По-русски

Merchant Zaryvny's Windmill Loft

In the city of Orenburg, T+T Architects completed the reconstruction of an office building that became the first case of an "loft office" in this city considerably remote from either of the two nation's capitals.

02 September 2014
Object
mainImg

Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design

Transforming a derelict building into an up-to-date office center is a task that is quite difficult but at the same time quite common nowadays. The only thing that is uncommon in this particular case is the very subject of reconstruction - it is the mill house of Merchant Zaryvny, built back in 1894, Orenburg's fine specimen of Russian provincial red-brick style. And it was not just "transformed". This is the city's first experiment of reconstructing a building in the "loft" style so popular nowadays. And the experiment turned out to be a success: the work of Т+Т Architects in cooperation with Mealhouse Concept Design immediately became a nominee of International (Europe & Africa) Commercial Property Awards 2010 (London), winning in the category "best architectural project (office building). 

Back in the day, during the 1940's, the process of turning derelict industrial objects into residential buildings was launched in the United States. It was also the American architects of those days that developed the "inner-process" fashion and style. Originating from Manhattan, this fashion of remodeling the empty lofts of industrial premises into "studio" apartments grew into a fashion for full-scale reconstruction of industrial buildings into residential houses. However, the architectural and constructional specifics dictated their own conditions, and the idea of remodeling the factory buildings into housing projects with time transformed into the idea of reconstructing them into office premises. The next logic step was reconstructing the outdated factory buildings into business centers. 

The fashion changed but the style based on the inevitable idea of implementing the authentic parts of the building into the context of the new architectural solution - remained effectively the same. The factory chimneys, stairways, and even some production units were turned into indispensable elements of the new and reformed building. 

Exactly in this way, in full accordance with the rules of the genre, acted the authors of the transformation of mill house, or, to be more exact, of the red-brick building of the flour mill, once belonging to Merchant Zaryvny, built in 1894, to be rebuilt into an office center of "B" Class for "Russol" company, creating in the provincial Orenburg the canonic example of the style (the work started in 2010 and ended in 2014). On the one side - a monument of architecture, an example of reconstruction that is conservatively careful, one that inspires admiration for the keen attention to detail, almost restoration and preservation of everything that could be possibly saved: from the size and the rhythm of the basement floor windows to the brickwork of the arches on the gables of the main facade. On the other side - organizing the open space behind the gigantic glass over the annex of the former boiler house, expo area on the attic story, the inevitable meeting points for informal communication at each level and the reception desk, drawn with the "big city flash", curiously looking very much like a salt evaporation vessel. Oh, we forgot to mention that the customer is Russia's largest manufacturer of salt. The authors also came up with an unusual project of the the interior design of the offices: calm light shades, bright accents, and a color code for the floors. 


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design

The edifice is open for the guests visiting the showroom not on the first but on the top floor, or, rather, even above it, just as the idea to place the cafe in the basement floor is quite the traditional "loft-style" solution: the visitors simply must see all the possibilities of the remodeled space - from the opened-up basements to the ceiling supporting trusses. 

A special mention should be given to the metallic parts of the facade. The presence of metallic parts - the already-mentioned staircases, hoist blocks, and other structural parts, is one of the "ground rules" of any loft. However, the traditional red-brick architecture is more often than not devoid of any metallic columns or horizontal beams or housing equipment or any other metallic arsenal that could be used to the style's benefit. And, without trying to imitate anything in the interiors with the only exception being the metallic staircase leading to the attic floor level, the architects came up with an interesting inversion, running the vertical metallic supports into the transparent side facade of the annex. They support the four-story glass wall, the only function of which is to be the "billboard" that displays the company's logo. This principle is usually employed in building the theater setups. 


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design

However, while the girders of the side facade are quite obviously but a decorative element, the metal of the main facade presents serious restoration work based on almost exact replicating of the historical analogues. In this case, the metallic theme is continued by an array of wall-mounted lights and the above-window elements, behind which hide the Venetian blinds of the windows of the first floor, the staircase railings, and the marquees. The last point of this "metallic" environment is the fire staircase of the back wall - the exact copy of its New York ancestors that once formed this red-brick style. 

