По-русски

Pixelation of Mytnaya

Not far from Shukhov Tower, amid the already built new housing estates, the Sky House Towers – covered partly with transparent and partly with vivid autumn-colored pixel skin – has reached its final stage of construction.

06 November 2015
Object
mainImg

The area north of Shukhov Tower and the working-class districts surrounding it has recently been significantly expanded with new large housing estates. In mid-2000’s, at Shabolovka Street 23, the architects of “Ostozhenka” built five towers of “Capital-1 Constellation”. About the same time, construction of “English Quarter” upon the project of Mikhail Belov was finished further east, on Mytnaya Street. The area where the construction of a multi-functional (but mostly residential) Sky House complex is now reaching completion is situated between two housing estates, on the right side of Mytnaya Street. The houses are erected in place of several buildings of “Red Proletarian” factory (half-ruined by that time), around “Trud” Stadium – once part of the factory. So it is also an example of reorganization of an industrial zone. By early 2000s the stadium had been fully neglected, covered with weeds and with an aboveground heating duct lying across the field. 

Multifunctional complex at Mytnaya Street © Ostozhenka
Multifunctional complex at Mytnaya Street. Location plan © Ostozhenka


The work on designing started more than ten years ago, in 2003 and the stadium was not planned for preserving then. Having an opportunity to use the whole site the architects have suggested connecting low-rise houses (up to 9 floors) into a closed composition, akin to a Roman arena built along the perimeter of the inner courtyard. In order to compensate for the football ground the architects proposed to create a sporting cluster inside the stylobate, with a mini-football field, fitness-club, universal gym and a pool. Besides, offices were included into the housing estate – an innovational idea for that time that became widely popular in Moscow only later.      

The project was welcomed both by the client, and the city. But after some time, the city government decided to save “Trud”, one of the oldest Moscow stadiums, to modernize it and make it a training football field. Surely, the whole project had to be completely reviewed – within other limits, sizes and sites. Having lost a considerable part of the construction site, the estate has immediately grown vertically – from nine to almost thirteen floors – and shifted deeper into the site. One of the architects – Valeriy Kanyashin – says that first the authors wanted to restore the building line with eliminating the “bay” of the stadium by construction of a low-rise office building along the frontage line. Later on, when the architects got into the spirit of the local history, they decided that the city has gotten used to this court of honor with a small park behind an old pre-war fence. To build a house here means to deprive the place of its history. As a result, the park has been preserved together with the stadium and the fence – renovated. The office center has been attached to the high residential towers of the complex at the back of the site.  

Multifunctional complex at Mytnaya Street. Development drawing along Mytnaya Street. At the background, the towers of "Constellation Capital 1" (built by Ostozhenka earlier) are to be seen © Ostozhenka

           
And it was the stadium with its grandstands that became the core of the final composition of the complex; it has become a bit smaller and is surrounded with buildings of varying heights. The long office center – rising higher as it approaches the tower buildings – is situated deep in the site, along its extended border. Four residential towers are densely composed in the northern part of the lot, taking up only about a hectare – a third of the territory. The similar towers, trapezoidal in plan, are placed evenly but broadly on the stylobate, whose “horseshoe” form opens towards Mytnaya Street. Yet months of work lie beyond the seemingly unobtrusive lightness of this picturesque arrangement. Valeriy Kanyashin explains that besides the challenges connected with providing comfortable insolation on a rather limited lot the architects had to consider all possible scenery spots, even the most distant ones. For instance, from a view on Vavilova Street, located rather far from Mytnaya, the towers were not supposed to screen the domes of Donskoy Monastery. And this is only one example. The authors turned the towers around, moved them, changed places, made them lower or higher. The final version satisfied everyone, including the future residents, since the visual deficiency in “air” and open spaces outside is not felt inside the apartments. The discovered configuration of houses and masterful planning of apartments provide the residents with views of the city. You can hardly see the neighboring buildings out of the windows.

