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Transformation Miracle

Moscow got a piece of an almost-European, delicately and classily landscaped territory - located inside the business block "Atmosphere" and reconstructed by the project by ADM Bureau.

18 December 2013
Object
mainImg
Firm:
ADM
Object:
Atomsphera office complex (reconstruction)
Russia, Moscow, Suschevskaya-Palikha str.

2010 — 2010 / 2011 — 2013

Client: SMINEX LTD Engineering section: ООО "Kurortproject" Constructive section: ООО "MB-Project"
Nearby Novoslobodskaya Metro Station, next to the Palikha Street, there have been completed the transformation of two small factory buildings of the early XX century - the sowing factory "Salute" and the studio "Reklamfilm" - into the state-of-the-art business block "Atmosphere" by ADM Bureau.

We already wrote about the project of this business block two years ago, and now it has been implemented. Already in summer, the occupiers appeared here, while, from the cafe in front of the entrance the enticing aromas started to carry - the block came alive. "It makes you feel great to see people come out into the courtyards, sit in the benches, visit with one another, and have their coffees. This is a very peaceful environment; it is very quiet here because the territory is completely vehicle-free. This environment of a European city that we designed and advertised has finally become a reality" - proudly confesses the leader of ADM Architectural Bureau Andrew Romanov. The architects opened their office here as well - in the best traditions - in the environment that they created with their own hands, and they continue seeing how life is developing in this, though small, but really cozy business block.

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

At this point we will remind you that the authors of the reconstruction project were able to keep, while clearing all the minor constructions, virtually all the main buildings of the block, the main bulk of which consisted of century-old factory buildings. The buildings were carefully cleaned and covered with light-gray stucco with white finish used to highlight the details of the modest facade decor. The Soviet-era building of the 1970's and a few smaller volumes inside the block were "re-dressed" with striped ceramic panels of a gray color matching the overall tone. The squatting windows of the Soviet-era building got vertically stretched and separated by a thin link; in their bottom part the architects added a glass plate that conceals part of the wall; the floors got separated by dark-metallic L-beams, as is wont with ADM. All of this: the striped glass, a small fraction of metal, the light-colored strokes of the ceramics - makes the contemporary part of the complex look as light as weightless - just like the tint coating that the renovators apply to the icons: all that the new facades do is make the environment more cohesive without claiming to be anything more than a background.

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

The same impression is produced, strictly speaking, by all the other facades of the early XX century here: they were and they still are the inconspicuous "rank-and-file" facades whose main objective is to serve their simple function and not draw attention. The leading part here is played not by the facades but by the very atmosphere after which, as we remember, the business block was named.

When I asked Andrew Romanov just how he came up with this self-explanatory name, he jokingly answered: "We told our customer so many times about the atmosphere that we wanted to create here that probably this finally left its mark on the name of the place!" Many a true word is spoken in jest, however, and this is exactly the case: it was the atmosphere of the courtyards that got the most of the architects' attention and it comprised all the stylistic devices and techniques - really delicate, unobtrusive but still showing every sign of attention to detail and flawless execution.

Three small vehicle-free yards form some sort of irregular chain that stretches from the old Moscow Palikha Street parallel to the Suschevskaya Street up to the Nameless Driveway. One will be able to walk through these yards end to end, even though the main entrance from the side of the checkpoint looks but conditionally open - but those who know that it IS open will be able to come in and see the result from the inside.

Office complex "Atmosphere" (reconstruction). © ADM. Layout

Office complex "Atmosphere" (reconstruction). © ADM. Location plan

The atmosphere begins already before the entrance, though. Turning in from the Suschevskaya Street, we find ourselves in an alley that is a little cleaner and spacious than the kind we are used to. It is here where most of the cafes and restaurants are situated that thus cater both the local office employees and the city people. On the left, there is the drastically changed Soviet building; on the right - the most luxuriant facade of the local historicism. With time, the windows of its first floor sank into the ground, and during the reconstruction the architects dug them out, organizing a rather deep areaway and thus letting in more daylight inside, the first-floor premises being occupied by the restaurants.

