По-русски

Shadow of a shadow

Office building in Mozhaiskoye Road’s project is once again approved by Moscow officials – now as a reworked design by Alexey Bavykin.

author pht

Written by:
Julia Tarabarina

07 November 2013
News
mainImg
At a recent meeting the work group led by the Moscow City Architect approved a project of a business complex in Mozhaiskoe Road in its new version created this year by Alexey Bavykin. Last July the project made for the same site and client by another firm (Research and Production Enterprise ‘Gradostroitel’stvo’ LLC) had been discussed at the Moscow Architectural Council’s meeting and the members of the Council unanimously decided that the previous design version of the same building – also by Bavykin – had been more compelling. The client once more turned to the Bavykin's studio for a design and got from them new elevations and somewhat corrected plans (the plans had been already approved so it was not allowed to radically change them). Now this project is approved by the work group and it seems that it would be realized.

We are following this project since 2006. The story of its discussion and approval is extremely complicated and curious. It even reflects – obviously, only to a certain degree – how notions of architecture have changed in Moscow during last 7 years. Through its example professionals discussed idea, plasticity and contextuality in architecture instead of gross area and diagrams that being a rare occurrence for Moscow in itself. Later on, the project turned out to be a test of sorts because during these discussions many prominent figures of (then) Moscow architectural scene all of a sudden started to reverse their views. Mayor Yury Luzhkov, apparent devotee of the stylization idea, criticized the project for its ‘ruined state’; Kirill Asse, architect and critic who had never been known to support the Mayor’s ideas suddenly agreed with him this time, though his motivation was not the same as Luzhkov's. Only architecture historians liked the project which was more than understandable: one could not help being impressed by the bravery of the architect who took the liberty of drawing in the wide Moscow street a gigantic shadow of either Joseph Bové’s Triumphal arch or a Roman aqueduct.

But one cannot go against the community (and the community rarely takes into account historians' opinion) and now even Alexey Bavykin himself acknowledges that his idea of transformation of a regular office centre into a gigantic visual attraction was not quite valid. Everything has its place and time. In 2010 the arch turned into a square pylon inspired by  the ‘classicized’ modernism of the 1980s and was approved by the Public Council led by the Mayor (still Luzhkov at the time). Then the client gave the project over to the ‘Gradostroitel’stvo’ firm that proposed three even more ‘composed’ design versions of lesser height which were presented at the above-mentioned Architectural Council’s meeting in July 2013. And, finally, over the past few months Alexey Bavykin's studio produced a new ‘edition’ of the project. The authors of the third design are Bavykin himself, Mikhail Marek and Natalia Bavykina.  

The architecture of this version is very reserved, the elevations clad in small bricks are almost white. Narrow windows join together three floors at the lower part of the building and two floors at the top; their rhythm is slightly broken down and they remind of a keyboard instrument or a one-dimensional barcode. At the top the outer wall becomes thicker, frequency and height of ‘line bar’ windows is gradually being reduced. The same thickening of the mass takes place at the corners which is rather in the spirit of the classical paradigm than of the avant-garde one.

The first project, that of 2006, was the shadow of Bové’s arch, but only the shadow of this arch remains now. Or, rather, the present shadow is left by the pylon proposed in 2010 and by the halfarch-like ruin that was designed at the very beginning. ‘The shadow of the pylon’ are high glass loggias that cut through the façade in points where the pylon has been before that. The glass surface of the elevation that faces the city centre was once cut through by an dynamic ‘prow’ but now it is covered by a large ornamental grill depicting trees (we remember the tree trunks from the first version of the project too so this motive is also preserved).

‘The shadow of the ruin’ is a small skewed console pulled out from the volume of the top floor towards the street (that is how shelves are pulled out from the wardrobe where they are attached to the single joint). At the long side of the console the name of the business centre is written in large letters, and at its lateral end (that looks to the city centre) there is the most interesting detail of the new project: ‘a balcony of a lonely smoker’ marked as a particular point of Alexey Bavykin's hand by Grigory Revzin (or was it Nikolay Malinin?) back in the 1990s.

