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Portal of the "Empire"

Taking part in the contest for the project of the second stage of construction of "Empire Tower" Complex, the architectural group DNK treated the last unfinished building on the Krasnopresnenskaya Embankment as a laconic-shape volume with dramatic and expresive facades.

14 June 2013
Object
mainImg
Object:
Architectural concept of the mixed-use development “Empire Tower – Second Stage” as part of “Moscow City”
Russia, Moscow

Project Team:
DNK architects: Daniel Lorenz, Natalia Sidorova, Konstantin Khodnev, Anna Baranova, Maria Kochurkina, Andrew Taranukha, Chief designer: Alexander Zuckerman. Engineer: “KIM-SH” (Engex). Concept of fire safety: Oleg Laev. Visualization: KEYLIGHT

2013

The contest for the construction on the land site "Moscow City" next to the 60-floor "Empire Tower" on the Krasnopresnenskaya Embankment was already covered by our website. This area has quite a long story behind it: projects of a most diverse nature have been designed for it at various times. This circumstance is to be seen not only on paper - for example, the underground and some of the above-ground levels of a once-approved aqua park have long since been actually built in concrete. Due to the fact that now the investor has made a decision to place here the public multifunctional premises, as well as a car park, the above-ground part will be dismantled, while the existing underground part will remain unchanged, and, in the capacity of the parking garage, will be put into operation in the nearest future. This is why one of the contest specifications was the task of integrating the underground part with its surface exits into the new building.

 

Panorama of the construction site in "Moscow City"

Panorama of "Moscow City" with the insert of the contest proposal


The architects of DNK group opted out of building their solution around the "catchy" curved shape, and chose a fundamentally different and austere geometry. "We proceeded from the fact that Moscow City is full of unusual shapes as it is, so we thought that yet another strangely shaped building would be too much, all the more so because this building is smaller than its neighbors, and its reserved character will help it to be in proportion with its surroundings, will add some importance to it, - explains their choice one of the founders of DNK Natalie Sidorova - Plus, the implementation budget was very-very tight, so it is just not meant to cover any large-scale experiments with the shapes".

 

The dimensions of the construction footprint of an almost square shape of 90 x 75 meters, and the reasons having to do with finding the optimum depth of the building necessitated dividing the conditional parallelepiped into two blocks with a lit space between them. The latter was positioned perpendicular to the embankment - it is this particular position that lets all the interior spaces of the building get a river-commanding view. Both blocks were encased in a single casing in order to conform to the dimensions of the surrounding skyscrapers. Thus, between the two buildings, a spacious atrium appeared, a "visual corridor" of sorts that connects the embankment and the "Empire Tower" standing on the second construction line. The architects deliberately centered the complex strictly along the axis with the 60-floor high-rise, connecting in this way the two parts of the "Empire Tower" and enhancing their connection. The new volume is similar to propylaea, a sort of the proverbial Acropolis Propulsion before the high-rise. On the other side, the plan of the atrium that narrows in towards the center and widens out towards the exits - like a concave lens - conceptually echoes the "trademark" oval niche on the main facade of "Empire Tower" skyscraper and provides for a better river view from most of its premises.

 

Miniature


One of the main tasks of the competition was creating the new public territory integrated into the single pedestrian structure of "Moscow City" and leveling out almost a 5-meter height difference between the embankment and the entrance to "Empire Tower" high-rise. In the architectural discussions it was repeatedly noted that the Moskva River is under-engaged into forming the public territories and a fully-fledged riverside promenade is all but a rare sight in Moscow. Moscow City complex had every opportunity to repair the omission but one cannot really say that the already-built buildings succeeded in that. This is why the DNK architects laid particular stress on turning the embankment into the project priority, setting the goal of breathing life into it. In their project, the inner passage is not confined inside the building - it spills out onto the embankment in large two-level terraces with cafes and restaurants. As for the passage, DNK made it inclined, thus providing a direct link between the embankment and Moscow City with no moving staircase, in the shape of a natural landscape. The wide "terrace" promenade is oriented along the axis of "Empire Tower" skyscraper, and it leads from the embankment up to the high-rise's entrance and further on into the center of Moscow City. The inner "stairs", interconnected with spiral ramps, have on them various planting and landscape elements. Along the street, cafes and shops are situated; the "high-profile" entrance lobbies of the upper tier of the multifunctional "towers" also have their exits here, and one gets easy access to Moscow City system of pedestrian underpasses.

