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Public City Discussion on November, 30th: one cathedral and two stadiums

On November, 30th on public discussion at mayor of Moscow the project of a new cathedral of Zachatevskiy monastery have approved: on a place of a pseudo-Gothic temple of M.F.Kazakova stylization under « XVI-XVII a century will be constructed». Also two stadiums (A.Bokov, D.Bush) were approved.

01 December 2006
Object
mainImg
Firm:
ar.te.plan
Object:
Stadium "Spartak"
Russia, Moscow

2006 — 2006
CSKA football stadium with seating capacity of 30 000
Russia, Moscow, 3d Peschanaya street

Project Team:
GUP MNIIP "Mosproekt-4", studio №6. architects: A.V. Bokov, D.V. Bush, S.N. Chuklov, V.I. Valuiskih, A.V., Orlov, L.S. Romanova, K.V. Lanina, U.V. Veretennikova, A.S. Zolotova E.A. Buzmakova, O.U. Gak; engineers: E.E. Bekmuhamedov, Zh.V. Kozlovceva, Odrova N.

2007 — 2007

The presented project of football stadium of TsSKA («Moscomproekt-4», Bokov А.В, Bush D.V.) combines two functions - sports and commercial. An entrance to stadium is through Hodynka, from the back party, and from the underground Polezhaevskaja. From different directions, especially from the south, the stadium is surrounded by especially protected territory of a birchwood. The project offers small cutting down of a grove with its subsequent indemnification. The new stadium is calculated on 30 thousand places, with parking place on 1300 cars. The project also planned towers with hotel and offices. J.M.Luzhkov has supported the project of stadium on capacity, but with conditions: a simultaneous conclusion of underground storehouses of fuel and use of the released runway for increase in a parking on which he has suggested to develop the separate decision. He has also rejected an investment component of a complex which «mismatches concepts of a modern sports complex». Mayor has named the architectural decision «silly and primitive», vertical forms has suggested to smooth.

The second project, stadium " Spartak ", is supposed to arrange at the free territory of Tushin air station which can without difficulties provide a complex with necessary number of parking places. The entrance to stadium is now overloaded, but the station of underground " Strogino " will be soon constructed and by 2009 also the station " Mitino ". Two variants of stadium were offered - the project of the same architects designed 2 years ago, as TsSKA with two greater domes, and a new one, "wavy". Both of the project unite two stadiums: the closed arena and the open stadium on 30 thousand spectators. Thus there are two variants of overlapping of stadiums, under a right angle and in parallel, but in both cases there are problems with evacuation and, according to A.Kuzmin, most likely stadiums should be moved apart a little. Present representatives of club Spartak have stated a wish in favour of the first, the old  project. Among performances anxieties on reliability of a construction and its lightness  have sounded. Having listened up all opinions, the town governor made a decision to reconsider conformity to norms once again and called all to leave from the outlined tendency to overload theconstructions. It was suggested to make not less than 10 thousand parking places, plus to revive the project of station of the underground which was developed for this place long time ago.

After sports the theme was replaced on church, and the project of creation of the Cathedral of Christmas of Holy Virgin («Moskomproekt-2» arch. Obolenskij A.N.)  was offered on consideration at the territory of a female Zachatievskiy monastery. The history of this place is those, there were some cathedrals, since wooden and finishing construction of Kazakov which has been taken down in 1917. Now the monastery wants to revive a cathedral, but not to recreate Kazakov’s, executed in a pseudo-Gothic, and to construct new, on similarity of churches of 16-17 centuries, with five bulbous chapters, and a little bit higher, than its Kazakov’s predecessor. Such decision has caused many inconsistent points of view, since that so towering building in general an attribute of arrogance and under the law only regeneration of a monument here is possible , instead of erection of a high-altitude temple with caution for old centuries, up to the thesis that « as soon as all Moscow grows upwards should grow the churches ». There was a question why it is impossible to recreate a former temple? It has appeared, that, in general, it is possible: There are ancient bases which can be closed, and it is possible to leave inside of a cathedral, but how has told the sovereign acting on session more space for acceptance of parishioners is necessary for a monastery. Luzhkov has confirmed the new project of a temple which besides is approved by the Patriarch, but has reduced its altitude.

Following point of issue became the project of reconstruction of quay Luzhnetskoj on which construction of a multipurpose complex with offices is supposed, hotels, apartments and the trading areas of a total area of 450 thousand square meters.
From the public the discontent has caused the construction of offices which for a long time, on expression Alexey Klimenko, « it is time to show red light in the city centre » and system of transport ways which in the project does not develop in any way. But Jury Luzhkov has been most indignant, having told, that « the main architect has admitted impossible volumes of construction on so small site of the ground which besides under the General plan goes as a public zone », and has named these actions « a pursuit of benefit ». The main thing and while the unique decision of this question became restriction of construction something.

The last considered project became the hotel in parkway Nikitskiy, 6/20, architect M.V.Posohina, rejected on the previous discussion because of big amount of floors. Instead of 9 floors, now she presented 7 floor building, leaving by a corner to Arbat, executed in a manner of eclecticism. The public has supported still smaller amount of floors and regeneration once stood here « Solovinogo houses ». Luzhkov's decision was encouraging, - « we already have one disgrace on Arbat - the bank house, it is impossible to admit similar ». Therefore the top mark of the house became 5th  floor. Against the architectural decision the town governor has nothing to object.


 



Firm:
ar.te.plan
Object:
Stadium "Spartak"
Russia, Moscow

2006 — 2006
CSKA football stadium with seating capacity of 30 000
Russia, Moscow, 3d Peschanaya street

Project Team:
GUP MNIIP "Mosproekt-4", studio №6. architects: A.V. Bokov, D.V. Bush, S.N. Chuklov, V.I. Valuiskih, A.V., Orlov, L.S. Romanova, K.V. Lanina, U.V. Veretennikova, A.S. Zolotova E.A. Buzmakova, O.U. Gak; engineers: E.E. Bekmuhamedov, Zh.V. Kozlovceva, Odrova N.

2007 — 2007

01 December 2006

Headlines now
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?