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​A Typical Anomaly

An unusual-looking façade of glass lamellae brought the Ostozhenka project of a business center located just inside the Garden Ring a well-deserved victory at ArchGlass 2018.

11 July 2018
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The history of the project of the business center that completes the perimeter of the triangular city block lying between the Sadovaya-Spasskaya and Myasnitskaya streets, and a namesake drive, could be called a typical case for the Moscow design project practice, had it not been for a number of anomalous circumstances. Due to the fact that the block borders on one of the nation’s capital main thoroughfares, the value of the land site, which could host the “golden” offices for rent, turned out to be too high to give it away for a park to be made here. This is how a 0.02-hectare land site, anomalous in its size and potential, came about. In 2014, the company “Vector” bought it out from the Moscow government, and ordered a project from the studio of Sergey Tkachenko in “Mosproject-5”, which designed a rectangular five-story building 24.4 meters high with a couple of underground parking garage levels equipped with an automated parking management system. However, the façade design options, radical both in color and context, with textured stone coating, were not approved by the city’s architectural council. The developer then turned to the firm “Ostozhenka” with a task of improving the project.

Administrative and business building in the Myasnitsky Drive. The facade along the Sadovo-Spasskaya street. Night view © Ostozhenka
Administrative and business building in the Myasnitsky Drive. Location plan.


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Administrative and business building in the Myasnitsky Drive. The situation and the volume of the future building.


First of all, the architects had to consider the geographical factor. The land site is situated on the inside of the Garden Ring; the main façade of the future building being turned north-northeast. It’s going to be in the shade almost the whole day, the sunshine only falling on it in the morning and in the evening in the early summer, and then only with slanted rays, casting sharp shadows from every protrusion. This peculiarity was not taken into account in the previous versions of the façade, and Andrew Gnezdilov would go to photograph the morning sunshine on the façades of the neighboring houses in order to get the idea of what impact it would have on the future building. 

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Administrative and business building in the Myasnitsky Drive. Perspective down the Sadovo-Spasskaya Street © Mosproject-5


Administrative and business building in the Myasnitsky Drive. The facade along the Sadovo-Spasskaya Street. Sketch by Alexander Skokan © Ostozhenka


Furthermore, one could not ignore the building’s surroundings. Within a 400 meters radius of the building, there are several architectural masterpieces: the Krasnye Vorota high-rise designed by Aleksey Dushkin, the southern pavilion of the “Krasnye Vorota” metro station designed by Nikolai Ladovsky, the Narkozem building designed by Aleksey Shchusev, and, of course, the Tsentrsoyuz building designed by Le Corbusier himself. In their initial sketches, the team of Ostozhenka tried to reflex the motifs of the neighboring architectural monuments, using similar materials and colors, but they soon came to a conclusion that the very approach to designing the image of this “strange” building was ill-chosen. According to Alexander Skokan, “...it was a mistake to attempt to design a normal building on this abnormal land site, much more drawing for it a façade that a normal house would have had. The site and the house itself are so narrow that they look more like a stage prop presenting a house. Therefore, it was necessary to come up with some sort of a decorative technique for the façade”.

This is how the idea of a screen came about that separates the outside world, with its streaming traffic of cars tearing down the highway and the seemingly endless pedestrian flow, from the inside peaceful existence of the future office. This coexistence of the isolated type, with a presence effect but not with the windows thrown wide, found its reflection in the image of a “curtain”, which covers the inside world yet does not separate it from the outside world completely, giving the users of the future buildings an opportunity to adjust the degree of interaction with it.

Administrative and business building in the Myasnitsky Drive. The facade along the Sadovo-Spasskaya Street. Sketch by Alexander Skokan © Ostozhenka


Administrative and business building in the Myasnitsky Drive. The facade along the Sadovo-Spasskaya Street © Ostozhenka


The effect of a living surface that is highly sensitive to the change of viewing angle (looking very much like a theater curtain) was only achieved when the architects used a double glass façade system with warm inside stained glass and an outside structure of firmly fastened lamellae that, on the one hand, fence off the interior from being watched from the outside, and, on the other hand, at a certain angle, make it possible to look outside practically unhindered. Furthermore, the lamellae gave the architects an opportunity to arrange visual connections, placing the panels at different angles. Just like a fan, the lamellae turn to and fro in order to open up more advantageous views of the surrounding cityscape and the most beautiful buildings from among the neighboring masterpieces.

The lamellae are grouped into six horizontal bands. What is interesting is the fact that at some places they unite several levels, while at some places, on the other hand, the overall rhythm is suddenly broken, and a row that is oriented in the opposite direction is formed. This way, it looks as if the façade was “tousled” with some of its lamellae gazing “against the grain”. As a result, one will have a hard time trying to make out at a first glance the principle that governs the fracturing of the bands, as well as the exact number of floors hidden behind the undulating curtain.

Administrative and business building in the Myasnitsky Drive. A fragment of the designed facade © Ostozhenka


Administrative and business building in the Myasnitsky Drive. A fragment of the designed facade © Ostozhenka


As their lamellae material, the Ostozhenka architects chose the “Satinat” glass treated by chemical etching. While not exactly translucent, it still conducts enough of ambient light, both in the daytime inside the building and in the evening (when the lights are on) outside of the building making it look like a glowing treasure chest.

Administrative and business building in the Myasnitsky Drive. Perception of the screen from various vantage points © Ostozhenka


Administrative and business building in the Myasnitsky Drive. Sketches by Alexander Skokan © Ostozhenka



The likeness to a theater curtain is strengthened even more thanks to a diagonally slanted lower edge of the outside façade. Its cutaway echoes the diagonal of the cantilevered protrusion overhanging above the entrance to the automated parking garage. In the previous version of the project, the authors designed this driveway entrance as being framed by columns – but the Ostozhenka architects proposed a more tectonic-friendly solution, which was also more efficient in terms of the operation of the bearing walls: with a cantilevered structure overhanging above the driveway. Thanks to this solution, the load is not relayed to the outside perimeter of the land site adjacent to the firewall of the neighboring building, which means that there is no risk of damaging the neighbor’s foundation.

Administrative and business building in the Myasnitsky Drive. Plans of the 1st, 2nd, 3rd, and 6th floors. Section views 1-1 © Ostozhenka


Administrative and business building in the Myasnitsky Drive. Photo montage in the Sadovo-Spasskaya Street © Ostozhenka


Developed by Ostozhenka, the new version of the project (which, in addition to the façades, includes a number of engineering and construction improvements) successfully got all the appropriate approvals from the Architectural Council in August 2017. The solutions proposed by the architects not only answered all the questions that were set forth by the challenging land site but also gave an opportunity for taking these ideas to a whole new level at the stage of operational design. However, how the project will get along and whether it will be possible to preserve the original artistic vision is something that the authors of the approved concept cannot say for sure.

Administrative and business building in the Myasnitsky Drive. The yard facade © Ostozhenka


Administrative and business building in the Myasnitsky Drive. Photo montage in the Sadovo-Spasskaya Street © Ostozhenka



11 July 2018

Headlines now
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.