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Multicolored Barcode

Late last year, yet another medical institution in the southeast of Moscow got positively-looking multicolored facades that inspire confidence in the art of healing and the triumph of life. The project of reconstruction of Research Center for Obstetrics, Gynecology and Perinatology named after Kulakov, situated on Akademika Oparina Street, was developed by the author team led by Alexander Asadov.

06 February 2013
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The architects got this order thanks to the successful implementation of their project of Federal Scientific and Research Center of Pediatric Hematology, Oncology and Immunology whose dazzling facades beautified the crossing of Leninsky Avenue and Miklukho-Maklaya Street. The reconstruction and remodeling of its interior premises had been carried out in the center a few years back - now it is not only Moscow's but the whole Russia's most advanced clinic in its class - but from the outside it still looks like a rather ordinary gray volume. Its image is in fact a nutshell of the basic principles of Soviet modernism - simplicity and harshness of composition, laconism of decoration, minimal plastics - and it is probably the length of its main building alone that makes it stand out against its surrounding background. After the Center of Pediatric Hematology, Oncology and Immunology was built nearby, the management of the center got a vivid example of how bright and unconventional the architecture of a medical institution could be. The decision to commission the development of the project of facade reconstruction to the same team of architects made perfect sense, even though the immediate vicinity of the already implemented "prototype" created a few extra challenges.

 

The thing is that Akademika Oparina Street runs parallel to Leninsky Avenue and stops dead crossing that same Miklukho-Maklaya Street. In fact, it is the same block that the Center of Pediatric Hematology, Oncology and Immunology has already been built in. The crucial difference in the location of the two medical centers consists in the fact that the Daedalus Prize winning children clinic building stands with its main facade turned to the multilane carriage way, while the Obstetrics Center is flesh and blood of the tensely populated residential area. It is specifically because of the density of the housing that the two medical buildings do not interact with one another - but once you exit the maternity home and walk just a few meters away, you start seeing time and again, in the clearances between the houses, the bright colors of the pediatric center. This is why the architects got the task of coming up with a fundamentally different "color code" - the renewed facades of the Maternity Center were to be different from those of Pediatric Center but be as optimistic-looking.

 

Working on the new image of the facades, the architects looked not only to refresh them but also to develop the building's intrinsic principles of modernist architecture and highlight the strong points of the latter. This is why as the starting point of the reconstruction project was chosen the layout of the complex built back in 1979. On the plan it looks like a hair comb and consists of the main longitudinal building and five transverse ones, the length of them varying and the height being twice as little (three floors versus six in the main building. The longest "tooth" that is turned to the crossing of Akademika Oparina and Ostrovityanova Streets, plays the part of the main facade of the entire complex - it is here that the main entrance is situated, manifested by brutal triangular pillars and rectangular bay windows. So it was this fracturing into separate bulky segments that became the main theme of the new "color code".

 

Totally, there are five bay windows, each of which the architect painted into a distinct color of its own - red, yellow, blue, dark green, and bright green. The latter becomes the leitmotif of the decoration of the entrance group - it bleeds onto the long horizontal beam above the main entrance porch and the pillars flanking it from the opposite side. The niche itself, in turn, is painted yellow. Highlighting the main plastic elements with color and coating them with Kraspan panels fundamentally changes the image of the facade: what used to look like a mono-texture light-gray mass, now has become a canvas with bright strokes that not only make the building look more dramatic but also help the visitors find their bearings a lot easier.

The five basic colors that are brought to the surface of the entrance facade form the color palette off the complex. One could compare them to a set of magic markers or maybe to a barcode that bears the encrypted information about this building, or, rather, about the changes that the obstetrics center underwent in the course of the reconstruction. And while the facades of the pediatrics center are surfaces painted with bright optimistic colors, this building, on the other hand, is dominated by white color - possibly, the most appropriate metaphor for the birth of a new life and the aseptic conditions in which it must take place. Apart from the already-mentioned bay windows, only the side walls of the transverse buildings are executed in full color - all the other facades present snow-white surfaces, over which the colorful strokes (or "splashes", as the architects themselves call them) are thrown. What is interesting is the fact that their length varies from floor to floor which helps avoid the trivial "striped pattern" and make each part of the facade look individual. This technique looks particularly striking on the facades of the longitudinal building - the multicolored barcode visually fractures the elongated volume, at the same time keeping its linear character.

Apart from "sanitation" of the existing facades, the reconstruction project developed by Asadov team and "Transumed" company provides for the construction of a whole new building on the territory of the complex - the contemporary perinatal center. The architects plan to position it in the yard in such a way that three transverse buildings out of five became the overpasses from the old building into the new one - the connecting galleries are going to be built on the roofs of the three-storey volumes. And, since it makes little sense to start a reconstruction just because of but one overpass, the authors propose to use its space for the conservatories, meeting rooms and recreation areas for the patients. On the plan, the new volume has the shape of a tick mark - one wing of the building is located parallel to the main building of the center, and the other one is turned at a 45-degree angle to it. "Such positioning lends us the opportunity to make the most of the land site allotted to us and maximally expand the area before the main entrance to the future perinatal center", - the designers explain. The architectural solution of the new building develops the theme given by the following volume: the terminal laconism of the parallelepipeds is softened by the multi-corner side walls, and the color barcode is added by a frieze with stained-glass pieces with colorful inserts between them.

And, while the the construction project of the perinatal center has entered the concluding stage of obtaining the final permissions, the reconstruction of the facades of the center is already complete - the snow-white 290 meter long building, dissected with multicolored vertical stripes, has really made a difference in the outlook of Akademika Oparina Street, bringing into the rather faceless and aggressive visual environment a bright and dramatic centerpiece that symbolizes the purity and joy of a new life being born.




06 February 2013

Headlines now
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.