I would interpret this detail as a somewhat prideful caption ‘here we are, we can overcome any obstacle’, and I won't be surprised if the architect Alexey Bavykin with the building built and its story of seven (by that time it will be eight or even nine) years finally ended will make time to mount this balcony and have a smoke while looking at the Bové’s arch, at the Kutuzovsky Avenue, at Moscow.


07 November 2013

author pht

Written by:

Julia Tarabarina
comments powered by HyperComments
Headlines now
​The Gallery Approach
In this article, we are covering the concept of a Central District Clinic for 240 patients, designed by Ginzburg Architects, which won at a competition organized by the Architects Union and the Healthcare Ministry.
Health Constructor
In this issue, we are publishing the concept of a standard clinic designed by UNK Project, which took second place in the competition organized by the Union of Architects of Russia in collaboration with the Healthcare Ministry.
From Foundation to Teaspoon
Based on the taste of their friendly clients, the architects Olga Budennaya and Roman Leonidov designed and built a house in the Moscow metropolitan area playing Art Nouveau. At the same time, they enriched the typology of a private house with modern functions of a garage loft and a children’s art studio.
Continuation and Development
The second “office” stage of Comcity, the most popular business park of the “New Moscow” area, continues the underground street of the already existing part of the complex, responding to its architectural identity.
​The Aperture Effect
For a housing complex built in the town of Pushkino in the Moscow metropolitan area, KPLN Architects designed facades that adjust the stream of light by using the wall geometry.
​A Comfortable City in Itself
The project that we are about to cover is seemingly impossible amidst human anthills, chaotically interspersed with old semi-neglected dachas. Meanwhile, the housing complex built on the Comcity business part does offer a comfortable environment of decent city: not excessively high-rise and moderately private as a version of the perfect modern urbanist solution.
Moving on the Edge
The housing complex “Litsa” (“Faces”) on Moscow’s Khodynka Field is one of the new grand-scale buildings that complement the construction around it. This particular building skillfully tackles the scale, subjugating it to the silhouette and the pattern; it also makes the most of the combination of a challenging land site and formidable square footage requirements, packing a whole number of features within one volume, so the house becomes an analogue of a city. And, to cap it all, it looks like a family that securely protects the children playing in the yard from... well, from everything, really.
Visual Stability Agent
A comparatively small house standing on the border of the Bolshevik Factory combines two diametrically opposite features: expensive materials and decorative character of Art Deco, and a wide-spaced, even somewhat brutal, facade grid that highlights a laminated attic.
The Faraday Cage
The project of the boutique apartment complex in the 1st Truzhenikov Lane is the architects’ attempt to squeeze a considerable volume into a tiny spot of land, at the same time making it look graceful and respectable. What came to their rescue was metal, stone, and curvilinear glass.
Color and Line
The new successful techniques developed by A.Len for designing a kindergarten under budget constraints: the mosaic of irregular windows and working with color.
The Union of Art and Technology
His interest for architecture of the 1930’s is pretty much the guiding star for Stepan Liphart. In his project of the “Amo” house on St. Petersburg’s Vasilyevsky Island, the architect based himself on Moscow Art Deco - aesthetically intricate and decorated in scratch-work technique. As a bonus, he developed the city block typology as an organic structure.
The Countdown
The project that Evgeniy Gerasimov and Partners developed for Moscow’s Leningrad Avenue: the tallest building in the company’s portfolio, continuing the tradition of Moscow’s Stalin architecture.
White Town
In the project that they developed for a southern region of Russia, OSA Architects use multilayered facades that create an image of seaside resort architecture, and, in the vein of the latest trends of today, mix up different social groups that the residents belong to.
​Just a Mirror for the Sun
The house that Sergey Skuratov designed in Nikolovorobinsky Alley is thought out down to the last detail. It adapts three historical facades, interprets a feeling of a complex city, is composed of many layers, and catches plenty of sunlight, from sunrises to sunsets. The architect himself believes that the main role of this house is creating a background for another nearby project of his, Art House in the Tessinsky Alley.
