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​Next to Lidval and Nobel

The housing complex designed by Anatoly Stolyarchuk in Neishlotsky Alley: tactful change of scale, tribute to the memory of the place, Finnish additions to the functional typology – specifically, saunas in the apartments – and plans for receiving a BREEAM certificate.

01 December 2021
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The location where the new complex will be built, although not a part of St. Petersburg’s center, is a rather interesting place from the architectural standpoint. The site is situated in between the Finland-bound railroad line and the Lesnoy Avenue, in the former location of the depot of the horse-drawn railway, from which, by the time the construction started only a modest three-story employee building survived. In the dead end of the Neishlotsky Alley, there is a lodging house and a wing of the “model milk complex”, owned back in the day by Julius Benoit – probably, they processed milk from the farm here, which was recently restored. This house is almost completely devoid of any decor – but it stands out with two rows of original-looking mansards. From the other side, the complex borders on the buildings constructed at the commission of Emmanuel Nobel, who was the CEO of the “Russian Diesel” plant, whose buildings are also to be seen nearby, at the other end of the Neishlotsky Alley. This is a mansion, a “people’s house” with a library, and a whole “little town” for the factory workers, designed by Victor Shreter, Roman Meltser, and Fedor Lidval. From yet another side, the site opens to a small park and the Sampsonievsky Garden.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


The main challenge that the architects were faced with was the scale of the new complex: due to the technical and economic performance specifications, it was to be taller than its surroundings. There are already a few in-construction and completed buildings in this area of about the same size – “Neishlotskaya Krepost” housing complex, Nobelius, Dom na Vyborgskoi”, “Lesnoy 19” business center, and their common problem is that they all stand close to two- or three-story houses of the Nobel town.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


The architects managed to come up with a project that retains the construction scale of the Neishlotsky Alley: two five-story buildings flank the “horse-drawn railway” house, while three ten-story buildings are pushed in the depth of the quarter, and, due to the perspective difference, are perceived as being about the same height as the Benoît milk complex. Considering the fact that this part of the compound overlooks the park, and the tall houses are turned with their side ends to the alley, the architects avoid the effect of a massive wall, achieving a smooth and comfortable transition to the bigger scale.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


From the side of the Lesnoy Avenue, we see a different picture: the red line is marked by a building of a slightly smaller height than the other two slabs, its top floor pushed back from the cornice. This place, however, is probably the most controversial one in the project because the Nobel mansion, which stands nearby, gets a little bit lost against the background of the new neighbor, especially in view of the fact that the sidewalls on this side of the complex received a glazing pattern, while a firewall, had it been here instead, would have been better suited for a “background” role. On the other hand, the buildings are not exactly pushed up against each other, the the gap between them is wide enough to soften the contrast.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


Making the complex transparent and coming up with an elegant skyline, the architects also paid attention to the facades, making sure that they look good from different angles. The five-story buildings are deliberately designed in a minimalist manner, in order not to be at odds with the historical context – they are fully clad in Klinker tiles. The large glazing pattern and the black details in the ascetic decor add a “loft” feeling, which correlates with the industrial past of this area and the proximity of the railway.

iLona housing complex
Copyright: © Anatoly Stolyarchuk Architectural Studio


In the cladding of the high-rise buildings of the complex white stucco appears, which helps to accentuate the volumetric parts. While on the “outer” side of the whole complex the scale of the two lower floors is supported by Klinker brick cladding, on the “inner” side the white color spills virtually across the entire facade. The grouping of balconies and windows is also meant to mitigate the scale of the slabs, dividing them into a few visual blocks.

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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio


YIT is a Finnish construction company, hence some unusual features of the complex: for example, spacious Finnish balconies, a possibility of installing a sauna in the apartment, and storage rooms in the basement. The complex consists of 400 apartments with a floor space ranging from 23 to 90 square meters; there are from 4 to 7 apartments per floor. During the construction stage the buyer has a few floor plan options to choose from – the Euro format with a kitchen/living room or the traditional format with separate rooms. On the top floors, there are apartments with terraces commanding sweeping views.

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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan of the underground car park
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan at 0,000 elevation
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan of the standard floor
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan at +24,750 elevation. 9th floor
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan at 0,000 elevation
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan of the standard floor
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan at 0,000 elevation
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex. Plan of the standard floor
    Copyright: © Anatoly Stolyarchuk Architectural Studio


Yet another peculiar feature of the complex that got a name of iLona is its plans for receiving the BREEAM certificate. In order to make sure that the complex meets its standards, the architects gave the apartments plenty of natural light, a mechanical ventilation system with natural air flow is provided, and the basic elements of a “smart home” are installed: residents will be able to regulate the heating systems, light, temperature and humidity, as well as control leaks, and remotely turn on or off separate power lines.

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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    iLona housing complex
    Copyright: © Anatoly Stolyarchuk Architectural Studio


The first building that the developer is planning to launch into operation is the one that is situated closest to the railway line. A children’s rehabilitation center will open on its first floor, the premises for which will be later on handed over to the city. After the complex is completed, the corner of the Neishlotsky Alley and the Lesnoy Avenue will be seen more clearly – because it used to be marked by just the trees and the entire construction front. The retail in the bottom floors will make this part of the city, hitherto lying empty, more active and involved in public life.


01 December 2021

Headlines now
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.