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A Planetarium-like Control Room

A gigantic display cupola, mobile glass capsules and the most innovational technologies in the project of the National Crisis Management Center EMERCOM of Russia.

25 December 2015
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The history of planning interior designs for control rooms and management centers began more than ten years ago for the architects of Arch group, when they started modernization of control rooms of the System Operator of the Unified Power System. Some countries of that time already applied various new technologies, for example, display cubes that showed large seamless images with high resolution. Russia of the early 2000 used outdated devices, such as walls with blinking red and green bulbs. The wish to modernize management centers of large companies of our country coincided with automation of the main production processes. At that, the company owners realized that they not only needed a hi-tech space, but also an image-building one. This was how Alexey Goryainov and Mikhail Krymov discovered a completely new scope of activity – which turned out to be quite exciting.         

The first implemented project of this kind was a control room in St. Petersburg – a spacious and light room dazzling with its futuristic style. The architects started experimenting right away proposing the boldest innovational solutions. For example, instead of a display cube, which requires a separate room, they developed a display wall that looked like a giant 9x4 meters TV-screen. They also applied unique sound-absorbing constructions solving in this way the matter of noise insulation and keeping stable temperature. The control room has been effectively in operation for about ten years. After the first successful implementation, the demand for such projects rose rapidly – orders piled up before Arch group. The architects developed a whole series of technologically complex projects. By now, over fifteen of them have been executed.        

Alexey Goryainov tells that having mastered in this new direction and gained enough experience they wanted to create a sort of ideal model of a universal control center that, at the same time, would be most possibly simple, functional and practical. That was when they came up with the idea of taking the existing EMERCOM hall with its giant semi-spherical wall as a basis and inventing something absolutely new for it, something unique that has no analogues in the world, but can be brought to life. The idea was shared with the staff of the ministry and was immediately supported. “They were ready to implement all the newest and most interesting ideas, since their technological base was being modernized at the time” – Goryainov says.

The concept of National Crisis Management Center of EMERCOM of Russia © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group
        

The main space-forming component and simultaneously the main technological know-how of the project is the display cupola covering the whole room. The idea of such a dome arrived from the necessity of showing the map of the world in large scale and undistorted, since significant distortions cannot be avoided on a flat map, and a display wall – even a very large semicircular   one – is not seen equally well by all employees and has distortions. On the contrary, the image on the dome is like the sky of stars over your head – available to all and in full view. It is similar to a planetarium; among themselves, the authors call the room “a planetarium-like control room”. To create a high-quality image, the authors suggest using LED matrixes and similar technologies, as an alternative to the projecting camera, which also remains in operation. The height of the cupola has been selected according to the scale of the most commonly used maps. Certain groups of staff can have additional, smaller images displayed in the selected part of the cupola.       

The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


Another innovation of the project is the concept of a standalone, mobile workplace. Instead of a table and a chair, the authors proposed a semi-spherical glass module on a flat round foundation that contains everything required for the operator’s work. When necessary, the spherical transparent shell isolates the operator from the external noise allowing to concentrate on the task. When the capsule is fully closed special equipment ensures comfortable temperature in it. Inside of the sphere is a transformable armchair reminding a car seat that can change position from upright to fully horizontal. Lying back in the chair one can comfortably observe the map up above. In the sitting position, the user faces a large panoramic screen that partly substitutes the cupola, which allows to operate in standalone mode. When the screen is not required it can be easily hidden behind the back of the seat – the screen can move in all directions along the surface of the module.            
The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group


The small module intended for one person is filled with electronic devises. All the modules are mobile and can rotate around their axis and move around the hall following the given scenario. It solves the problem of most control centers that have to be provided with special meeting rooms and conference-halls. By a signal, the glass capsules can line up along the perimeter of the hall, build up groups, activate mode of meeting, press conference, presentation or round-table discussion. In regular situations, the operators can communicate through video-calls.         

The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group


The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace. Section view, plan © Arch group


The project has not been implemented yet: the client admired the proposed idea and currently the project is being analyzed and the next step is yet being postponed. Despite the apparent futuristic design concept – the presented interior reminds a picture from sci-fi movies rather than today’s realia – the authors insist on its reality. According to the words of Alexey Goryainov, the most difficult element is the module. However, the authors have already found a potential manufacturer that agreed to create a prototype of this technically complex and unusual equipment. They even managed to calculate the approximate cost and thought of alternative application variants – there are countless possible modifications, since the module is very variable. So, the concepts has prospects. The authors make no question of the fact that they managed to create an ideal and universal control room. The architects are sure that this concept can become the new standard for different control rooms all around the world and help in performing tasks in all possible areas.        
The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace. Connection system in the hall © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Model of the workplace © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group
The concept of National Crisis Management Center of EMERCOM of Russia. Diagram © Arch group


25 December 2015

Headlines now
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A City Block Isoline
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Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
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We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
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A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
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Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
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Gold in the Sands
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Layers and Levels of Flight
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Light and Shadow
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Casus Novae
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Treasure Hunting
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Depths of the Earth, Streams of Water
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Fir Tree Dynamics
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​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
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Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
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Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
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