is yet being postponed. Despite the apparent futuristic design concept – the presented interior reminds a picture from sci-fi movies rather than today’s realia – the authors insist on its reality. According to the words of Alexey Goryainov, the most difficult element is the module. However, the authors have already found a potential manufacturer that agreed to create a prototype of this technically complex and unusual equipment. They even managed to calculate the approximate cost and thought of alternative application variants – there are countless possible modifications, since the module is very variable. So, the concepts has prospects. The authors make no question of the fact that they managed to create an ideal and universal control room. The architects are sure that this concept can become the new standard for different control rooms all around the world and help in performing tasks in all possible areas.        
The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace. Connection system in the hall © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group


25 December 2015

Headlines now
A Step Forward
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Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
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Depths of the Earth, Streams of Water
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Fir Tree Dynamics
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​A Brick Shell
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Word Forms
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Flexibility and Acuteness of Modernity
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Yuri Vissarionov: “A modular house does not belong to the land”
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​Moscow’s First
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Looking at the Water
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The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
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Proportional Growth
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The “Staircase” Building
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Projection of the Quarter
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Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.