 

The view of the complex from the embankment


Inside covered passage

Cross-sectional plan

In spite of the fact that it is in fact the second construction stage of "Empire Tower" high-rise, the "dress" of the new volume is fundamentally different from it. The least "exposed" northern and western facades are executed almost flat, while the eastern one has a "stepping" structure which accentuates the corner position of the complex: in the construction array of the embankment and starting from "Bagration" bridge, the new building will be in fact the first one in the row. As for the southern facade that faces the river, its main theme is all about fracturing into vertical fragments that are meant to introduce the "intermediate" scale between the streets and the tower upon this, rather extended, surface. In fact, the architects piece it together from grilled fragments the width of which is equal to the width of the atrium - which allows for articulating the overall structure of the building more clearly. What is important is the fact that each of such fragments DNK places at a slight angle, and this seemingly simple technique helps give the building a more "chamber", transitional-scale character and adds extra dynamics to the embankment: when viewed from one side, the asymmetric movement is more prominent, and when viewed from the other side - less active.

According to the authors of the project, they treated the facade rather like a "windowed wall", reasoning that, for the embankment that serves as a sort of buffer between the city and the island of skyscrapers, the plastics of the pylons introduce the detailed design that is necessary for the building to be adequately perceived from the pedestrian level, as opposed to the predominantly flat surfaces of Moscow City high-rises. According to the initial plan, DNK were to even dress this "wall" into stone but later on they opted in favor of a more subtle solution - the opaque structured glass in the framework of polished steel with "windows" made of glass of a slightly greenish hue.

 

The authors paid a lot of attention to the development of the optimum functional structure of the building: the car parks are compactly placed on the four floors in the back part of the building, further away from the river, so as to free the facades with river views or the offices; the ramp in the parking garage at the corner of the building is made unheated which provides for substantial savings on the energy consumption; the positioning of the vertical communication nuclei allows people to easily move around the building - in particular, the parking garage provides easy access to any of the floors; the two blocks feature the optimum depth from the light front to the communication nucleus, and the convenient for the commercial use area of 2000 square meters with free planning; most of the maintenance premises are located in the central "dark" part of the basement floor; the technological loads and communications of the shops and restaurants are designed in such a way that they do not cross with the main public areas.

 

Plan on the level of the inside street


Plan of the car parking floor (left). Plan of the typical floor (right).

The project answers all the specifications of integrating the new building into the existing underground levels. For instance, the architects were able to keep intact all the numerous underground emergency staircases leading to the embankment level. It should be mentioned here that not all of the contestants were able to meet this condition. According to the construction plan, for the transition from one column spacing to another, the project provides a ribbed relieving platform that, due to its thinness, allows for using the space beneath it to the fullest, while the spaced-out positioning of the building nuclei and the columns kept the structure of the underground parking with no losses of the parking stalls.

 

Longitudinal section


Landscaping of the territory between the building and the embankment and creating a covered passage is not all what the theme of public spaces is about. DNK decided that the new complex needs them just as much as the city, and this is how an oasis of their very own was granted to the tenants of the second stage of "Empire Tower". The atrium sports a stepping structure and is treated as a nice little courtyard that opens up to the river panorama. "The quality of the environment seems to us just as important as the quality of the space that arises in the city with the advent of the new building - explains Natalia Sidorova. - Only by forming a single environment within and without, we achieve the balance between the interests of the investors and the interests of the city, which, in our opinion, is the key to a successful project".

View of city from the rooftop restaurant


zooming


Object:
Architectural concept of the mixed-use development “Empire Tower – Second Stage” as part of “Moscow City”
Russia, Moscow

Project Team:
DNK architects: Daniel Lorenz, Natalia Sidorova, Konstantin Khodnev, Anna Baranova, Maria Kochurkina, Andrew Taranukha, Chief designer: Alexander Zuckerman. Engineer: “KIM-SH” (Engex). Concept of fire safety: Oleg Laev. Visualization: KEYLIGHT

2013

14 June 2013

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.