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Warm Black and White

The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.

05 June 2025
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The four black-and-white towers on the banks of a dammed section of the Serebryanka River in Pushkino form the second phase of “Quarter 31” residential complex. The first three buildings were completed in 2018, and two more – also designed by KPLN – are now nearing completion. All the buildings are 23-24 stories tall. The reservoir is surrounded by buildings of similar height, interspersed with smaller Soviet-era panel and Stalin-era apartment blocks. As a result, the central portion of “Quarter 31” does not stand out for its height, yet its façade design certainly feels like a “newcomer” here.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


From a distance, the four towers read as a neatly ordered mass. However, the master plan hides a subtle secret: while three of the towers align orthogonally to the main axes, the fourth breaks the grid, following the curve of Yaroslavskoye Highway and the boundaries of the site. Given the buildings’ size, the shift feels natural, almost imperceptible – and in fact, this slight “irregularity” brings a touch of humanity to the rigid geometry. The towers are unified by a shared plinth, whose rooftop hosts all the necessary landscaping and public spaces. Circular zones on the roof might have made the site plan resemble a quatrefoil, but instead, a stairway bridges the plinth from the highway side down to the reservoir – accessible to the public, not just residents. This seemingly small design choice was, in fact, a hard-won victory for the architects in their negotiations with the developer about ensuring the complex’s permeability.

The masterplan. "31 Kvartal« (»Quarter 31") housing complex
Copyright: © Architectural Bureau KPLN


The master plan is by far not the only part of the project where strict regularity is subtly broken – another broad stroke that makes the complex quite a sight to see is the architects’ use of color. Rather than fragmenting the towers into blocks and tiers by using different façade materials, the architects did everything the other way around and emphasized the monolithic form. Three sides of each tower are completely white, while the fourth – much like the north-facing trunk of a tree – is almost entirely black. The stark contrast elongates the silhouette, adds depth, and accentuates the plasticity of the light façades.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


The black façades are not all the same either: touches of white appear here and there as dots, grids, or stripes at different heights and densities. From afar, these subtle elements animate the façades and guide the eye across the surface, establishing visual rhythm.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


At closer range, it becomes clear that the “white” stripes on the dark façades are actually made of polished steel. The highly reflective panels create intense highlights, whose texture could even be mistaken for granite or marble.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


At street level – where it matters most – the full range of materials is revealed. The ground floors of the plinth beneath the towers are clad in glazed brick. The piers between the windows feature 3D brickwork that transforms them into “pilasters”. Each one ends in a sharp wedge shape that is echoed by a smooth, projecting element of the façade above. The pairing resembles an hourglass and separates the plinth from the residential mass not just through texture, but also through volume. The connecting segments of the plinth are clad in black, while the entrances and parking portals are trimmed with wood, adding a striking touch of warmth to the otherwise monochrome palette.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN




As for the towers themselves – they are more complex than they might first appear. A key feature that the architects use is the window grid, which varies in size. While the grid remains strict enough to avoid visual disorientation, the changing window dimensions create a gradient effect: the density and area of glazing increases from the dark northern façade toward the southern side. The most transparent point is the southern corner, where loggias give the impression of a fully glazed edge.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


As mentioned earlier, the white façades are more plastically expressive than the black ones. Square and triangular fiber cement panels are arranged on a supporting system to create three-dimensional elements – triangular pilasters between windows, angled like sun-loving plants toward the south. The floor slabs are also slightly sloped, forming small “eaves” over the windows below. The white panels, along with the folded black seams between them, resemble sheets of paper – another way of lightening the visual mass. These origami-like folds are complemented by AC unit baskets, carefully integrated into the buildings’ design.



The task of the brick portals. "31 Kvartal« (»Quarter 31") housing complex
Copyright: © Architectural Bureau KPLN


In the project, the plinth performs several functions at once. First, it compensates for the natural slope of the site, which drops almost three meters toward the river. As a result, the height of the plinth ranges from one to two stories. Most of the space is taken up by parking for 330 vehicles, surrounded by storage units and public facilities: a kindergarten, a café, sports halls, shops, and, finally, co-working areas. The main entrance groups are located at street level, while residents can also enter the plinth via secondary lobbies at the second-floor level.

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    Simplified plan at elevation -3.600."31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Simplified plan of the floor at elevation -0.300. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Simplified plan of the underground mechanical rooms at elevation -5.650. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Simplified plan of the lower mechanical area at elevation +2.550 and +4.450. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Simplified plan of the 3rd residential floor. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN


Since the towers are positioned at the corners of an almost perfectly square site, the center is left open for a landscaped courtyard. On top of the plinth, the residents enjoy recreational zones, children’s playgrounds, sports areas, and greenery. A pedestrian boulevard runs through the center, leading to the Serebryanka embankment via a wide staircase. This promenade is separated from the recreation zones by wedge-shaped lawns.



Despite the pronounced geometry and monochrome palette, the complex reveals a number of personal touches, warm gestures toward residents, and even allusions to nature. One final detail deserves special mention: the realized project stays remarkably true to the original 3D renderings – we invite you to compare the photos in this article with the visualizations from the design phase.
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    “Quarter 31” housing complex
    Copyright: Photograph © Dmitry Yagovkin / provided by KPLN
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    “Quarter 31” housing complex
    Copyright: Photograph © Dmitry Yagovkin / provided by KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Section view 1-1. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Section view 2-2. "31 Kvartal« (“Quarter 31”) housing complex
    Copyright: © Architectural Bureau KPLN
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    Facade in grid 1.1-4.9. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    The facade inn grid. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Development drawing of the facades along the Yaroslavl Highway. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN


05 June 2025

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.