По-русски

Penthouses and Kokoshniks

A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.

24 June 2025
Object
mainImg
The Krasnaya Roza business quarter in Khamovniki is one of the first and most successful examples of redevelopment of pre-revolutionary industrial sites in Moscow and in Russia as a whole. For instance, the Yandex headquarters has long been located here – though it’s currently preparing to relocate. The redevelopment of the former silk factory began still back in 2003 under the guidance of Sergey Kiselev and Partners studio and, in some form and to some extent, continues to this day. In the late 2010s, plans emerged to introduce residential functions into the quarter. While the Roza Rossa apartments, designed by Piero Lissoni, are nearing completion on the Zubovskaya Street side, the residential complex planned for a land plot that’s much closer to Komsomolsky Avenue has yet to enter the implementation phase.

The housing complex on Leo Tolstoy Street. Location plan
Copyright: © ASADOV Architects


The site in question adjoins the Morozov and Mamontov business centers. It includes a rental house formerly owned by the Tryndin family: two three-story buildings built in 1886 and 1890 respectively, which were unified by architect Vyacheslav Zhigardlovich in 1901. Nearby, there are the 17th-century Hamovny Dvor chambers, and just beyond them, stands the Church of St. Nicholas the Wonderworker, also dating to the same historical period.

The housing complex on Leo Tolstoy Street. The city planning limitations
Copyright: © ASADOV Architects


In 2020, DNK ag presented their vision for the complex; in 2022, it was reimagined by Kleinewelt Architekten. The final concept, however, was developed by ASADOV Architects. Its future remains uncertain: in late 2023, several assets of KR Properties, including Krasnaya Roza, were transferred to state ownership, though recent news reports suggest that a buyback is now being considered.

The housing complex on Leo Tolstoy Street
Copyright: © ASADOV Architects


ASADOV’s team places five buildings on the site, leaving open a courtyard space on the side facing the Mamontov business center, where the new buildings’ end walls come quite close. The density of the site is offset by variations in height and façade treatment: the corner volumes along Leo Tolstoy Street are lower and darker, with arched windows, while the taller sections between them are lighter and more vertical in expression. A broad pedestrian area outside the site allows for open views of the Hamovny Dvor and the domes of St. Nicholas Church, which should remain visible behind the lower buildings.

The housing complex on Leo Tolstoy Street. The master plan (simplified)
Copyright: © ASADOV Architects


The housing complex on Leo Tolstoy Street
Copyright: © ASADOV Architects


The housing complex on Leo Tolstoy Street
Copyright: © ASADOV Architects


The proximity of historical monuments – though somewhat lost among the varied urban fabric of Khamovniki – has to a large extent determined the façade design. As the architects emphasize, the new complex is meant to engage in dialogue specifically with the 17th century buildings. Preserving the ornate façades of the Tryndin House, while more recent, also influenced the design direction, as they represent the Russian Revival style. However, there are other references at play.

The corner sections, as noted, are lower in height, stockier in proportion, and clad in dark ceramic. Their main feature is the semi-circular windows, whose massive contours recall the arcades of the chambers. Despite their cubic massing, these volumes emphasize airiness rather than heaviness, thanks to copper-toned mullions and a beveled corner that highlights the intersection of the streets – a gesture that evokes both Art Nouveau and early railway stations. Grouped windows spanning several stories recall Russian “pryasla”, or blind arcades. In another section of this type, the windows are grouped in smaller units with slight offsets, resembling stylized kokoshniks.

The housing complex on Leo Tolstoy Street. The section with the protected facade of the Tryndin House
Copyright: © ASADOV Architects


The taller sections develop this visual language still further, rising with confident verticals akin to a bell tower. However, the combination of “white stone” with brass framing, the narrow “archival” windows, doubled “pilaster strips”, and the apse-like bay windows paradoxically – and unmistakably – evoke a certain resemblance to late-Soviet architecture and the so-called “Red Doric” style.

The housing complex on Leo Tolstoy Street. View of the crossing with Pugovishnikov Street
Copyright: © ASADOV Architects


From the Krasnaya Roza side, the architects gave the complex a more minimalist and “industrial” appearance, since these buildings are in fact set back from the main street. Full-height vertical elements raise associations with pipes or machine shafts, the window grid is strict and measured, and the ceramic cladding has a metallic sheen about it. Notably, the cornices are finished with elegant yet substantial “tubes” of varying diameters – a sculptural gesture that you see quite rarely at such height.

