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Continuation and Development

The second “office” stage of Comcity, the most popular business park of the “New Moscow” area, continues the underground street of the already existing part of the complex, responding to its architectural identity.

18 August 2020
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We recently wrote about the Homecity housing complex – a low-rise residential area with an inner promenade that is being built not far away from the Rumyantsevo metro station as part of the Comcity complex. We will remind you here that the plan of the Comcity business park looks like a slim triangle turned to the Kievskoe Highway with the sharp nose of Alpha, a building belonging to the first stage of construction. It was completed by 2014, designed by the Czech architectural company Cigler Marani, its two dark-colored wing cantilevers perfectly visible from the highway.

Then, in 2016, the developers invited the architects of Sergey Kiselev and Partners to work with this territory, who first of all helped to reconsider its functional zoning – and this is how a small residential complex appeared within the business park. Then Sergey Kiselev and Partners began working on three individual land sites, sliced like the layers of Maslow’s Pyramid, parallel to the highway and sideways to the axis of the acute triangle of the entire territory. The housing complex is situated the farthest away from the highway; it must be later joined by the Charlie office complex, which will be designed and built last. 

The project of the office building and the hotel of the Bravo phase are already complete; its construction is going at a record-breaking rate, and we are covering it in this article.

Location plan. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Bravo continues the Alpha building volume-, planning-, and composition-wise. This makes a lot of sense because Alpha has long since run out of vacant premises. This complex, masterfully designed to meet the needs of telecommunication companies, occupied the profitable niche, being one of the first to propose the “office park” format, i.e. self-sufficient infrastructure in the eco-friendly theme.

The total area of the “Bravo Phase” is about 103,000 square meters; it will be occupied by three buildings – two blocks of offices and a hotel with an extensive underground space. Crucially important is the fact that the already existing “underground shopping street”, which belongs to Alpha, will eventually join the Bravo inner gallery. The composition of the buildings follows that of Alpha, keeping the axial symmetry: the two office wings B1 and B2, looking like two stylized palms of human hands, “embrace” the 150-room Novotel hotel. Two inner plazas appear between the side ends of the hotel and the office buildings.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Together, Alpha and Bravo form a mega-structure of volumes tied into a single city block that supports the 24/7 life of the resident companies. The composition of Bravo unfolds in space in accordance with the set logic. For example, the main block of Alpha is symmetrical; hence, buildings B1 and B2 are as well; they look like a curious echo from beginning to end of the entire complex.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Both composition and architecture-wise, the second stage of construction avoids direct quotes from Alpha, yet similar techniques are easily observed. For example, B1 and B2 use similar superimposed grids: one from dark-colored aluminum panels, and one from slim metallic profile ribs. The highlights here are vertical grilles situated next to the windows, which liven up the rhythm. The black color and metal, however, noticeably resonate with the facades of Alpha and allow us to perceive the buildings of Bravo as not only its structural continuation, but a visual one as well.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


At the client’s decision, the office premises will be divided into three lots. Trying to make sure that not a single square meter of useful floor space goes to waste, the architects subjected all of the spaces to free planning – there are no corridors inside; there are two elevator/staircase blocks, plus two more staircases per 5,000 square meters of the standard floor of each building – shares Anastasia Khomyakova – The units turned out to be compact, with all the utility lines grouped around them.

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    Plan of the -1st floor. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Plan of the 1st floor. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Plan of the standard floor. COMCITY office complex
    Copyright: © Sergey Kisselev and partners


In addition, Bravo continues the idea of vertical zoning – the semi-basement public level designed as a covered pedestrian promenade, lit by skylights. Actually, this is the “city within a city”, the way Comcity positions itself; this place is open to the public, you can walk around the shops here, the office turnstiles shifted closer to the elevator halls. The stream of people flows into the gallery from the direction of the main Alpha entrance and through the semicircular “funnel” of the stylobate; further on, it can go through the entire city block, and, passing the bend, end up in the Bravo buildings.

On the inside, the white color is combined with living plants and light-colored wood, while the central atrium will feature a fountain with a waterfall flowing down from the skylight on top of the dome.

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    The shopping gallery. Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    The shopping gallery. Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    The shopping gallery. Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners


The hotel, as a building that is predominantly residential, unlike the uptight technological-looking offices, got Clinker tile facades, on which different shades of ochre are blended together to form a mottled carpet with white fiber cement inserts – such a combination obviously resonates with the Homecity housing complex that is being built nearby.    At the same time, the basement part of the hotel becomes the continuation of the stylobate and the offices, and will be likewise coated with ceramic granite.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


The semi-basement inner link between Alpha and Bravo buildings is echoed by the upper pedestrian street on top of the stylobate – the authors of Bravo continue the development that already exists on the stylobate of Alpha, using plants of the same type and similar small-form architecture, which, among other things, helps decorate the skylight domes.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Bravo phase. The landscaping plan. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Passing between the office buildings, the upper street exits to the slab of the hotel, and here the stream splits in two: you can swerve left or right to find yourself at one of the two plazas, seemingly identical yet different in details. These open up north, to the driveway between Bravo and the future Charlie. The authors interpret these plazas as grand courtyards, or cours d’honneur; each one sports a fountain, green plants, and a small amphitheater. Over here, to the north, the portals of the main entrances of the office buildings are turned – frames of light-colored stone, the two-level height of which, a little under 8 meters, responds to the just impressive and spacious height of the entrance lobbies inside.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


As we can see, the “phase Bravo” serves as the connecting link of the complex: like a curious joint, it not only picks up and develops the positive ideas of the existing building but also, “over the head” of the “phase Charlie”, a project that is yet nonexistent, resonates with the Homecity housing complex that is also in construction. All of these things put together must boost the growth and development of the business park, situated not far away from Moscow Ring Road, and already fairly popular – probably not just because of the favorable location but also thanks to a modern compound structure of spaces belonging to the significant, however small, business city, which in the new projects get logical development and completion.

18 August 2020

Headlines now
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.