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​Between the Past and the Future

Neatly inscribed into the respectable housing environment of the Petrogradskaya Side, the residential complex “Futurist” teeters on the brink of postconstructivism and Art Deco. Its main task, however, was to breathe new life into the building of the Levashovsky bread factory and make it flourish once again.

27 December 2018
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The project of the elite housing complex Futurist consists in redeveloping the Levashovsky bread factory situated in a triangle formed by the Barochnaya and Bolshaya Zelenina streets and the Levashovsky Avenue, not far away from the spot where the Karpovka River flows into the Neva. The factory was built in 1933 based on the project of engineer George Marsakov. He developed a “vertical ring” bread-baking technology, which ultimately determined the shape of the building: the production facility consisting of cylinders fitting into one another, and the boiler house covered with a dome. The factory is famous for the fact that during the Nazi seize of Leningrad it never for a second stopped baking bread.

The residential complex Futurist. Birds-eye view © Evgeny Gerasimov and Partners
View of the building from the west side of the land site, the end of construction, 1933 © The Central State Archive of Photographic and Filming Documents of Saint Petersburg


In 2012, the building got a status of an architectural monument of regional importance, and the production facilities moved over to a new place. The factory stood empty until 2016, when it (together with the neighboring 2.5-hectare land site) was bought out by the RBI, a developer company that decided to invest both in the construction of a new housing complex and in reconstruction of this heritage site.

Photographic evidence © Evgeny Gerasimov and Partners


Photographic evidence © Evgeny Gerasimov and Partners


The project, developed by the architectural firm “Evgeny Gerasimov and Partners”, solves three tasks: building a commercially successful housing complex, bringing the city block’s housing stock to order, and introducing into the city’s day-to-day life a monument of architecture that for a long time has been hiding behind fences and later additions.

Probably, it will make sense to start off with the latter. The volumetric and planning solutions, the historical façades, the staircases, and the factory chimney will be kept fully intact, while about 15 of the surrounding buildings of the soviet period, which are not included in the boundaries of the heritage site and simply make visual “noise” – will be torn down altogether (CLICKABLE). The company “Development Systems” has already presented (CLICKABLE) a 3D BIM model of the Levashovsky bread factory created on the basis of laser scanning of the complex.

The residential complex Futurist. The square © Evgeny Gerasimov and Partners


The residential complex Futurist. Section views © Evgeny Gerasimov and Partners


The concept of operating the complex was prepared by the Agency of urban transformations Genius Loci. The building will be turned into a cultural center containing expo and congress venues, a bakery, various art objects, a book store, offices, and an exposition devoted to the Nazi siege of Leningrad.

In front of the main entrance from the Levashovsky Avenue, there will appear a “grand entrance” square, while from the side of the Bolshaya Zelenina Street, there will be an art park. As for the building itself, it will be clearly viewable from the adjacent streets.

The residential complex Futurist. The square © Evgeny Gerasimov and Partners


The new residential buildings that frame the bread factory are arranged in a manner that is anything but trivial. Two of them, which stand along the Barochnaya Street and the Levashovsky Avenue, stop the lacunae in the existing construction of the early XX century. In accordance with the plane geometry of the Barochnaya Street, the architects positioned the in-block nine-story building – the tallest and the longest one. Its staircase-like part is echoed by three buildings that are lined up diagonally in an order of decreasing their height down to three floors in the direction of the Bolshaya Zelenina Street, where getting close to the red line is impossible because of the trees growing there. The seventh and the last building stands on the corner. Evgeny Gerasimov explains that such planning structure was to some extent borrowed from the Traktornaya Street, where the houses are joined by semi-arches, and to some extent from the Leitenanta Shmidta Embankment, whose curve is accentuated by the corners; also, to some extent, the configuration was conditioned by the insolation regulations. One way or another, the lines of the master plan turned out to be pretty avant-garde.

The residential complex Futurist. The projects of landscaping design © Evgeny Gerasimov and Partners


The residential complex Futurist. Birds-eye view © Evgeny Gerasimov and Partners


The Bolshaya Zelenina Street looks here as if it were turned inside out. The city block consisting of odd buildings of different height resembles the classic “water well” yards of Saint-Petersburg with their inevitable annexes and labyrinths of arches and underpasses. As for the “grand” or “representative” part of the complex, it is situated precisely behind them. Only this is not a classical façade but a constructivist factory building – the closer we get to it, the more reverently the new buildings lower their height in token of respect for the architectural monument.

The residential complex Futurist. Development drawing along the Bolshaya Zelenina Street © Evgeny Gerasimov and Partners


Thus, the view of the Levashovsky bread factory opens up from the adjacent streets; the accent is strengthened by the grand square and the art park. Together, they create a large public territory that is augmented by an array of residents-only private yards. The architects and the client paid a lot of attention to the landscaping part, setting for themselves a task of making a “model” landscaping project.