​Part of the Whole
On June 5, the winners of Moscow Architectural Award were announced. The winners list includes the project of a school in Troitsk for 2,100 students, with its own astronomy dome, IT testing ground, museum, and a greenhouse on the roof.
Pedagogical Architecture
Yet another project of a private school, in which Archimatika realizes the concept of aesthetic education and introduces a new tradition: combining Scandinavian and Soviet experience, turning to works of art, and implementing sustainable technologies.
​Rational Arrangement
In this article, we are examining a complex of buildings and interiors of the first stage of the project that has recently become extremely popular – the Kommunarka clinic.
​Parallel Universe
In the “Parallel House” residence that he designed in the Moscow metropolitan area, the architect Roman Leonidov created a dramatic sculptural composition from totally basic shapes – parallelepipeds, whose collision turned into an exciting show.
​Breakwater
In the Istra district of Moscow metropolitan area, the tandem of 4izmerenie and ARS-ST designed a sports complex – a monovolume that has the shape of a chamfered parallelepiped with a pointed “nose” like a ship’s bow.
​Stairway to Heaven
The project of a hotel in the settlement of Yantarny is an example of a new recreational complex typology, and a new format that unites the hotel, the business, and the cultural functions. All of this is complemented by 100% integration with nature.
​Cape of Good Hope
In this issue, we are showing all the seven projects that participated in a closed-door competition to create a concept for the headquarters of Gazprom Neft, as well as provide expert opinions on those projects.
​Waves of Sound
The conceptual design of a music school: proximity to an Alvar Aalto building, expressive organics, and an attempt to draw public attention to a “low-profile” competition.
​The Outer Space
Honoring the 300th anniversary of the Kuznetsk coal fields in 2021, a new passenger terminal of the Aleksey Leonov Airport in the city of Kemerovo will be built, designed by GK Spectrum and ASADOV Architectural Bureau.
​The Pivot of Narkomfin Building
Ginzburg Architects finished the restoration of the Narkomfin Building’s laundry unit – one of the most important elements of the famous monument of Soviet avant-garde architecture.
​Wicker Vitality
Next to the Dubrovka metro station, ADM has designed a Vitality housing complex with a polychrome mixture of Klinker brick on its ridged facades.
​Freedom Factory
The housing complex “Respublika” is so large that it can be arguably called a micro-town, yet, at the same time, it easily overcomes most of the problems that usually arise with mass housing construction. How could Archimatika achieve that? We are examining that on the example of the first stage of the complex.
​The Flowing Lines
The five houses of the “Svoboda” block belonging to the “Simvol” residential complex present a vivid example of all-rounded work performed by the architects on an integral fragment of the city, which became the embodiment of the approach to architecture that hitherto was not to be seen anywhere in Moscow: everything is subjected to the flow of lines – something like a stream, enhanced by the powerful pattern of the facades akin to “super-graphics”.
​A City by the Water
The concept of a large-scale housing development at the edge of Voronezh, near the city reservoir, or “the sea”, as it is locally called, uses the waterside height difference to create a sophisticated public space, paying a lot of attention to the distribution of masses that determine the look of the future complex if viewed from the opposite bank of the river.
A Journey to the Country of Art Deco
The “Little France” residential complex on the 20th line of the Vasilyevsky Island presents an interesting make-believe dialogue between its architect, Stepan Liphart, the architect of the New Hermitage, masters of the Silver Age, and Soviet Art Deco, about interesting professional topics, such as a house with a courtyard in the historical center of Saint Petersburg, and the balance between the wall and the stained glass in the architectonics of the facade. Here are the results of this make-believe conversation.
​A House in a Port
This housing complex on the Dvinskaya Street is the first case of modern architecture on the Gutuevsky Island. The architectural bureau “A-Len” thoroughly explores the context and creates a landmark for further transformations of this area of Saint Petersburg.
​Balance of Infill Development
