По-русски

​Architectural Therapy

In this issue, we are publishing the contest project of renovating city blocks 32, 33, 34, and 35 on the Vernadskogo Avenue by a consortium of OAO “Mosproject” and OOO “Ginsburg Architects”.

13 March 2018
News
mainImg

The pilot site of the Vernadskogo Avenue

Located in the prestigious and expensive Moscow’s southwest, the renovation site of about 125 hectares and consisting of four soviet-era “micro-districts” 32-35, starts at the “Prospect Vernadskogo” metro station and stretches along straddling both sides of the avenue down to the Lobachevskogo Street. The “sphere of influence” of this area includes the green territory of the Moscow State University of Foreign Affairs, the 50th Victory Anniversary Park and the “Udaltsovskie Ponds”. In addition the boundaries of the site also contain the park of the “Southwest” ponds near the affluent of the Samorodinka River.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Photofixation of the designed construction © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Location plan © Ginsburg Architects + Mosproject


In 1962, this micro-district (consisting of standard I-515 five-story buildings) was built on a windswept field between the village of Nikolskoe and the manor estate of Vorontsovo – the aerial footage shows the city spilling over the boundaries of the “Stalin” city blocks standing on the Marii Ulyanovoi Street (these had been built but two years earlier). Back in those days, the Vernadskogo Avenue was only roughly marked on the city plan, and finished in a dead end; the main thoroughfares of the nation’s capital being the Leninsky Avenue and the Borovskoe Highway that was still functioning back then. Today’s renovation site takes up about a half of the micro-district’s territory the way it was in 1962-1963: back then, six city blocks were built, currently three and a half are being considered for renovation, the two situated behind the Leninsky Avenue having been torn down and rebuilt still under the Mayor Luzhkov.

It must be said at this point that they started adding extra buildings almost as soon as the micro-district was built – these were 12-story houses. The 2000’s and 2010’s saw the appearance of towers standing along the banks of the ponds, a wall of 25-story buildings built along the edge of the park, and a few more houses 20-plus stories high, part of them meant today to accommodate for the first wave of repopulation.

It must also be said that today the panoramas of the area demonstrate a rather vivid contrast between the five-story affairs and the 25-story giants.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Photofixation. The current situation © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Photofixation. The current situation © Ginsburg Architects + Mosproject


The Footprint Magnet

The main distinctive feature of the proposal by Aleksey Ginsburg and Mosproject is the fact that the architects are treating the existing architectural situation with utmost care; at the exhibition, their project was one of the most contextually respectful ones – even if at the expense of sacrificing some flashiness of the presentation. The architects retain the planning layouts and proceed from the outlines of the five-story buildings in order to avoid cutting the trees – according to estimates it will be possible to retain as much as 77% of the existing vegetation on the renovated site.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Plan of the old housing stock to be demolished © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Comparative analysis of greenery © Ginsburg Architects + Mosproject


And the local residents liked that. During the public hearings, one of the local residents, worried by some issues in the projects by other authors (an automobile road running directly beneath her windows, to name but one) described the Aleksey Ginsburg project as being “more therapeutic”, because it provides for the most delicate treatment of the existing situation. And I cannot blame the local residents either because I lived for two years on the Vernadskogo Avenue in the five-story house right behind the “Zvezdny” movie theater. The trees are truly magnificent there, and another proof of that is a record number of bullfinches in winter and cats in summer (the latter would just crawl into my window on the first floor). I even had a drawing by the artist Andrew Yagubsky depicting these bullfinches and cats, made expressly for the purpose of immortalizing this peculiar urban ecosystem.

Nevertheless, the architects’ proposal does not merely boil down to building within the blueprints of the demolished houses – rather, the model that they propose can be called a hybrid one: where two five-story houses used to stand parallel to one another, seven-story houses of a shorter length appear, while between them arises a lintel of the same height that forms a semi-open urban block. The distance between the five-story houses ranged from 45 to 80 meters, the length of the block being from 60 to 90 meters, and the authors “mine” from this permanent module city blocks of different sizes: sometimes they are small, with “classic” (as might be expected for a seven-story house) yards about 50x70 meters, and sometimes they are large, encompassing not two but four five-story buildings, the latter being contextually grouped closer to the Marii Ulyanovoi Street, where “Stalin” layouts with large yards prevail.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Landscaping plan © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Photofixation. Schematic construction plan © Ginsburg Architects + Mosproject


On the corners of the city block towers appear, 14 to 18 stories high, which close the contour, although not completely. Thus, in the stead of the open “stitches” of the micro-districts, placed at different angles, the new housing appears, tied to its vectors, but this time of the city block type, yet spaced out with towers. The city blocks interpret the stitches of the five-story houses; the towers follow the “infill” construction, which, as we remember, started here, mostly on the perimeter, back in the 1970’s. The two systems overlap and form a complex form of mutual subjugation: not all of the towers belong to the city blocks at the same time belonging to the stitches running along the streets. Aleksey Ginsburg describes the end solution as “something in the middle” between historical perimeter-type planning and the open modernist type.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Architectural and space-planning design © Ginsburg Architects + Mosproject


Streets, squares, parks, and functions

In the northwest part of the site, along the fragment of the former Borovskoe Highway, the architects built a number of towers that mark exactly the side ends of the former five-story houses. They face the street with their corners, creating (instead of the construction front that you would expect to see here) a zigzag of little triangular parks: two of them stretch northwest as small promenades, and one becomes the main square – it joins a diagonal driveway, through which it will be possible to walk from the metro station to the Moscow State University of Foreign Affairs, bypassing the busy thoroughfares. The other triangular “ledges” also play the role of mini-squares. All of the ledges have arcs or circles marked on them that bear a distant resemblance with the Catherine the Great squares of Tver and are directly resonant with a large arc-shaped “repopulation” house built on the other side of the former Borovskoe Highway.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Plan of the Boulevard Ring © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the square © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Social infrastructure projects © Ginsburg Architects + Mosproject