Multifunctional complex at Mytnaya Street. Plan of the first floor © Ostozhenka


Multifunctional complex at Mytnaya Street © Ostozhenka


Despite the fact that in its foundation the complex steps back from the frontage line of the street, the tower tops fix this line anyway, forming a corridor of façade walls. The bend of the massive houses turning towards Mytnaya Street and reminding pillars of some gigantic bridge, reveals the authors’ wish to restore the city-planning justice. Of course, they had to preserve history and delicately step away. Such approach is typical for “Ostozhenka”. But we must not forget their skill of working with context, their fine sense of the city and ability to find the right architectural solutions. The slanting waving “flags” of the tower tops create a special intensity during movement along the street. The “cesure” of the stadium is not that obvious in the perspective.       

Having found the best composition choice, the architects of “Ostozhenka” decided to fill the estate with contrasting vivid colors, despite the sizes of it. It should be mentioned that in the original version the houses were designed in cool coloring with prevailing grey and blue tones, quite suited for its realtor name Sky House. But in the end, the rich, colorful “fall” palette replaced the sky colors. It is the sandy ochre, burgundy brown and black pixels of tinted glass. This solution, according to Valeriy Kanyashin, comes from the impossibility to unite the whole diverse street development in one architectural concept. The contradictory proximity of intact old houses and the new ones – among those the early complex of “Ostozhenka” and “English Quarter” of Mikhail Belov and the panel housing of “P-44” – did not allow to follow one design and not come into collision with the others. “So we decided not to look back on what stands around, and not to repeat anything. A new complex is a contrastive gesture. The towers look too high and outstanding anyway, we could not hide them because we made them completely different altogether”, – says Valeriy Kanyashin.

Multifunctional complex at Mytnaya Street © Ostozhenka
       

Nevertheless, the vertically-oriented pixel mosaic of the facades fits in the environment in its way, and reacts to it conceiving the city landscape from the point of view of a pointillist painting: the warm red and yellow panels crowd together closer to the neighboring houses and become rarer at the top, towards the sky. When the sun comes out and the sky is reflected in the glass, this attempt of the large towers to dissolve will become more convincing – although we know that it is impossible to camouflage such volumes completely with any visual effects. But besides dissolving, the pixel coloring serves for another purpose – it fully confuses the rhythm of the windows, and so turning the house into a sculptural volume from a rational checked block. The architects of “Ostozhenka” already have some experience with such artistic camouflaging: think of the housing complex “Vesna” on Kievskoye Highway, or even better the residential complex “Panorama” in Presnenskiy District – all made of complicate patchwork of differently toned glass reflecting and dividing the city views. There is a different history here – the houses are sooner variegated than united and the glass is unevenly transparent which adds tinges to the impressionist picture: it is one view in the morning and another in the evening. The architect as project manager of all the three complexes is Valeriy Kanyashin which leads to certain conclusions about the development of his style. Today, a pixel coloring is nothing new – and due to the house building company it is even getting boring – but think of the fact that this housing estate was started long ago, and looks fresh even now, as if cut out of some colorful latticed aluminum material. 

Multifunctional complex at Mytnaya Street © Ostozhenka


Multifunctional complex at Mytnaya Street © Ostozhenka


The history of the project is a history of overcoming: the changing terms, requirements of the city and the clients that also kept changing – the project was started by “Capital Group” company and ended by MCG; the rejection of the sizes and colors by the citizens, the authors’ doubts and constant search of compromise. The design works and implementation were not done by “Ostozhenka”, but by “Mosproject”, although the authors tried to keep the task in sight. Despite all the challenges of the long process, the complex designed fifteen years ago meets all requirements of today. Maybe only apartments are much larger than today’s standard. The complex thoughtfully includes public functions and high-quality development of the adjacent area with a small park where cars can drive into only for passenger drop-off. In one of the towers there is a kindergarten connected by a bridge and a stylobate. There are playgrounds and sports areas on the green roof of the stylobate, inside it – there is a pool with a 25-meter bowl, a large multifunctional gym, shooting galleries, hobby groups, a mini-hotel, café, restaurant and shops. In a word – everything that ensures a comfortable life even inside a dense urbanized environment.        
Multifunctional complex at Mytnaya Street. Plan of the -1st floor © Ostozhenka
Multifunctional complex at Mytnaya Street. Plan of the 0 floor © Ostozhenka
Multifunctional complex at Mytnaya Street. Section view © Ostozhenka
Multifunctional complex at Mytnaya Street. Section view © Ostozhenka


06 November 2015

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.