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Parametric Waves

In the housing complex Sydney City, which FSK Group is building in the area of Shelepikhinskaya Embankment, Genpro designed the central city block, combining parametric facades and modular technology within its architecture.

07 November 2022
Overview
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Architect:
Andy Snow
Sydney City is essentially about developing the area of the Big City complex  in the direction of Shelepikha, bordering the territory of the housing complex Serdtse Stolitsy (“Heart of the Capital”) on the other side of Shenogina Street. It is planned that the place will be developed with city block construction, whose premium class part will overlook the embankment of the Moskva River. The “business” and “business+” houses are situated deeper in the land site. The latter is quite transparent in terms of spatial connections with the river because in the near future the bank here will be filled in and turned into a pedestrian promenade that will continue the embankment of the “Heart of the Capital”.

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    Sydney City. The central block. A photograph. View 2
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    Sydney City. The central block. The facades
    Copyright: © GENPRO


Within the framework of the single master plan – developed by Ostozhenka and inspired by the style of modern Sydney, one of the most comfortable cities in the world – the architecture of individual city blocks was divided among different architectural companies.

Genpro received the central block to design. Next to it, there will be the structural green axis of the entire Sydney City – the inner boulevard, designed, just as the other landscaping projects in this complex, by Wowhaus. And, while the architecture of the high-rises is reserved and laconic, subjugated to the style of most modern (including Australian) skyscrapers, then the boulevard is more like a “plastique offset”: its nonlinear character is meant to make this place more picturesque. It was this dichotomy that the Genpro architects based their architectural solution upon.

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    Sydney City. The central block. The plan and the traffic layout of the land site
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    Sydney City. The central block. Location plan
    Copyright: © GENPRO


Their complex forms a virtually closed-perimeter city block with a highlight of a 157 meter high tower (42 floors): it is shifted to the southwest corner of the site and accentuated the direction towards the embankment. The two other towers – 27 and 25 floors high – are situated in the south and northeast corners. Inside of the block, there is a landscaped yard raised above the street level.

Sydney City. The central block. Photo montage. View 2


Staying true to the overall architectural vector of the entire Sydney City, Genpro works with prismatic volumes, at the same time correcting their visual perception “through optics”. The facade grid is light-colored and delicately textured; it stands out against the wall surface and arrests our attention. The sunken surfaces that surround the window apertures are darker, and they recede into the background. As a basis – and this is clearly seen from the plans – the architects took a simple orthogonal grid, and then “pulled” it by the corners, so that a large wave rolled across the facades, making some cells wider, and some more narrow. This technique is very similar to stretching a piece of cloth with a loose structure. This, however, is enough to make these actually simple volumes, albeit diamond-shaped on the plan, look sculptural at a glance, endowed with curves, recessions and ledges, which in reality do not exist.

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    Arrangement of the facade components
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    Arrangement of the facade components
    Copyright: © GENPRO
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    Arrangement of the facade components
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    A preliminary choice of materials
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    Configuration of the windows with facade elements


However, even more interesting is the facade technology itself. Genpro proposed to use a modular facade system of domestic production in the project. Unlike typical ventilated facades, where individual elements are delivered to the facility in disassembled form, the modular facade is assembled at the factory: it arrives at the construction site completely ready, in the form of large-format facade modules, including foam blocks and composite panel cladding. The width of the module is 3.5 meters.

This method increases the assembly rate and reduces logistical costs waste disposal expenses, and the necessary number of construction workers – generally reducing the carbon footprint of the entire construction, and, of course, making the project more sustainable.

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    Sydney City. The central block.
    Copyright: © GENPRO
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    Sydney City. The central block.


At the same time, as we can see, the prefabrication does not get in the way of making visually complex architecture. The modules were adapted to five formats using the Grasshopper software – by varying the arrangement of the elements, the architects obtained a solid pattern of parametric nature: flexible, akin to the natural lines of the landscape, yet superimposed on a plane.

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    Sydney City. The central block. Photo montage. View 1
    Copyright: © GENPRO
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    Sydney City. The central block.
    Copyright: © GENPRO


The floor plans are subdivided here into a few types in accordance with floor groups – floors 2-16, 17-20, etc. At the top, two-floor apartments are situated. Since the bearing poles on all the floors are situated in identical locations, and the types of apartments vary, it took a lot of ingenuity from the architects to combine one with the other. In addition, according to the developer’s instructions, the apartments had to conform to the openspace format so that the buyer could combine several apartments at will, making the layout he wanted.

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    Plan of the 1st floor
    Copyright: © GENPRO
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    Building K3. Plan of the standard floor 2-16
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    Building K1, a section view
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    Building K3, a section view
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    Building K1. Plan of the standard floor 2-20


According to the initial master plan, a shopping mall was to be built in the central part. Then its function was transformed, and the shopping mall gave way to a children’s entertainment center – it was placed in the stylobate of the central block, specifically, in its southern part that is single-tier, yet with a ledge that appeared thanks to the relief drop. The outside single-store contour will also include retail, cafes, and shops because the block is situated at the crossing of pedestrian flows.

Thus, the central block of Sydney City combines the high-rise character, the stylobate’s public function, and a visual accent of parametric grids. It simultaneously responds to the orthogonal logic of the blocks of the master plan and the flexibility of the riverside nature that still has its say in these parts.
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    Sydney City. The central block. A facade fragment
    Copyright: © GENPRO
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    Sydney City. The central block. A facade fragment
    Copyright: © GENPRO
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    Sydney City. The central block. A facade fragment
    Copyright: © GENPRO
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    Sydney City. The central block. A facade fragment
    Copyright: © GENPRO


Architect:
Andy Snow

07 November 2022

Headlines now
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.