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A Fan of Versions

Vissarionov Studio proposed two versions of architectural and engineering concept of developing the territory of the Russian Institute of Cooperation located in the Moscow suburb of Mytischi.

01 October 2015
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Vissarionov Studio proposed two versions of architectural and engineering concept of developing the territory of the Russian Institute of Cooperation located in the Moscow suburb of Mytischi. The land site is located not far away from "Perlovskaya" railroad station of the Yaroslavl railroad branch, 800 meters outside the circle of Moscow Ring Road. Nobody is trying to form a now-fashionable campus or an innovative cluster here - probably because there are neither territorial nor financial resources for that. It is down-to-earth practical problems that are being solved here: "for providing the possibility of increasing the number of students and postgraduate students, as well as attracting highly qualified lecturing staff, including people from other regions of the Russian Federation, a construction of an extra residential facility is required". In a nutshell.

As for the territory that is allotted for the designing, it is small indeed - less than half a hectare - and it must include the lecturing and administrative building with an underground parking garage, a gym, and a dormitory for the students, postgraduate students, and the already mentioned "magistral and lecturing staff from other regions of the Russian federation". The land was handed over to the university that over the years have proved the unflagging demand for the professions that are taught here, in 2012, for the 100's anniversary of this educational institution that originally bore the name of Shanyavsky People's University.

The land site in question, is limited by the Vera Voloshina Street on the south side, borders on the yard of a twelve-story residential building on the northwest, on the territory of a kindergarten on the northeast, and from the southeast it is separated by the Yauza Promenade from the main university territory, being at the same time in fact its continuation both from the functional and compositional standpoint. Located within a walking distance, the stores and other infrastructure objects make this place comfortable for placing here not only the instructional building but residential facilities as well. 

Instruction and administrative building №2 in Mytischi. Version 1 © Vissarionov Studio
The existing situation © Vissarionov Studio


The versions that the architects proposed differ not only in their space and imagery solution but also in their technical and economic expected performance. What they have in common, on the other hand, are the functions that are by default necessary for a university: residential stock for the professors and postgraduate students, a dorm, a large double-height gym, a swimming pool, an underground parking garage (2 levels), and small slots for cafes, shops, and administration on the ground floors. 

The first version has more plasticity to it, and it is more radical, too. An important part here is played by the counter positioning of volumes of different type and color that vividly demonstrate the functional diversity of the premises. The buildings (this, incidentally, is to be traced in both versions) are grouped in a classic "double L" around a small yard of vertical proportions that opens to the street. These buildings are rather high - up to 17 floors, the land site being a small one, and the demand for usable space being high - which makes both compositions inevitably compact. 

Instruction and administrative building №2 in Mytischi. Version 1 © Vissarionov Studio


Instruction and administrative building №2 in Mytischi. Version 1 © Vissarionov Studio


Further on: in the first version, the facades follow the diversity of the functions of the premises, and are built, as the Greats taught us, from the inside to outside, particularly so at the bottom floors. The gym and the swimming pool take up four floors of the left building - their facades are covered with white opaque (as if misty) glass and are meant to glow enticingly in the evenings. Higher up, on the gym's roof, there is an open-air terrace with round Corbusier supports - an air pillow that bears the next four floors of the student dormitory with a dark-gray finish - its pitch-black volume of course accentuates the whiteness and the glow of the sport part. 

The second "leg" of the "double L" looks pretty much the same only the warm light is emitted by the transparent shop windows caught between the dark-gray of the base terrace and the volume of the four floors of the lecturers' apartments. Although without changing its function, further on this volume "changes its skin": the walls of the next floor recede a little bit and become brick-brown, with a slight ripple, artificially aged, as is the custom nowadays. The brick volume, receding from the edge, stretches into the depth, "growing" from the dark-gray. Still, though, the brick sprout below the gray volume as well, as if running it through - and if one is to look at the building from the Yauza Promenade, through the lower floors he will see a broad grand staircase that leads to the second floor between two flanking volumes: a glass and a brick one. 

At the corner of the Vera Voloshina Street and the promenade - a keynote place, almost a crossroads, hence allowing for a centerpiece - the architects took a brick "beam" and placed on top of it a white tower - square and tall. The white tower is supported and continued by the farther building that is in fact the same volume, only placed crosswise and horizontally, really looking like a skyscraper, only lying on its side. 