The residential complex Futurist. The park © Evgeny Gerasimov and Partners


The staircase-like configuration of the new city block allowed the architects to create a system of little yards and squares where people would have various scenarios of spending their time outdoors. The most active life goes on around the elongated building, whose first floor is going to host a conference hall, a spa zone, and a small gym. There is also a recreational area joining it on one side, with playgrounds and sports fields, and a promenade on the other side, where one could go for a walk with a stroller or ride a bike. The firewall of the historical building, which goes out to this particular yard, is decorated with vertical greenery. Other yards display mosaic panel pictures, gazebos or benches underneath the trees; there are also ping pong tables and easels for drawing placed underneath one of the arches. The complex is fenced off from the city public areas by a hedgerow.

The residential complex Futurist. The yard © Evgeny Gerasimov and Partners


One can only get into the inside yard through two lobbies that serve the entire complex, which are located in the buildings standing on the Barochnaya and Bolshaya Zelenina streets. The other residential buildings can be entered from the yard.

The landscaping concept picks up the suprematist composition of the master plan, playing with the same rectangles and circles, only on a smaller scale. The rhythm is set by the geometric paving patterns, on the background of which other figures are placed in accordance with a certain logic: wooden boardwalks, neatly trimmed shrubs, and groups of trees. There will be a lot of new trees added to the ones that are already there: pine and fir trees, oaks, maples, willows, and mountain ash.

As for the façades of the buildings, they are deliberately designed in a simple manner, oriented not so much on the avant-garde architecture (although some of its notes are heard in the jagged balconies of the stairway-like part of the elongated building), as in the early post-constructivism, pretty similar to the Lensovet House on the Karpovka – because they are essentially trying to perform the function of the frame of the 1930’s heritage site. On the other hand, the façades of the new houses are decorated with stone, which was almost never the case in the Soviet Russia of the 1930’s, but which in this specific instance is meant to combine the historical prototype of the “proletarian Art Deco” with the modern requirements for bourgeois respectability. Therefore, the basement floor is decorated with dark rock-face granite of various textures, with broad horizontal stripes containing broad grooves. The higher part is decorated with natural Jurassic stone, fine faceting, slabs of the windowsills, the “shutters” of the flutes on the sides of the window apertures, and volumetric stones insets, placed in a staggered order. The latter resemble, on the one hand, the building designed by Evgeny Gerasimov in the Kovensky Lane (CLICKABLE), and, on the other hand, numerous examples of the 1930’s, for example, the Rudnev façades of the Frunze Academy.

The residential complex Futurist. A fragment of the facade © Evgeny Gerasimov and Partners


The residential complex Futurist. The hand-drawn graphics © Evgeny Gerasimov and Partners


The residential complex Futurist. The hand-drawn graphics © Evgeny Gerasimov and Partners


The residential complex Futurist. The hand-drawn graphics © Evgeny Gerasimov and Partners


The small quadrants of the relief pictures can be traced back both to the Soviet prototypes in the spirit of All-Union Agricultural Exhibition, and to more pristine forms of foreign Art Deco. The golden spicules of the ventilation grills seem to be closer to the image of the Soviet Union, thematically, in any case – but generally, for the sole exception of their expensive materials, the façades almost answer the standards of the early-Stalin architectural style.

The residential complex Futurist. The hand-drawn graphics © Evgeny Gerasimov and Partners


Dramatic outlines are only sported by two buildings with public lobbies: the entrance on the Bolshaya Zelenina Street is marked by an asymmetrically placed portico with fluteless semi-columns in the spirit of Ivan Fomin’s “red dorika”; the building on the Barochnaya Street sports a row of triangular bay windows.

The residential complex Futurist © Evgeny Gerasimov and Partners


The residential complex Futurist. The Barochnaya Street © Evgeny Gerasimov and Partners


The interior design of the entrance zones shows even more clearly the influence of the western Art Deco, austere and at the same time pompous in its own way. Here the architects used artificial marble, black glass, wooden sashes, and carpet reliefs with geometric ornaments.

The residential complex Futurist. The main lobby of the 4th building © Evgeny Gerasimov and Partners


The residential complex Futurist. The main lobby of the 4th building © Evgeny Gerasimov and Partners


All the seven buildings rest upon a single underground parking garage. The first floors will host cafés, shops, and other rentable premises. The complex is designed for 199 apartments with a useful floor space ranging from 50 to 190 square meters; most of the windows command views of the Krestovsky Island and the Malaya Neva, the Petrograd Side, and the building of the Levashovsky bread factory.

The project of Futurist was awarded a silver achievement badge at the international architectural festival “Zodchestvo – 2018”. The complex is due to be built and put into operation by 2022.
The residential complex Futurist. Development drawing along the Levashovsky Avenue © Evgeny Gerasimov and Partners
The residential complex Futurist. Development drawing along the Barochnaya Street © Evgeny Gerasimov and Partners
The residential complex Futurist. Building 1-3, the standard floor © Evgeny Gerasimov and Partners
The residential complex Futurist. Building 4, the standard floor © Evgeny Gerasimov and Partners
The residential complex Futurist. Building 5, the standard floor © Evgeny Gerasimov and Partners
The residential complex Futurist. Building 6, the standard floor © Evgeny Gerasimov and Partners
The residential complex Futurist. Building 7, the standard floor © Evgeny Gerasimov and Partners
The residential complex Futurist. Building 7, section view © Evgeny Gerasimov and Partners


27 December 2018

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.