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Non-revolutionary Changes

Designing mass housing residential blocks for the “Brusnika” developers, OSAArchitects created an environment that clearly exceeds the originally proposed housing class, at least by Ekaterinburg standards.

20 December 2017
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A large-scale project of the master developer “Forum Group” includes the construction of a full-fledged city neighborhood for about 85 000 residents at the outskirts of Ekaterinburg, close to the city ring road (now in construction) by 2029. 2.5 M square meters of property will be built, out of which 300 000 square meters will be occupied by the infrastructure: schools, kindergarten, a sports center, retail stores, and a shopping mall. The project also includes a large park. The project is already being implemented with the participation of four more developers, each of which is developing its segment within the framework of very detailed specifications compiled by the master developer. Essentially, the project is based on an idea that is just as habitual for everyone on the post-soviet space as it is dismissed by the modern urban construction, i.e. the idea of the so-called “remote sleeping belt neighborhoods”, in which housing stock prevails, diluted by the necessary social and service infrastructure. It turned out, however, that even this typology yields many opportunities for creating and developing a comfortable living environment.

For the development company “Brusnika”, which participates in this large-scale project, OSAArchitects designed four residential blocks 25 000 square meters each. According to the “Brusnika” standards, the apartments are offered in two typologies: classic – single, double, and three-room apartments and apartments of a “European” design, with one, two or three bedrooms. The area of the apartments ranges from 30 to 85 square meters.

The residential block in "Solnechny" neighborhood © OSAArchitects
The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The first city block, which was implemented within this project, borders immediately on the 2nd Novosibirskaya Ulitsa, which connects “Solnechny” (“Sunny”, this is actually the name of the new neighborhood – translator’s note) with the rest of the city. Actually, the whole territory of the future neighborhood is divided into squares about 100 by 100 meters.

Originally, it was planned to build on the perimeter of each of the quadrants multi-sectional houses of almost equal height because this solution looked like the only one possible to ensure the safety of the yard space. In the process of working on the details of the general concept, the architects were able to convince the developer in the opposite and proposed an alternative approach to creating a comfortable environment. This approach consists in fracturing the monotonous multi-sectional wall into individual volumes with a prominent silhouette. As a result, the architects got a closed, yet still transparent, yard, being inside of which, one is not only able to see the opposite façade but also the sky and the street, viewable down to the ground. Without losing in the technical and economic performance, the silhouettes of the buildings began to look bolder and took on some individuality.

The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


“The steep height differences give us an opportunity for simultaneously meeting the needs of very different consumer groups – explains the leader of the author team Rostislav Tsaizer – some people prefer to climb to the 15th floor, and some like to feel as if they live in a human-proportionate 8-story house, and we are quite capable of combining these two things within a single block”. The houses are linked in twos by quite low blocks, their opposite sides having two small doors in them leading to the yard for the pedestrians and authorized vehicles. This way, the principle of a safe and vehicle-free yard is still observed but the feeling of a “dungeon” of a yard is gone.

The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


According to the original plan of the master developer, all of the façades were to be made of bricks but the architects proposed to base their design solution on contrast. Although the outside walls, which face the city, were still made of brick, in the yards they are much lighter – stucco-white with an odd inclusion of gray, livened up by the rhythmic variety of the windows. The inside “yard” façades are very cozy and ostentatiously “inside”, like the lining of a coat. On the other hand, they are subject to the principle of “background architecture” – the accent is shifted to the bright landscaping and lots of greenery in the yard, while the buildings are but a background for that. On the outside, on the other hand, the Flemish brick decoration is meant to inspire a feeling of security and “fortress” protection, enhanced by the high-rise accents on the corners. This way, the contrast between the outside and inside design is particularly vivid.

The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


However, the massiveness of the building as perceived from the side of the main street is lightened by a glazing band of the retail band sunken in in relation to the façade surface. The original solution proposed by the master developer consisted in quite the opposite – it provided for an outstanding stylobate. The design of the first floor proposed by the architects, on the other hand, yielded some extra space for a landscaped sidewalk running alongside the façade and hosting the cafés’ terraces.

The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The housing class of the project is standard, and it required, first of all, a selection of economically grounded solutions. A lot of original proposals, specifically, the “warm” wooden panels decorating the bottom floors and the play of the Flemish brick fell victim to this selection. But then again, getting rid of such decoration elements, the authors were still able to keep the basic architectural and engineering solutions: the dynamic silhouette of the residential block, end-to-end glazing of the lobbies, the “dependable” façade of Flemish bricks, and the high-quality organization of the yard and adjacent streets.

The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


The residential block in "Solnechny" neighborhood © OSAArchitects


However, OSAArchitects believe that their main achievement in working on the blocks of “Solnechny” is the fact that in the course of work they were able to change the developer’s attitude to designing residential areas of such class. “We were able to get across to our partners and to the master developer that the city block may not necessarily have a continuous façade – Rostislav Tsaizer says – Today it’s even hard to imagine just how bleak and oppressive this brick wall could have looked. Thanks to the technique and solutions that we employed, we got a human-proportionate living space with a unique character of its own”.
The residential block in "Solnechny" neighborhood © OSAArchitects
The residential block in "Solnechny" neighborhood © OSAArchitects
The residential block in "Solnechny" neighborhood © OSAArchitects
The residential block in "Solnechny" neighborhood © OSAArchitects
The residential block in "Solnechny" neighborhood © OSAArchitects


20 December 2017

Headlines now
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.