One's attention is also attracted by the fact that, in spite of the total self-sufficiency of the building, its authors never treated it as a separate building surrounded by the dilapidated environment of the bread-making factory. Judging by the master plan, drawn in the vein of Liebenskind, the reformed mill house must become the starting point for creating here a multi-function residential complex with its own fitness center, children's education center and a system of territories united by the pedestrian structure ruining through the entire complex. This, however, is still on paper. Today, this rare-to-be-seen-in-these parts picture of "loft works" is only completed by the restored chimney of the boiler house that is meant, according to the authors, to "support the spirit of loft", and by the surviving building of the grain storage that will be with time turned into a hotel and entertainment complex, creating yet another example to be followed by his kin.


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Plan of the 1st floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Plan of the 2nd floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Plan of the 2nd floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Plan of the 3rd floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Plan of the 4th floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Plan of the 1st floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
zooming
Plan of the 2nd floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
zooming
Plan of the 3rd floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
zooming
Plan of the 4th floor. Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design
Reconstruction of the milling factory of Merchant Zaryvny into an office center © Т+Т Architects, Mealhouse Concept Design


02 September 2014

Headlines now
​The Ever-Changing Mist
T+T Architects has developed a concept for a premium business center featuring “living” façades that change their configuration depending on weather conditions, time of day, and the occupants’ needs, transforming the building into an urban-scale installation. The idea of endless variability continues inside, with interiors designed to accommodate different scenarios of use. Some of the engineering solutions proposed for the project are being introduced to the Russian commercial real estate market for the first time.
​A Small Book of Farewell
The book dedicated to Valery Kanyashin, published by his colleagues at Ostozhenka Architects, is remarkably small. It fits comfortably in the palm of your hand, more like sketchbook than an actual architectural monograph. Combined with its tiny print run, the result is an intentionally unglamorous, decidedly non-representational publication – one that is made “for friends”. Yet the way it weaves together projects, texts, photographs, and drawings is remarkably subtle. Perhaps this is precisely how one comes to understand a person, at least a little, by tracing the course of their creative life.
Win-Win
For Perm, the opening of the new home for its Art Gallery – guardian of the famous collection of Perm wooden sculpture – marks the end of a 35-year search for a building worthy of a collection that had long outgrown the city cathedral that had served as its only home. Sergey Tchoban considers the project one of the most important of his career in Russia and emphasizes that it deliberately avoids “iconic” architecture in favor of contextual appropriateness. We traveled to Perm to explore both the building and its extensive new exhibition, and found that, much like Tchoban’s other museum projects, it is conceived in a distinctly contemporary way: the old and the new do not merely coexist but reinforce one another through contrast, sharpening the visitor’s perception of the museum.
A Score for 12th Line
“Amo”, a residential complex designed by Stepan Liphart on Vasilyevsky Island, brings together three architectural ideas: the cour d’honneur, a piazzetta-like courtyard, and imagery borrowed from Renaissance architecture. Together, these elements make a contemporary apartment complex feel more humane, extending the theme of individuality in residential design. The effect is achieved through a carefully calibrated vocabulary of moderately standardized components: recessed façade panels enriched with sgraffito ornament, a disciplined hierarchy of cornices and moldings, and a series of bespoke decorative details. The development combines residential and hotel sections that frame the restored wooden mansion of the Brömme brothers.
Riverfront Façade
The Premium residential complex, designed by KPLN, has been built in the town of Pushkino, just outside Moscow, on the banks of the Serebryanka River. Its two towers reinforce the scale of the high-rise development that emerged here in the 2000s, while introducing a bolder architectural form that reads more effectively from a distance, along with a system of contrasts and design strategies responding to the site’s waterfront setting. One of the project’s distinctive features is a series of metal discs that conceal air-conditioning units while serving as an additional decorative layer.
A Construction Set for Adult Life