As we make our way between the buildings and go deeper inside, on the left and on the right we see the offices and the checkpoint; through the turnstile, however, we can get inside the courtyard. Just like the two others following behind it, it is paved with texture stone that is traversed by the diagonals of dark-gray granite that separate round flowerbeds that one cannot even really call this ordinary term, though. They look more like art objects: islets of green in the concrete, ostentatiously urban environment. Among these islets, sometimes even while islands are found: grass-covered hemispheres upon which grow sometimes one and sometimes several pine trees of the mountain variety "Bonsai". Such trees do not grow tall with time but turn into dense shrubs - explain the architects.

Office complex "Atmosphere" (reconstruction). © ADM

The other islets sport tassel flowers and are surrounded by punctured rings of benches made from the Belgian agglomerated white concrete. The benches are really high-quality, they were made in Belgium specifically for this project. At some places the surface of the benches is left as bare concrete but more often, for the sake of warmth, is covered by a lath of reddish Cumaru wood. The punctured rings of the benches - that resemble the signs from the ophthalmology chart - thanks to their shape, are very capacious. The short thick "legs" of the benches rest on a layer of sea pebbles that are supposedly to put the office workers into the mind of their vacation memories while they are taking a break from the pressures of huge working day.

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

The yards are cozy in the daytime but especially great in the evening: the architects paid a lot of attention to the backlighting and executed it exactly as the project prescribed. The smooth paving stripes running along the buildings have in them thin strokes of lamps that backlight the facades from below and throw the reflected light on the lower "human" part of the yard territory. The pebbles under the benches shine glimmer in the dark as well - together with the backlighting of the walls this gives one a feeling of the ground glowing in the dark or even some "hovering" of the benches - they look like they are resting on the rings of light. The point lights in the grass of the pine tree hill give the finishing touch to the picture.

Office complex "Atmosphere" (reconstruction). © ADM


Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

The only impregnation into the historical facades that the architects allowed themselves to make is the bright spots of color silk-screen printing with large numbers - the numbers of the buildings - on the glass of the entrance doors. The unique "color + number" combinations help the visitors to easier find their way around the block and certainly add some "light" emotional twist to the reserved atmosphere that reigns here.

Office complex "Atmosphere" (reconstruction). © ADM

The territory that the architects have been able to create must be recognized as a "model", though still expensive, impregnation of a truly contemporary environment into the cityscape. To a certain extent, this is a very neat, unostentatious imitation of Europe that is almost imperceptibly installed into the freezing slush of Moscow's alleys. For ADM architects, this reconstruction was the first in the galaxy of several similar projects that they launched later on, and it was the first one of this genre to be implemented. The successful transition to the reconstruction was by no means a walkover, and a lot of corrections were made along the way. "In spite of all the difficulties, this was a priceless experience" - Andrew Romanov shares.

Indeed, working with historical buildings is something that is fraught with a lot of unforeseen challenges of a purely down-to-earth engineering nature. Besides, despite the growing common love of the landscaping and improvement theme, it is easy to see that, while some people are still talking about it, here the work has already been completed, and we see the living proof: one can come, touch, and sit on the benches. It is terrifying just to think how much time and effort it takes for such a jewel to come into being at least in the downtown area. But - constant dropping wears away a stone - the meticulous work with stone (pun intended), light, and exotic pines - all this is just the beginning, the first growth of the trend that can possibly bear fruit with time. One just has to work harder.

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Firm:
ADM
Object:
Atomsphera office complex (reconstruction)
Russia, Moscow, Suschevskaya-Palikha str.

2010 — 2010 / 2011 — 2013

Client: SMINEX LTD Engineering section: ООО "Kurortproject" Constructive section: ООО "MB-Project"

18 December 2013

Headlines now
Faraday Grid
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Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
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The Mirror of Your Soul
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Part of the Ideal
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The Fortress by the River
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In the Rhombus Grid
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​Generational Connection
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Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.