The housing complex on Leo Tolstoy Street
Copyright: © ASADOV Architects


Given the high value of land in central Moscow, the complex includes something that can safely be called an extensive underground component. The three lowest levels contain a parking garage, with direct elevator access to the apartments. Above that lies a wellness center with a spa, co-working areas, and meeting rooms. Some of these spaces get lit at the expense of the mezzanines and reach nearly 12 meters in height. The so-called mezzanine level sits at ground level but is also partially sunken and connected to the basement. It contains commercial spaces, meeting rooms, a children’s center, and the main lobby with stroller storage.

  • zooming
    1 / 9
    The housing complex on Leo Tolstoy Street. Section view 1-1
    Copyright: © ASADOV Architects
  • zooming
    2 / 9
    The housing complex on Leo Tolstoy Street. Section view 2-2
    Copyright: © ASADOV Architects
  • zooming
    3 / 9
    The housing complex on Leo Tolstoy Street. Section view 3-3
    Copyright: © ASADOV Architects
  • zooming
    4 / 9
    The housing complex on Leo Tolstoy Street. Section view 4-4
    Copyright: © ASADOV Architects
  • zooming
    5 / 9
    The housing complex on Leo Tolstoy Street. Plan of the underground parking space at -21.700
    Copyright: © ASADOV Architects
  • zooming
    6 / 9
    The housing complex on Leo Tolstoy Street. Plan of the underground parking space at -19.000
    Copyright: © ASADOV Architects
  • zooming
    7 / 9
    The housing complex on Leo Tolstoy Street. Plan of the underground parking space at -16.300
    Copyright: © ASADOV Architects
  • zooming
    8 / 9
    The housing complex on Leo Tolstoy Street. Plan of the basement at -13.600
    Copyright: © ASADOV Architects
  • zooming
    9 / 9
    The housing complex on Leo Tolstoy Street. Plan of the mezzanine at -5.800
    Copyright: © ASADOV Architects


The courtyard is located on the roof of the spa center. Though modest in size, it contains ample greenery, spaces for adults and children to relax, and views that stretch outward – since the adjacent Mamontov building, which aligns with the axis, is only four stories tall. Terraces from the first residential level also open onto the courtyard; privacy is ensured through landscape design and tall partitions. A passage through the courtyard leads directly to the main lobby.

  • zooming
    The housing complex on Leo Tolstoy Street
    Copyright: © ASADOV Architects
  • zooming
    The housing complex on Leo Tolstoy Street
    Copyright: © ASADOV Architects


The housing complex on Leo Tolstoy Street
Copyright: © ASADOV Architects


The range of apartment types is broad, starting from compact two-room units in the European format and going up to penthouses with expansive terraces. One unit on the first floor, for instance, there is a five-room Euro-format apartment with a 65-square-meter terrace. Most of the apartments are dual-aspect.

  • zooming
    1 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 1st floor
    Copyright: © ASADOV Architects
  • zooming
    2 / 10
    The housing complex on Leo Tolstoy Street. Plan of floors 2-6
    Copyright: © ASADOV Architects
  • zooming
    3 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 7th floor
    Copyright: © ASADOV Architects
  • zooming
    4 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 8th floor
    Copyright: © ASADOV Architects
  • zooming
    5 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 9th floor
    Copyright: © ASADOV Architects
  • zooming
    6 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 10th floor
    Copyright: © ASADOV Architects
  • zooming
    7 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 11th floor
    Copyright: © ASADOV Architects
  • zooming
    8 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 12th floor
    Copyright: © ASADOV Architects
  • zooming
    9 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 13th floor
    Copyright: © ASADOV Architects
  • zooming
    10 / 10
    The housing complex on Leo Tolstoy Street. Plan of the 14th floor
    Copyright: © ASADOV Architects


The concept by ASADOV Architects absorbs the diversity of this historic neighborhood, responding to both white-stone and Soviet-era architecture, yet remains coherent and self-contained. It is not a background building – but its accents are restrained. Premium finishes and subtle decorative gestures allow it to stand out without being too brazen.


24 June 2025

Headlines now
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.