In the project by Atrium, the new building for Moscow’s School No. 2107, designed to accommodate 1,100 students, is above all a carefully organized system of learning and recreational spaces. On the one hand, it is complex and highly articulated; on the other, it remains intuitive, safe, and conducive to personal growth. In a sense, it serves as a model of life in the city – a place where one must communicate, make decisions, plan ahead, and find a balance between work and leisure. All of these scenarios are reflected, to varying degrees, in the building’s architecture.
Axis of Rotation
One of the installations in the Masters exhibition at Arch Moscow featured a futuristic yet entirely feasible project by Vladimir Plotkin and TPO Reserve – a tower that could be assembled from prefabricated factory-made modules. The concept even incorporates the possibility of slow rotation (!). Using the same module, one could create a residential block, a giant cantilevered “arrow”, or virtually any other configuration you could possibly think of. Let us take a closer look at the module itself.
A New Magazine and a New Ranking
The magazine Expert.Urban has only just appeared, apparently timed to coincide with Arch Moscow. It is published with the support of VEB.RF and Strelka KB. We have not yet had time to read it cover to cover, but the impression so far is that it consists of about eighty percent interviews. It also features a distinctly “Strelka-style” initiative: a ranking of the “Best Architect of Moscow in the 21st Century”. So, who came out on top? Sergey Skuratov. Yuri Grigoryan took second place, and Sergei Tchoban came third.
Oleg Shapiro: “We design life as a whole, in all of its diversity”
Wowhaus has long since outgrown its association with “urban improvement” projects alone. One of its newer directions is neo-industrialization. Another is large-scale master planning. Yet work on Gorky Park is once again underway – only now on a more systematic and far-reaching level. In this interview, we simultaneously revisit Rem Koolhaas, Strelka, and the history of attention to the “urban environment”, while also exploring what exactly Wowhaus is working on today and how the company operates – with its nine divisions and approximately 160 employees.
Red Card for Copyright
The development concept for the territory of Shinnik Stadium in Yaroslavl, prepared by PI ARENA, took second place in an open call competition. The architects proposed a unified structure combining a football arena, a hotel, and the headquarters of PSB Bank, with carefully considered usage scenarios. However, the competition was organized in such a way that the team ultimately chose to forgo the prize money in order to retain their copyright.
CinemaHologram
Not long ago, the Moscow authorities approved the project for a new House of Cinema complex by Kleinewelt Architekten. The original 1968 building could not be preserved – yet the architects managed to save its stained-glass panels, metal reliefs, and even the volumetric parameters of the structure, which will continue to house the Union of Cinematographers and cinema halls. The project’s main focal point, however, will be a residential tower. We examine its sculptural qualities and its allusions within the Moscow context.
Form as Method: TPO Reserve
At the core of the concept developed by Vladimir Plotkin and TPO Reserve lies an unconventional morphology that addresses functional challenges beyond purely formal concerns. Above all, however, it serves expressiveness and creates a rare kind of spatial and emotional experience, as becomes evident when examining the project’s key solutions. We studied it in detail, and it was all worth it. Our interpretation is that what drives this project is neither style nor even metaphor, but rather a method.
Mound of Memory
The competition proposal for a memorial complex on the Pulkovo Heights by Studio 44 will not be realized, yet it deserves attention as an intriguing example of how architecture can symbolize traumatic events and thereby contribute to their processing and integration into human experience. The architects also succeed in combining memorial and recreational functions without slipping either into excessive dramatization or oversimplification. The project develops ideas explored in two earlier competition entries that likewise remained unbuilt – the Museum of the Siege of Leningrad and the Tuchkov Buyan park. It also recalls the mound-like hill that Alexander Nikolsky embodied in the form of the now-lost stadium on Krestovsky Island.
Home Base
Working on the new building for Letovo Junior School – opened to students in autumn 2025 in the MSU Valley – the architects of UNK, following the client’s vision, subordinated both façades and interiors to the theme of “home”. Multiple variations of pitched roofs, a city skyline traced across glass balustrades, wooden textures, and a whole series of micro-spaces for retreat within public areas are all at the disposal of primary and middle school students. We take a closer look at the new school building – and at how it interprets current trends in educational environments.
Doubles Match
The architecture of the Tennis Palace built in Luzhniki Olympic Complex, designed by Arena Design Institute, was shaped by three factors: the proximity of the brutalist Druzhba Arena, the closeness of the Moskva River and the metro bridge overpass, as well as the specifics of the function – tennis courts require large spans, abundant light, yet at the same time protection from direct sunlight. The architects divided the building into several blocks, playing on contrast, which is further emphasized by the façades developed in collaboration with TPO Reserve and Vladimir Plotkin.
