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Urban Dunes

The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.

23 August 2024
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The sports hub, called “Dunes” by its creators, is one of the functional zones in the new park on the left bank of the Don River. The park is being developed adjacent to the Rostov Arena stadium as a citywide space and part of the infrastructure for the “Levoberezhye” (“Left Bank”) residential complex. It appears that the park was designed not just to look good in a sales brochure but with thoughtful consideration and benefit for the city. The area is set to include an ice arena, marsh gardens, a fountain promenade, an amphitheater, and other features that will provide diverse recreational opportunities for the complex’s residents and attract visitors from other parts of the city.





The “Dunes” skate plaza aims to attract a young and active audience, adding visual appeal and, importantly, making efficient use of the space near the road and parking lot – areas that would be challenging to utilize for any other purpose. Given 1,850 square meters, the XSA team created a “park within a park”: a versatile three-part space that fits the formula “from 8 to 80” – anyone, regardless of age or physical condition, can come here and have a great time.

The team had plenty of ideas and visions of what this project should be. Initially, the plan was to utilize 1,200 square meters. But as ideas and creativity began to layer upon each other, new lines for skating emerged as the main zones were being formed. The creative process swept everyone away, and ultimately, the client approved an expansion of the hub to 1,500 square meters!

Now, the residents of the “Levoberezhye” neighborhood have what might be the best sports hub in Russia practically right outside their windows. It’s always nice to be able to say that you live near that very cool spot, rather than just a store or market–it changes your sense of identity. And not just for the young people alone.


The aesthetic inspiration for the sports hub came from the memories of XSA founder and one of the project’s authors, Konstantin Taranov, who spent his childhood on the sandy shores of Levberdon, swimming across the river on a dare and absorbing the spirit of freedom and southern hospitality.



Skate Plaza with a Skate Bowl

The first part of the hub is the so-called plaza – a space filled with various structures that mimic urban obstacles like stairs and railings, allowing skaters to practice tricks of varying levels of complexity. Many skaters, especially beginners, can feel self-conscious when constantly in the public eye. Therefore, it’s essential to create spaces where people can skate both “on stage” and “behind the scenes”, allowing newcomers to decide when they are ready to take their skills to a more dynamic level. The plaza at “Levoberezhye” was designed by XSA with a combination of elements that help some riders build confidence while offering others ample creative opportunities. The designers call this approach inclusive and apply it across all their projects.



To safely get acquainted with the plaza, there’s a snake run – a beginner-friendly area where skaters can hone their skills before moving on to the bowl. Additionally, there is a “brick” octagon with a tree at its center – similar to a minor architectural form, a piece of urban furniture that has landed in the middle of the plaza. Riders can sit on it to take a break and observe others. Of course, it’s also perfect for pulling stunts – the steep ascent and rough surface present a challenge. The tree, integrated into the concrete plaza, not only provides shade but also alters the hub’s atmosphere with the changing seasons.





For more experienced riders, the bowl – a classic feature from the 1970s when American surfers, unable to catch waves due to drought, decided to skate in empty backyard pools – is the main attraction. Here, XSA has designed something like a “three-leaf clover”: the combination of hemispheres creates even more “waves”, and the pattern resembles sunlight reflecting on water. The bowl’s drainage system prevents rainwater from accumulating at the bottom, channeling it into the sewage system and away from the skate area.



The plaza is entirely constructed from concrete, with the XSA team using their own tried-and-tested mix recipe. Before each project, the factory produces a test batch. To achieve the perfect smoothness in transitions and radii, the concrete is hand-polished in several stages. The meditative nature of this process is captured in a short film.



Since the plaza has a “hilly” terrain with peak heights often located on the periphery, slopes emerge that need to be integrated into the surrounding environment. The architects partially conceal these slopes with geoplastic forms, while some walls are clad in concrete slabs featuring patterns that evoke the look of sand dunes.



Black Dunes

The plaza seamlessly connects to the asphalt pump track, a part of the hub designed for people of all skill levels. Here, anyone from a child on a scooter to an elderly “active retiree” on a bicycle can enjoy the space. XSA excels in crafting monolithic forms not only from concrete but also from asphalt. The black waves against the green grass resemble freshly tilled soil or solidified basalt.



The track is looped, and at the curve, it features two levels, allowing the riders to choose the radius that matches their skill level and gradually transition to more challenging trajectories. The double banking is marked with graphic white lines that aid in navigation and guide the rider’s movement. If desired, this part of the track even allows parallel riding on two different radii.





Musical Statues

The architects gave equal attention to the adjacent children’s playground. Here, essential skills for future riders are nurtured: balance, stability, speed, height awareness, and reasonable risk-taking, along with the ability to find like-minded peers and create their own play scenarios.



The space is safe and sufficiently abstract, yet richly stimulating. Children interact with various textures, colors, and volumes, subtly and imperceptibly training their bodies. The playground includes trampolines, slides, “humps”, various obstacles, and equipment for balance training. From a hill designed for older kids, one can easily observe what’s happening on the plaza and on the pump track. Parents haven’t been forgotten either – a long bench lines the perimeter of the playground for their comfort.



Contrary to the popular belief that extreme sports are a niche activity designed solely for those with exceptional physical fitness, “Dune” has become a universal space open to everyone. First and foremost, the place will attract riders – enthusiastic young men and women who will appreciate the “freedom of artistic expression” provided to them. Next, the most loyal audience will come: pre-teens and older children, who love scooters and bike tricks, and will be able to see an example for their own development. Younger children and their parents will be drawn to the bright and diverse playground. And for everyone else, the sports hub can serve as a sort of “sports theater” – virtually on any day of the week, one can come, find a seat in the “auditorium” and enjoy a spectacular show.



23 August 2024

Headlines now
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Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
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The Big Twelve
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Above the Golden Horn
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Nuanced Alternative
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Blinds for Ice
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Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.
Campus within a Day
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Vertical Civilization
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The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
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The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
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The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
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Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
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Inverted Fortress
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Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.