Anatoly Stolyarchuk Architectural Studio is designing a house that inadvertently prevails over the surrounding buildings, yet still tries to peacefully coexist with the surrounding environment, taking it to a next level.
​The Precious Space
Evolution Design and T+T Architects reported about the completion of the interior design project of Sberbank headquarters on the Kutuzovsky Avenue. In the center of the atrium, hovers the “Diamant” meeting room; everything looks like a chest full of treasures, including the ones of a hi-tech kind.
​Big Little Victory
In a small-sized school located in Domodedovo in Moscow metropolitan area, ASADOV_ architects did a skillful job of tackling the constraints presented by the modest budget and strict spatial limitations – they designed sunlit classrooms, comfortable lounges, and even a multi-height atrium with an amphitheater, which became the center of school life.
​The Social Biology of Landscape
The list of new typologies of public spaces and public projects has been expanded yet again — thanks to Wowhaus. This time around, this company came up with a groundbreaking by Russian standards approach to creating a place where people and animals can communicate.
​Watched by the Angels from up Above
Held in the General Staff building of the Hermitage Museum, the anniversary exhibition of “Studio 44” is ambitious and diverse. The exhibition was designed to give a comprehensive showcase of the company’s architecture in a whole number of ways: through video, models, drawings, installations, and finally, through a real-life project, the Enfilade, which the exhibition opens up, intensifies, and makes work the way it was originally intended.
​A New Version of the Old City
The house at Malaya Ordynka, 19, fits in perfectly with the lineup of the street, looking even as if it straightened the street up a little, setting a new tone for it – a tone of texture, glitter, “sunny” warmth, and, at the same time, reserved balance of everything that makes the architecture of an expensive modern house.
Stepan Liphart: “Standing your ground is the right thing to do”
A descendant of German industrialists, “Jophan’s son”, and an architect, speaks about how studying architectural orders tempers one’s character, and how a team of just a few people can design grand-scale housing projects to be built in the center of Saint Petersburg. Also: Santa Claus appearing in a Stalin high-rise, an arch portal to the outer space, mannerism painting, and the palaces of Paris – all covered in an interview with Stepan Liphart.
​Honey and Copper
In the Moscow area, the architect Roman Leonidov designed the “Cool House” residence, very much in the spirit of Frank Lloyd Wright, spreading it parallel to the ground, and accentuating the horizontal lines in it. The color composition is based on juxtaposition of warm wood of a honey hue and cold copper blue.
​The Ring on the Saisara Lake
The building of the Philharmonic Hall and the Theater of Yakut Epos, standing on the shore of the sacred lake, is inscribed into an epic circle and contains three volumes, reminiscent of the traditional national housing. The roof is akin to the Alaas – a Yakut village standing around a lake. In spite of its rich conceptual agenda, the project remains volumetrically abstract, and keeps up a light form, making the most of its transparency, multiple layers, and reflections.
Architecture of Evanescence
On the Vernadskogo Avenue, next to the metro station, appeared a high-rise landmark that transformed the entire area: designed by UNK Project, the “Academic” business center uncovered, in the form of its architecture, the meanings of the local place names.
The Theater and Music Circles
The contest-winning ambitious grand-scale project of the main theater and concert complex of the Moscow area includes three auditoriums, a yard – a public area – a higher school of music, and a few hotels. It promises to become a high-profile center for the classical music festivals on a national scale.
​The Line of a Hardened Breakthrough
Designed by Stepan Liphart, the housing complex “Renaissance” continues the line of the historical center of Saint Petersburg, reinterpreting the Leningrad Art Deco and the neoclassical architecture of the 1930-50’s in reference to the civilization challenges posed by our century.
The Regeneration Experience
The housing project “Metsenat”, which occupies the area next to the Resurrection Church in Moscow’s Kadashi, has a long and complicated history, full of protests, victories, and hopes. Now the project is complete: the architects were able to keep the views, the scale, and a few historical buildings; we can examine the end result now. The project was developed by Ilia Utkin.