Microdynamics of Macroprocesses
Given the proximity of the multifunctional complex SOLOS to Sokolniki Park and to a major transport hub, Kleinewelt Architekten embedded in the design of the two high-rise towers a sense of dynamism more characteristic of natural phenomena than of man-made objects. Without the authors’ diagrams, this logic is not easy to decipher, although the eye immediately detects a pattern and tries to grasp it. It seems to us that one tower contains the impulse of a bud about to open, while the other evokes the movement of a lithospheric plate. Let us try to unravel it together.
The Space of Post-Cubism
Sergei Tchoban and Alexandra Sheiner, of Studio CHART, created for the exhibition of “post-cubist” sculpture by Beatrice Sandomirskaya – a talented and even “mainstream” artist, yet almost unknown even to art historians – a space akin to her sculptural language: solidly built, confidently stereometric, and subtly expressive. It curves, emphasizing the mass of the sculpture, envelops the viewer, and guides them from one perspective to another, from a generic “shrine” to a “Madonna”.
The Value of Open Space
For the site near the Barrikadnaya Metro Station, Sergey Skuratov developed five projects between 2020 and 2025. Two of them were ones that won the client’s invitation-only competitions. The fifth was recently selected by the Mayor of Moscow for implementation. The project is vivid and sculptural, expressive, eye-catching, and engaging – very much in line with the spirit of our time. And yet, this project is mid-rise rather than tall. In its northwestern part, near the metro and Druzhinnikovskaya Street, it shapes a comfortable urban environment. On the opposite side, it opens up, allowing sunlight into the courtyard and creating a spatial pause within the dense city fabric. How it is organized, what geometric principles underlie it, and why it takes this form – all this is explored in our article.
Coming From the Cold
The ArchBukhta Festival remains one of the few events in Russia where participants go through the entire process of creating an architectural object – from concept to construction. And they do so on the shores of Lake Baikal, in dedication to it. This year, GAFA took part and shared its experience: a local legend, a team-specific design code, friendship, as well as ice skating and endurance in freezing temperatures all contributed to gaining something more than just an award.
Symphony of Water and Brick
The Alter residential complex, designed by Stepan Liphart and built on a bend of the Okhta River, is an example of a “drawn house”: the number of original architectural details is virtually immeasurable. As a result, ribs, projections, and recesses create a picturesque silhouette even without a significant variation in height. Both composition and material respond to the proximity of the river and to the red-brick factory building dating back to the early 20th century. The project was also significantly shaped by recommendations from the city’s chief architect. More details in our article.
The Penguin House
The building with a curved façade on Brestskaya Street is one of the manifestos of Russian neomodernism of the early 2000s, a sculpture – this is how Anatoly Belov interprets it, speaking of “breaking from the modernist canon and the contextual approach”. We do not fully agree with the author, but his perspective is an interesting one.
Wave and Vertical
The premium residential complex designed by GAFA for a site in the Khoroshevsky District responds to multiple constraints – the arc of a planned roadway, the water protection zone of the Khodynka River, and insolation requirements – through inventive massing. The composition is built on the interplay of two spatial layers: an elongated perimeter block and three towers concealed behind it generate the silhouette and key viewpoints, while also adding semantic depth reinforced by the façade solutions. Another defining feature is a large private courtyard, complemented by a citywide linear park.
Office on Trubnaya
We continue publishing projects by Valery Kanyashin. A building once described, a quarter century ago, as an example of “quiet modernism” has remained just that in some people’s memory. According to Anatoly Belov, its main quality is its unobtrusiveness. The architects from Ostozhenka say the leading role here is played by context and landscape – the change in elevation. Yet is it really so inconspicuous?
The First International
With this publication, we begin a series of texts dedicated to works by the late Valery Kanyashin, one of the founders of Ostozhenka Architects. As it happens, the projects he was involved in largely illustrate our understanding of the firm and its history. The first project in this series is the International Moscow Bank on Prechistenskaya Embankment.
In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
In their competition proposal for the Fili transport hub, the consortium led by Alexey Ilyin proposed an “inhabited arch” – a form that is simple yet complex. The architects emphasize that even at the competition stage, the project’s feasibility was fully calculated, taking into account the minimal nighttime closures of Bagration Avenue. How was this achieved? With what functions? Let us take a closer look. In our view, the building would have suited the heroes of Isaac Asimov’s Foundation novels perfectly.
The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.