This way, the former highway is turned into a boulevard with little parks and squares, the main public urban space, lending itself to romantic walks and cafe visits. From its south part, it borders on the narrow park stretching along the Lobachevskogo Street, and this park is in turn continued by a sports boulevard around the residential towers on the Vernadskogo Avenue – here, behind the thin array of the residential buildings, the authors of the project find room for a fitness center. What the whole thing ends up looking like is a peculiar “horseshoe” of green public spaces with different specialization. They are continued by a park spreading around the ponds on the other side of the avenue – the most peaceful place, almost a full-fledged park. However, in order to tie this whole functionally diverse framework into a single system, the architects had to improve the connection between two major parts of this area.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Social activity © Ginsburg Architects + Mosproject


Building Bridges

In order to do that, the architects propose to replace the overland pedestrian crossing in the south part of the avenue with a bridge equipped with elevators – it must serve the purpose of connecting the sports boulevard with the mini-park spreading around the ponds by forming two interconnected loops of pedestrian and bicycle routes.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Transport diagram © Ginsburg Architects + Mosproject


Solving the problem of the low transparency of the district so far seems unrealistic: too many fences have been built over the last twenty years, and “opening them up” could be quite a chore. At the same time, speaking to the local residents, the authors of the project came to a conclusion that for the elderly people who live here, the opportunity to reach some important places on foot is extremely important. That’s why they accentuated and strengthened all of the available pedestrian connections, adding, of course, driveways around the new houses.

Architecture of Moderation

As for the architecture of this project as such, the authors describe it as “deliberately conditional”; the houses neutrally look like one another, and there isn’t much of fashionable glass, either. The basic height is seven floors, which is the arithmetic average between the five-story buildings and the nearest “Stalin” houses 9-10 stories high – the latter are obviously addressed by the brownish color of the 7-story sections; it also correlates fairly well with the brick Soviet towers. The height of the towers is one third of the infill construction of recent years, which also brings the contrast to a certain average norm. The top parts of the towers are “cut away” by a glass floor; they sport the “above-clouds” white color – a psychological technique meant to make the urban giant look smaller. Underneath all the new buildings, there is a tier of an underground parking garage.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the city block © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the boulevard © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the park © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the city block © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the yard © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the yard © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the little park © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the Vernadskogo Avenue © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Section view of the territory. Height marks and road profiles. 3. The in-block driveways between the urban blocks © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Section view of the territory. Height marks and road profiles. 4. The urban blocks © Ginsburg Architects + Mosproject


Stages

Part of the contest specifications was the requirement for calculating the period of implementation and the logic of repopulation. Seven repopulation waves are anticipated. The first wave uses the already-built “starting” houses and it will “wash away” the old housing stock in the center of the two halves of the district. The second wave is the five-story houses next to the “Zvezdny” movie theater, the ones next to Clinic 31, and so on. The residents are relocated to the nearest houses in such a way that they do not even have to change the right side of the avenue to the left side and vice versa. We will note here that the housing to be sold is chiefly situated in the separately standing towers distributed all over the area, some closer to the metro station, some farther away from it, but still, in a pretty smooth fashion. Possibly, such division of volumes into migratory and commercial type must simply the task selling the housing stock; according to the plan, the commercial housing towers will be the last to be built.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The second stage of building the third wave © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The fourth wave © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The seventh wave © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The final stage of construction © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The stage of building the commercial housing stock © Ginsburg Architects + Mosproject


Therapy as a Principle

The Soviet town planning tradition was notable for its “surgical” approach to designing the urban environment; it was not for nothing that some of its results were aptly called “a set of false teeth”: explosions, incisions, and intrusions. Then, in the 1980’s, this approach was finally discarded, and (theoretically) the interest to context prevailed – the desire to research, respond, reflect, and fit in with the surroundings. This approach is most common in a historic city but here it is applied to a modernist heritage, which feels slightly paradoxical: the footprints of those “standardized” houses that once marched these fields are not immortalized by the tactful architects. Figuratively speaking, instead of a “second surgery”, the architects are proposing the “first therapy” of the space, built only some 55 years ago and now falling into some sort of decay. It is easy to notice that the architecture that arises in this project is essentially a cross between five-story houses and... twenty-five story houses not only in terms of planning but also in terms of their height and volume. It probably claims the part of the perfect connecting tissue because it possesses a number of features of “this” and “that” side, which accounts for its immanent winsome look, not seen at a first glance.

Just as tactfully as they did with the trees and the planning structure of the area, the architects are treating its economic realities and functions, trying not to overburden the project with anything supernatural, expensive, all-to-complex, or even potentially unpopular.

“Everything that we did together with the architects Dmitry Aleksandrov and Aleksey Bavykin as part of the expert group is based on the economic and technical calculations – shares Aleksey Ginsburg – No castles in the air, nothing fancy, just solving specific tasks: to create a public space, to keep intact the trees and the scale of construction, and to connect the two parts of the area through the Vernadskogo Avenue. Our proposal takes into account the opinion of many people living in this area. We talked to these people even before the public hearings were organized. The very fact that these people came to the public hearings and said: “Yes, you built it exactly the way we wanted” is for us a great reward in itself”.
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. The parking lots © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Planning structure elements © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Plans of the standard floors of the linear sections © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Plans of the standard floors of the corner sections © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Shadow map © Ginsburg Architects + Mosproject


13 March 2018

Headlines now
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.