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Instruction and administrative building №2 in Mytischi. Version 1. Development drawing along the Vera Voloshina Street © Vissarionov Studio


Instruction and administrative building №2 in Mytischi. Version 1. Section view © Vissarionov Studio


The project description sparkles with verbs - "strung", "installed", "hoisted" - because the project follows the ASNOVA's classic rules and enhances the various types of mutual penetration of volumes and materials. The effect of composite forms strives to be convincing and palpable: what can be more veritable than the air pillow one floor high between the gym and the dorm? It divides the sport and the residential function, helping to stick to the construction norms; the students will have a great time resting from sports and studies on this terrace. It will be also a great place for romantic dates, too. Meanwhile, however convincing is the plasticity of the project, we must note that it is not always "true to life". At some places, especially on the bottom floors, the plasticity manifests function - specifically, it marks and visually separates the gym and the cafés realizing one of the main principles of classic modernism and hitting a slight retro note. Higher up, the play of volumes works for itself and the city as well, forms a centerpiece, and intrigues the passers-by, although not reflecting the diversity of functions right now. On the other hand, it bears a slight resemblance to a warehouse of containers - or a disarray of books on a student's table. Which was also, probably, made on purpose. And who said that you must always play by the rules, especially obsolete? Sometimes you can indeed indulge in going for MVRDV structures. 
 
***

Instruction and administrative building №2 in Mytischi. Version 2 © Vissarionov Studio


The second version looks more reserved and more like a cluster of residential buildings executed in today's style in the vein of "Airbus": look at this grid of broad windows, something here is from "Welton Park" (to which we are referred by the pixel strokes of the springtime gray and salad-green spots on the white background, at some places turning the wall into an enlarged fragment of a wall carpet. A later modernist theme is traceable here: that of a "slab" building, very much like the "House of Tourists" which also adds a slight twist of nostalgia for the seventies, so fashionable today. The volumes are taller and more compact here: the architects were able to squeeze the main square meters into two tall volumes, one in the depth of the land site and the other stretching along the promenade, linked by an overpass; nothing is built above the gym. 

Instruction and administrative building №2 in Mytischi. Version 2 © Vissarionov Studio


Instruction and administrative building №2 in Mytischi. Version 2 © Vissarionov Studio


The slabs have two types of walls - the "blind" and the "transparent" type. In actuality, neither of them are quite blind or transparent but the difference is enough to visually separate the facade and the background. The transparent walls are in fact a grid of thin-faceted windows, they have more glass in them, and they are turned on to the street and the promenade - the buildings here are anything but introverts. Compared to them, the walls whose windows are optically hidden amidst the pixels, look blind and monolith. Then we see the variations; the strokes on the windows can go without the pixel coloring but they still enhance the monolithic character of this white wall. The volumes also visually grow into one another and also "raise" together a tower on the corner but in this case they "camouflage" this peculiar feature, hiding the true magnitude and the rhythm and confusing the observer. The tower is not accentuated so much either. The first version also was trying to throw the observer off track a little, by it was done in rather a logic way, while here it is done by pure artistry. 

Instruction and administrative building №2 in Mytischi. Version 2 © Vissarionov Studio


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Instruction and administrative building №2 in Mytischi. Version 2. Development drawing along the Vera Voloshina Street © Vissarionov Studio


Some of the bottom floors recede inside, and some remain within the plane of the facades; they alternate the glass surfaces with salad-green walls - the sources of specks of light and reflexes. All of this put together makes the bottom tiers look lighter and more transparent, and works for the levitation effect enhanced by the overhanging cantilever of the right "tower" and the "TV-screen" of the sports center that also hovers ever so low above the ground. Everything is slender, white, and ethereal.  
*** 

Both first and second versions solved the issues going way beyond the original task - at a minimum, a graceful balance is kept between the bright form that arrests the eye and the not-so-attractive, although habitual, suburban city environment. Arrest and not destroy. Only time will tell which of the two versions the customer will choose and which of the two projects better solved the university's problems. One thing is clear though: either of the two versions is worthy of being implemented.
Instruction and administrative building №2 in Mytischi. Version 2 © Vissarionov Studio
Instruction and administrative building №2 in Mytischi. Version 2. Section view © Vissarionov Studio
Instruction and administrative building №2 in Mytischi. Version 2. Plan of the first floor © Vissarionov Studio
Instruction and administrative building №2 in Mytischi. Version 2. Plan of the third floor © Vissarionov Studio


01 October 2015

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.